Few artists in the current pop landscape swing for the fences quite like Remi Wolf does. The Palo Alto native built a sound that mashes funk basslines, psych-rock guitar tones, and unapologetically weird lyricism into something that feels genuinely her own. Picking the best Remi Wolf songs is no small task given how deep her catalog already runs, but these twenty tracks capture everything that makes her one of the most exciting voices to come out of the 2020s.
Liquor Store
“Liquor Store” opens Juno with a jolt of horns and a vocal performance that swerves between sung and shouted without ever losing the groove. Remi’s phrasing here is almost conversational, like she’s narrating a chaotic night out in real time over a bassline that refuses to sit still. The production layers in brass stabs that give the track a live-band energy, which makes sense given how much of Juno was tracked with a full room of musicians rather than built purely in the box.
Guerrilla
There’s a scrappy, DIY charm to “Guerrilla” that separates it from the more polished singles in her catalog. The guitar tone leans dirty and compressed, almost garage-rock in texture, while Remi’s vocal delivery stays playful even as the lyrics hint at something more anxious underneath. On headphones, the panning tricks in the mix reveal little vocal ad-libs tucked into the corners that are easy to miss on a first listen through phone speakers.
Quiet On Set
“Quiet On Set” leans into a slinkier, more restrained groove compared to some of the louder cuts on Juno. The arrangement gives Remi’s voice room to breathe, and she uses that space to show off a softer, more melodic side of her range. Lyrically, the song plays with themes of performance and self-consciousness, which feels fitting for an artist who spent her early career as a contestant on American Idol before finding her own lane entirely.
Anthony Kiedis
Named after the Red Hot Chili Peppers frontman, this track is one of the most structurally ambitious moments on Juno, shifting tempo and mood across its runtime like a mini suite. Remi has talked about writing the song as a stream-of-consciousness piece, and that improvisational energy comes through in how loosely the verses sit against the beat. It’s a favorite among longtime fans precisely because it rewards repeat listens, revealing new vocal layers and production flourishes each time.
Volkiano
“Volkiano” is one of the more psychedelic entries in Remi’s discography, built around a woozy synth line and drums that sound almost submerged in reverb. The vocal melody twists in unexpected directions, refusing to settle into a predictable pop hook, which is part of what makes her songwriting so distinct. If you’re the type of listener who obsesses over mix details, this is a great track to run through a solid pair of headphones, and our headphone comparison guide can help you find a set that brings out those spacious low-end textures.
Grumpy Old Man
Few songs capture Remi’s sense of humor as well as “Grumpy Old Man,” a track that pairs a bouncy, almost cartoonish bassline with lyrics about frustration and burnout. The vocal performance leans theatrical, full of exaggerated inflections that make the song feel like a character study rather than a straightforward pop cut. It’s a great example of how she uses production choices, like the slightly detuned synths, to reinforce the emotional tone of a song without ever spelling it out too literally.
Street You Live On
This track slows things down slightly, trading some of the frantic energy of earlier Juno cuts for a groove that feels more grounded and hip-hop influenced. Remi’s flow here shows real rhythmic control, riding the pocket of the beat with a confidence that hints at her range beyond straightforward pop-rock songwriting. The arrangement builds gradually, adding percussion layers as the song progresses that reward listeners who stick around for the full runtime.
Down the Line
“Down the Line” carries some of the loose, jammy energy that runs through the We Love Dogs! EP, built around a guitar riff that feels equal parts funk and classic rock. Remi’s vocal takes on this track sound a little rawer and less processed, giving the song an intimate, almost live-in-the-room quality. It’s the kind of track that translates well to a live setting, and fans who’ve caught her on tour often point to this one as a highlight of the setlist.
Buzz Me In
There’s an urgency to “Buzz Me In” that comes through in both the tempo and the tightly wound guitar line running underneath the verses. Remi’s vocal performance stacks harmonies in the chorus that add a surprising amount of warmth to what is otherwise a pretty frenetic arrangement. The song’s structure keeps listeners on their toes, shifting dynamics just often enough to avoid ever feeling repetitive.
Michael
“Michael” stands out as one of the more emotionally direct songs on Juno, trading some of the album’s chaos for a groove-driven midtempo cut with real staying power. The bassline does a lot of heavy lifting here, locking in with the drums to create a pocket that feels both loose and precise at the same time. Remi’s vocal tone softens slightly on this track, letting the lyrics land with a bit more sincerity than some of her more manic material.
Sexy Villain
“Sexy Villain” is a fan favorite for good reason, opening with a guitar hook that’s instantly memorable and building into a chorus that showcases just how elastic Remi’s voice can be. The production plays with dynamic contrast, pulling back to near silence before crashing into a full-band explosion, which makes for one of the more dramatic moments in her catalog. It’s a track that demonstrates her knack for pairing genuinely strange lyrical imagery with hooks that stick regardless.
Wyd
Playful and a little unhinged, “Wyd” leans into Remi’s love of vocal manipulation, running her voice through pitch effects that give certain lines an almost cartoonish bounce. Underneath all that studio trickery sits a genuinely tight rhythm section, proof that even her most experimental production choices are anchored by solid musicianship. The track’s brevity works in its favor, hitting hard and getting out before the joke wears thin.
Liz
“Liz” brings a warmer, more melodic sensibility to the Juno tracklist, built around a chord progression that feels almost nostalgic against Remi’s more chaotic tendencies elsewhere. The vocal layering in the chorus creates a lush, almost choir-like effect that stands in contrast to the sparser verses. It’s a song that rewards close listening, particularly for the subtle guitar textures woven throughout the back half of the track.
Sugar
There’s a sweetness to “Sugar” that lives up to its title, with a melody that leans more pop than some of her rock-indebted material. Remi’s vocal performance stays playful throughout, bouncing between register shifts that keep the energy light without sacrificing the song’s underlying groove. The mix keeps things relatively uncluttered compared to denser tracks on the album, giving the vocal plenty of room to shine.
Fired
“Fired” closes out this stretch of Juno highlights with a track that channels frustration into something surprisingly danceable. The rhythm section drives hard here, with a bassline that practically demands movement, while Remi’s vocal delivery stays sharp and biting through the verses. It’s a reminder that even her angriest material tends to come wrapped in a genuinely great groove.
Disco Man
Off the We Love Dogs! EP, “Disco Man” leans directly into its title with a strutting bassline and rhythm guitar that nod openly to classic disco and funk. Remi’s vocal performance here has a swagger to it, delivered with the kind of confidence that makes the song feel tailor-made for a car stereo on a summer drive. The horn arrangement adds another layer of texture that ties the track back to the live-band feel running through much of her early work.
Monte Carlo
“Monte Carlo” is one of the more atmospheric entries on We Love Dogs!, built around a hazy synth bed that gives the track a dreamier quality than some of her more upbeat singles. Remi’s vocal takes on a breathier tone here, matching the laid-back pacing of the arrangement. It’s a good example of her range as a songwriter, proving she can dial back the chaos when the song calls for it.
Sauce
“Sauce” brings the funk influences in Remi’s sound right to the front, with a slap-bass line and tight drum groove that practically beg for a dance floor. Meanwhile, her vocal ad-libs scattered throughout the track add a spontaneous, almost freestyled energy that keeps the song feeling loose despite the tightness of the instrumental. It’s one of the more replayable cuts in her catalog precisely because the groove never overstays its welcome.
Soup
Jumping ahead to 2024’s Big Ideas, “Soup” shows an evolution in Remi’s sound, trading some of the earlier chaos for tighter, more radio-ready production. The chorus hook lands immediately, built on a melody that’s catchier and more streamlined than a lot of her Juno-era material. It’s a strong example of how she’s grown as a songwriter while still keeping her offbeat lyrical sensibility firmly intact, and it’s easily one of the standout tracks from her more recent releases.
Slay Bitch
Also from Big Ideas, “Slay Bitch” is brash, confident, and unmistakably current, built around a beat that leans harder into hip-hop influenced production than most of her earlier catalog. Remi’s delivery is assertive from the first line, riding the beat with a swagger that shows just how far her artistic identity has evolved since her debut album. On a good pair of earbuds, the low-end punch in this mix really lands, and if you’re curious what gear handles that kind of bass response well, our earbud comparison roundup is worth a look before your next listening session.
Ranking twenty songs from an artist this consistently inventive is genuinely difficult, because Remi Wolf rarely makes a boring choice in the studio. Whether you’re drawn to the funk-driven chaos of Juno, the loose charm of We Love Dogs!, or the sharper pop instincts on Big Ideas, there’s a clear throughline of an artist who refuses to sound like anyone else.
Frequently Asked Questions
What genre is Remi Wolf’s music?
Remi Wolf’s sound blends funk, psychedelic pop, indie rock, and hip-hop influenced production into a style that resists easy categorization, often shifting genre touchstones from song to song.
What is Remi Wolf’s most popular song?
“Photo ID” and “Sexy Villain” are frequently cited among her most streamed and best-known tracks, with both showcasing the hooky, high-energy songwriting that first brought her wider attention.
Which Remi Wolf album should I start with?
Juno (2021) is generally considered her breakout full-length and a strong entry point, while Big Ideas (2024) offers a good look at how her sound has evolved more recently.
Does Remi Wolf write her own songs?
Yes, Remi Wolf is heavily involved in writing and shaping her own material, often collaborating closely with producers while maintaining a strong creative hand in the songwriting process.