If you’ve ever found yourself completely locked in on a dance floor at 1 a.m., wondering who made the track that just flipped the entire room’s energy — there’s a fair chance it was Loud Luxury. The Canadian DJ duo of Andrew Fedyk and Joe De Zeuw have quietly become one of electronic music’s most consistent hitmakers, blending house grooves with emotionally resonant pop songwriting in a way very few acts manage to pull off. This list of the best Loud Luxury songs is a proper deep dive — not just a ranking, but an honest look at what makes each track tick. Whether you’re discovering them for the first time or you’ve already worn out a pair of earbuds listening to their catalog, there’s something here for you.
Before we dive in, a quick note: Loud Luxury’s music genuinely rewards a quality listening setup. If you want to feel the punch of their low-end production or catch the subtle vocal layering that defines tracks like “Body,” browsing through compared headphones options is worth your time. The production details on these tracks are stunning on high-fidelity audio.
Body (feat. Brando)
“Body” is the song that put Loud Luxury on the global map, and it’s easy to hear exactly why. Released in 2018, the track pairs a deceptively minimal house groove — built around a stuttering, chopped vocal hook — with Brando’s breezy, almost effortless delivery. The production strips everything down to what matters: a four-on-the-floor kick, a bubbling bassline, and that iconic “body” vocal chop that became inescapable across festivals and streaming playlists. What’s remarkable is how the track maintains tension without ever overloading the mix; there’s genuine restraint at work here that most dance producers could learn from. It peaked at number 24 on the Billboard Hot 100 and reached number one in Canada, certifying it as a legitimate crossover moment for the duo.
Love No More (feat. Anders)
If “Body” was the breakthrough, “Love No More” was the confirmation. Featuring Swedish singer Anders, this 2019 release leans further into melodic house territory, built around a cascading synth lead and a chorus that feels like it was engineered to echo inside massive venues. Anders’ vocals carry genuine heartbreak without ever veering into melodrama, and the production gives his performance room to breathe through a surprisingly open mix. The bridge in particular is a masterclass in tension-building — the way the drop is withheld just a beat longer than expected catches you every single time.
I’m Not Alright (with Bryce Vine)
Teaming up with rapper and singer Bryce Vine brought a new dimension to Loud Luxury’s sound. “I’m Not Alright” blends pop-rap sensibility with house-forward production, and Vine’s charismatic vocal performance anchors a track that could easily have felt like a genre mismatch. Instead, it’s one of the duo’s most emotionally direct songs — lyrically honest about vulnerability in a way that house music rarely makes space for. The chorus opens up into a wave of synth warmth that feels genuinely cinematic, and the song’s energy holds up whether you’re catching it on a late-night drive or in the middle of a festival set.
Like Gold (with Frank Walker & Stephen Puth)
This collaboration brought together three distinct creative voices — Loud Luxury’s production instincts, Frank Walker’s pop craftsmanship, and Stephen Puth’s vocal clarity — and the result is one of the more polished entries in their catalog. “Like Gold” has an almost radio-pop sheen to it, with a shimmering lead synth and a hook that’s built for earworm longevity. It’s the kind of track that reveals more detail on repeat listens, particularly in the layered backing vocals during the chorus and the subtle percussion choices underneath. There’s a warmth to the production here that feels deliberate.
Cold Feet
One of the few Loud Luxury tracks without a featured vocalist, “Cold Feet” is a pure production statement. The track leans fully into melodic house, building through several minutes of carefully orchestrated tension before releasing into a drop that earns every second of setup. It’s the kind of song that rewards listening through quality speakers or earbuds — if you’re shopping for the right pair, take a look at some earbud comparison guides to find something that handles the low-frequency details well. The atmospheric pads in the second half of the track are particularly stunning, adding a texture that’s easy to miss on weaker audio equipment.
Aftertaste (feat. Morgan St. Jean)
Morgan St. Jean’s voice is a perfect match for Loud Luxury’s melodic sensibility, and “Aftertaste” is proof of that chemistry. The production is warmer and more lush than some of their club-oriented work, with a chord progression that feels almost vintage soul underneath the house framework. Lyrically, the song explores the lingering emotional residue of a relationship — the “aftertaste” of the title — and St. Jean delivers those themes with a vocal performance that never oversells the emotion. The result is one of the duo’s most mature and listenable recordings.
Gummy (feat. Brando)
Reuniting with Brando, who helped launch the duo into the mainstream, “Gummy” carries a playful, buoyant energy that distinguishes it from some of the more emotionally weighty material in the catalog. The production here is lighter and bouncier, built around a rolling groove and synth stabs that feel genuinely fun without being throwaway. Brando’s vocal delivery matches the track’s energy perfectly — relaxed, rhythmic, and effortlessly cool. It’s the kind of song that makes an afternoon commute feel like a party.
Nights Like These (with CID)
Collaborating with fellow house producer CID shifted the sonic texture of “Nights Like These” toward something more club-focused and raw. The production has a grittier low-end than much of Loud Luxury’s catalog, and the interplay between both producers’ instincts creates something that feels genuinely collaborative rather than one artist simply featuring another. The track works especially well on a proper sound system where the sub-bass frequencies can fully register — this is music built for a room, not just headphones.
These Nights (feat. KIDDO)
KIDDO’s distinctive vocal style — breathy, intimate, and slightly detached — gives “These Nights” a nocturnal, atmospheric quality that sets it apart within the catalog. The production supports that mood with slower-developing pads and a groove that breathes rather than pushes. It’s one of the duo’s most introspective songs, thematically exploring those late-night hours when emotions tend to surface more honestly. The restraint in the arrangement is admirable; there are moments of near-silence that feel intentional and effective.
Safe With Me (feat. Drew Love)
Drew Love brings genuine R&B sensibility to this collaboration, and the fusion of his vocal style with Loud Luxury’s house production is one of the more unexpected but satisfying pairings in their discography. “Safe With Me” has a groove that’s simultaneously smooth and insistent, built around a chord progression that could have lived in a 90s house classic. Love’s lyrics address emotional safety and trust in a relationship with directness that gives the track real substance beyond its dancefloor appeal.
Wasted (feat. WAV3POP)
WAV3POP’s energetic vocal delivery gives “Wasted” a kinetic charge from its opening seconds, and the production amplifies that energy with one of the harder-hitting drops in the Loud Luxury catalog. The track feels specifically engineered for festival main stages — the build is long and deliberate, and when the drop finally arrives, it lands with the kind of physical impact that makes a crowd react visibly. For listeners interested in exploring more high-energy house and electronic tracks, checking out curated song lists on GlobalMusicVibe is a great starting point for building a playlist.
Red Handed (with Thutmose)
Thutmose brings a rap-influenced vocal approach to “Red Handed,” and the contrast between his more rhythmically aggressive delivery and Loud Luxury’s polished house production creates productive tension. The track has an edge that some of the duo’s smoother collaborations lack, and the lyrical theme — being caught in a lie or a moment of betrayal — gives it a narrative directness. Production-wise, the percussion feels slightly rawer here than usual, which suits the song’s confrontational energy.
Holiday Hills
Another instrumental production showcase, “Holiday Hills” has an almost euphoric quality — the kind of track that feels genuinely uplifting without resorting to cheap melodic clichés. The chord progression has a nostalgic warmth to it, recalling the emotional openness of early-2000s progressive house while maintaining a distinctly modern production sensibility. It’s a patient track that builds slowly and rewards listeners who let it develop rather than skipping ahead.
Lemons (feat. Tyler Mann)
Tyler Mann’s clear, resonant tenor voice is an excellent fit for the mid-tempo groove of “Lemons,” a track that takes the old idiom about making lemonade from adversity and applies it to the messy aftermath of a relationship ending. The production has a slightly more organic feel than some of the duo’s club-oriented work, with what sounds like live percussion elements blended into the electronic framework. The result is one of the more radio-friendly tracks in their catalog without sacrificing the production integrity that defines their best work.
Mistakes (with Cat Dealers)
Teaming up with Brazilian electronic duo Cat Dealers, “Mistakes” blends two distinct production philosophies — Loud Luxury’s melodic house sensibility and Cat Dealers’ more driving, Brazilian dance influence — into something that feels genuinely global. The energy is high and sustained throughout, with a hook that’s impossible to shake after a first listen. The cross-cultural production collaboration gives the track a sonic breadth that distinguishes it from the rest of the catalog.
If Only I (with Two Friends & Bebe Rexha)
This is probably the highest-profile collaboration in the Loud Luxury catalog, and Bebe Rexha’s vocal power gives “If Only I” an emotional scale the duo’s other collaborations rarely reach. Rexha’s ability to shift between controlled restraint in the verses and full-voiced power on the chorus is extraordinary, and the production wisely clears space for her rather than competing. Two Friends’ pop-electronic instincts blend smoothly with Loud Luxury’s house approach, creating a track that genuinely bridges multiple audiences.
Next To You (with DVBBS & Kane Brown)
Bringing country star Kane Brown into a house collaboration with Loud Luxury and DVBBS was a bold creative choice, and it largely pays off. Brown’s voice carries an unmistakable warmth and emotional authenticity that cuts through the electronic production beautifully, and the track’s crossover appeal is genuine rather than calculated-feeling. The arrangement gives the country-influenced melodic elements enough space to register without diluting the dancefloor energy that defines both electronic acts’ work.
Young & Foolish (feat. charlieonnafriday)
Charlieonnafriday’s melodic rap delivery gives “Young & Foolish” an easy-going, reflective quality — this is nostalgia music done right, looking back at youth without the cloying sentimentality that genre can sometimes produce. The production is warm and layered, with enough textural detail to reward careful listening but a groove simple enough to get lost in. It’s a mature piece of songwriting that suggests continued artistic growth from the duo.
Cool Like That (feat. Bobby Shmurda)
Bobby Shmurda’s appearance on a Loud Luxury track is genuinely unexpected, and the collision of his Flatbush energy with their polished Toronto house production creates something genuinely unusual. The track has a swagger and confidence that’s different from anything else in their catalog — Shmurda’s verses feel like they could barely be contained by the production framework, which gives the whole thing an enjoyably chaotic edge. It’s a risk that works.
UH OH! (feat. Natalie Jane)
Closing the list with one of their more recent collaborations, “UH OH!” features Natalie Jane’s crystalline pop vocals over a production that finds Loud Luxury leaning into a slightly brighter, more pop-forward direction. The track has an immediacy and hook-density that makes it feel engineered for streaming-era listening without feeling cynical about it. Jane’s vocal chemistry with the production is natural and unforced, and the chorus lands with the kind of effortless energy that the best pop-house crossovers always achieve.
Frequently Asked Questions
Who are Loud Luxury?
Loud Luxury is a Canadian DJ and production duo consisting of Andrew Fedyk and Joe De Zeuw. Based in Toronto, they rose to international prominence in 2018 with their breakthrough single “Body” featuring Brando, which became a certified hit in multiple countries and helped establish them as leading voices in the melodic house space.
What is Loud Luxury’s most popular song?
“Body” featuring Brando remains their most commercially successful and widely recognized song. It peaked at number 24 on the Billboard Hot 100, reached number one in Canada, and has accumulated hundreds of millions of streams across platforms, making it one of the defining house-pop crossover hits of the late 2010s.
What genre does Loud Luxury make?
Loud Luxury primarily works within the melodic house and pop-house genres, blending four-on-the-floor dance production with pop songwriting structures and emotionally resonant vocal performances. Their catalog also touches on elements of deep house, progressive house, and pop-dance crossover depending on the collaboration.
Has Loud Luxury worked with major artists?
Yes. Their collaborator list includes Bebe Rexha, Kane Brown, Bobby Shmurda, Bryce Vine, and Thutmose, among many others. The diversity of their featured artists reflects their ability to bridge multiple genre audiences while maintaining a coherent production identity.
Where can I listen to Loud Luxury’s music?
Loud Luxury’s full catalog is available on all major streaming platforms including Spotify, Apple Music, and YouTube Music. Their music is regularly featured in curated dance and house playlists across these services.