Jasmine Rae songs have quietly built one of the most consistent catalogs in Australian country music, and if you have not spent real time with her discography, you are missing a songwriter who treats heartbreak, family, and self-respect with equal seriousness. The Melbourne-born singer emerged from the 2008 Telstra Road to Tamworth competition and has spent the years since turning out records that blend country twang with blues grit and soul phrasing. Pull up her catalog on a good pair of over-ear cans, because the vocal layering and steel guitar textures on these tracks reward close listening far more than they reward background play.
What follows is a run through twenty songs that trace her evolution from a scrappy 2008 debut single through the more polished, confident songwriting of 2020’s Lion Side. Some of these were number-one Australian Country radio hits. Others are deeper cuts that longtime fans quietly rate as her best work. Either way, this is a list built for anyone browsing the looking for an entry point into country music that does not sound like it was made in Nashville by committee.
Country Singer
Rae’s 2008 debut single announced her as a songwriter unafraid of a little self-aware humor, and “Country Singer” rode that attitude straight to number one on the Australian Country Singles and Music Video Charts. The production leans on twangy electric guitar and a driving rhythm section that gives the track a live, road-tested energy even in its studio form. Lyrically, it plays with the tropes of the genre itself, which was a bold move for a first single from an artist nobody outside Tamworth had heard of yet. It remains the clearest statement of intent in her whole catalog.
Pink Guitar
Opening her debut album Look It Up, “Pink Guitar” sets the tone with bright acoustic strumming and a vocal performance that already sounds far more assured than a first-album cut usually does. Producers Mark Moffatt and Richard Landis kept the arrangement uncluttered, letting Rae’s phrasing carry the melody without unnecessary studio polish. There is a charm to the song’s simplicity that later, more layered Jasmine Rae songs would trade for bigger hooks. On headphones, the acoustic detail in the mix is easy to miss in a car stereo but rewarding up close.
Look It Up
The title track from her 2008 debut is arguably the most consequential song in her early career, not just for how it performed at home but for what happened next. American country artist Ashton Shepherd covered “Look It Up” for a 2011 single release, and that version climbed into the Top 20 of the Billboard Hot Country Songs chart, giving Rae a rare songwriting credit on the US charts before she had even toured America extensively. The original recording has a warmer, more understated arrangement than Shepherd’s version, built around close-mic’d vocals and restrained instrumentation. It is a genuinely great song, and hearing both takes back to back is one of the more interesting comparative listening exercises in Australian country music.
Hunky Country Boys
The lead single from 2011’s Listen Here, “Hunky Country Boys” was announced in December 2010 and produced by Mark Moffatt, who shaped much of Rae’s early sound. It is a playful, mid-tempo cut with a wink in the lyrics and a chorus built for radio, and it helped push Listen Here to a number one debut on the ARIA Australian Country Albums Chart. The song’s confident vocal delivery shows real growth from the Look It Up era, with Rae leaning into a more soulful, elastic phrasing style. Live, it reportedly became one of her most requested singalong moments.
I’ll Try Anything
This Listen Here single features US country star Joe Nichols and became one of five number-one singles from Rae’s first two albums. The duet arrangement is a smart one, with Nichols’ lower register grounding Rae’s brighter tone in a way that gives the chorus real harmonic depth. It is a song about vulnerability dressed up as a party track, which is a trick a lot of country writers attempt and few pull off this cleanly. The mix favors warm mid-range vocals over sharp production flourishes, which suits the song’s emotional core.
I Faked It
“I Faked It” topped the CMC Music Video chart alongside “Hunky Country Boys” and “I’ll Try Anything,” making Listen Here a rare album with three chart-topping visual hits. The track has a sharper, more upbeat arrangement than its Listen Here siblings, built around a punchy rhythm guitar riff and a chorus melody that snaps into place on the first listen. Rae’s vocal here has a knowing, slightly sardonic edge that suits the song’s subject matter about performing confidence you do not actually feel. It is one of the more underrated tracks in her catalog for anyone assembling a personal Jasmine Rae songs playlist.
Want Me
A deeper cut from Listen Here, “Want Me” leans into the bluesier, soul-inflected side of Rae’s voice that would become more prominent on her later records. The arrangement gives more space to the rhythm section, letting the groove breathe rather than stacking the mix with layered guitars. It is a good demonstration of range for an artist who is sometimes pigeonholed as a straightforward country radio act. On a strong set of earbuds, the low-end warmth in the bassline is far more present than casual listeners might expect.
If I Want To
The title track from her third studio album, released in August 2013, “If I Want To” is one of the more direct, declarative songs in Rae’s catalog. It arrived the same year she received the CMA Global Artist of the Year award, and the songwriting reflects a performer who had settled into her own voice rather than searching for one. The chorus melody is built for arenas, with a big, open vocal line that gives Rae room to show off her range. It is a confident, front-foot single from an album that pushed her further into the mainstream Australian country conversation.
My Daddy’s Name
A more personal, narrative-driven cut from If I Want To, “My Daddy’s Name” trades big hooks for storytelling, which is where Rae’s songwriting often shines brightest. The arrangement stays relatively sparse, giving the lyrics room to land without competing against a busy mix. It is the kind of song that rewards patient listening rather than instant gratification, closer in spirit to classic country narrative songwriting than to modern radio country. Fans who prefer substance over spectacle tend to single this one out.
Bad Boys Get Me Good
This If I Want To highlight features US country star Kellie Pickler, and the pairing gives the track an extra layer of vocal texture that a solo version would not have had. It is a breezier, more playful song than some of the album’s heavier cuts, built around a bouncy rhythm and a chorus hook designed to stick immediately. The two voices trade lines with an easy chemistry that suggests genuine studio rapport rather than a phoned-in feature. It is a fun example of Rae working well within a collaborative format.
Just Don’t Ask Me How I Am
One of the more emotionally direct songs on If I Want To, this track leans into understated vulnerability rather than big dramatic swings. The production keeps things restrained, with acoustic guitar and light percussion supporting rather than overwhelming the vocal. Rae’s delivery carries real weight here, letting small vocal cracks and pauses do more emotional work than a bigger arrangement ever could. It is a song that plays especially well late at night on headphones, away from the noise of a car stereo or a crowded room.
First Song
A reflective, almost meta moment on If I Want To, “First Song” finds Rae looking back at her own career with a mix of gratitude and hard-won perspective. The arrangement is warm and mid-tempo, giving space for a melody that unfolds gradually rather than front-loading its hook. It is a fitting choice for anyone new to her catalog who wants a song that essentially narrates her own journey from Tamworth hopeful to ARIA-nominated recording artist. The songwriting craft here is some of her most mature to that point.
Heartbeat
The title track and lead focus of her fourth studio album, released on 15 May 2015, “Heartbeat” was produced by Nashville veteran Luke Wooten, and the difference in polish from her earlier ABC Music records is immediately audible. The song is an anthem about resilience and self-trust, built around a soaring chorus that Renowned for Sound and The AU Review both singled out favorably on release. Wooten’s production brings a bigger, more radio-ready low end without sacrificing the intimacy of Rae’s vocal performance. It set the tone for one of the strongest album cycles of her career.
When I Found You
Co-written by Rae with Sean Carey and Beau Golden, “When I Found You” is a country ballad in D major built on a gentle 3/4 waltz time signature, and it has become one of her signature songs, streamed more than sixteen million times. Rae has said the song was written for the wedding of her childhood friend Amber, which explains the specificity and warmth in the lyrics about marriage, ageing, and mutual dependence. The arrangement is patient and string-inflected, giving the melody room to swell without ever tipping into excess. It is the song most likely to appear on a Jasmine Rae songs playlist built for a wedding reception, and for good reason.
Eggs in a Basket
Released as a single in 2016 following the Heartbeat album cycle, “Eggs in a Basket” has a looser, more conversational feel than the album’s bigger singles. The title itself plays on a familiar idiom, and Rae builds the verses around that central metaphor with a lightness that keeps the song from feeling heavy-handed. Instrumentally, it favors a brighter mix with prominent acoustic guitar over the more layered, radio-polished sound of the Heartbeat title track. It is a good example of Rae’s ability to write hook-driven songs without losing her personality in the process.
Everybody Wants to Take My Money
The third single pulled from Heartbeat, released in 2017, this track has a sharper lyrical edge than much of the album, addressing the financial pressures and expectations that come with a music career. The rhythm section carries more weight here, with a punchier groove that suits the song’s slightly cynical tone. It is a strong example of Rae using specific, lived experience as songwriting material rather than reaching for generic themes. In contrast to the romantic focus of “When I Found You,” this one shows her willingness to write about the less glamorous side of the industry.
Green Light
One of the standout singles from 2020’s ARIA-nominated Lion Side, which debuted at number one on the Australian Country Albums Chart and number eleven on the overall ARIA Albums Chart, “Green Light” captures the more confident, contemporary production style Rae adopted for that record. The song moves with more rhythmic drive than her earlier singles, blending traditional country instrumentation with a cleaner, more modern mix. It signals permission, momentum, and self-belief in its lyrics, themes that run throughout Lion Side as a whole. It is a strong entry point for listeners who came to country music through more pop-adjacent production and want something that still respects the genre’s roots.
These Hands
A Lion Side deep cut, “These Hands” leans into physical, tactile imagery to talk about labor, love, and resilience, a songwriting approach Rae has used effectively throughout her career. The arrangement balances acoustic warmth with subtle modern production touches, reflecting how far her sound had evolved since the Look It Up era. Meanwhile, the vocal performance sits closer to the blues and soul influences she has always cited, rather than leaning purely on country convention. It is a track that benefits from close, headphone-level listening to catch the layered backing vocals.
Don’t Do It for the Haters
This Lion Side cut takes direct aim at outside noise and criticism, a theme that fits naturally with an artist eleven years and five albums into a career built on steady, unglamorous persistence. The production has more rhythmic punch than Rae’s earlier, gentler ballads, reflecting the more assertive songwriting on the record as a whole. The chorus is built for defiant singalongs rather than quiet reflection, a tonal shift that shows real range next to something like “Just Don’t Ask Me How I Am.” It is one of the more energetic moments on an album largely defined by self-assurance.
Carrying the Flame
Closing out this list, “Carrying the Flame” from Lion Side carries a sense of legacy and continuity that feels earned given how long Rae had been recording by 2020. The arrangement leans warmer and more atmospheric than the album’s more upbeat singles, giving the song room to breathe. Lyrically, it works well as a summary statement for an artist whose career has been defined by steady craft rather than viral moments or shortcuts. It is a fitting closing note for anyone working through this list in album order, from the scrappy confidence of “Country Singer” to the hard-won perspective heard here.
Taken together, these twenty tracks show an artist who has never stopped refining her songwriting while staying rooted in the same country, blues, and soul influences she started with back in 2008. If you are building out a proper home listening setup for a deep dive into her catalog, it is worth comparing a few options on the <a headphones comparison guide before committing, since the steel guitar and vocal harmony details on these records genuinely benefit from better gear. For anyone who prefers listening on the move, the earbuds comparison page is a good place to start narrowing down options that will not flatten out Rae’s vocal texture.
Frequently Asked Questions
What genre of music does Jasmine Rae make?
Jasmine Rae is classified primarily as a country artist, though her music consistently draws on blues and soul influences, particularly in her vocal phrasing and rhythm section arrangements.
What is Jasmine Rae’s most popular song?
“When I Found You,” from her 2015 album Heartbeat, is her most streamed song, having passed sixteen million streams, and it remains a staple at weddings thanks to its ballad structure and personal backstory.
How many albums has Jasmine Rae released?
Jasmine Rae has released five studio albums through ABC Music: Look It Up (2008), Listen Here (2011), If I Want To (2013), Heartbeat (2015), and Lion Side (2020).
Has Jasmine Rae written songs for other artists?
Yes. Her song “Look It Up” was covered by American country artist Ashton Shepherd, whose version reached the Top 20 of the Billboard Hot Country Songs chart in the United States.
Which awards has Jasmine Rae won?
Jasmine Rae has won two CMC Music Awards, a CMA Award for Global Artist of the Year, and is the only female solo artist to have won the fan-voted CMC Oz Artist of the Year award. She has also received multiple ARIA and Golden Guitar nominations.
Who has Jasmine Rae collaborated with?
Rae has recorded with US country stars including Joe Nichols on “I’ll Try Anything” and Kellie Pickler on “Bad Boys Get Me Good,” and she has toured with acts such as Alan Jackson, Brooks & Dunn, Joe Nichols, and Granger Smith.
What is Jasmine Rae’s Lion Side album about?
Lion Side, released in 2020, is Rae’s fifth studio album and debuted at number one on the Australian Country Albums Chart. It leans into themes of confidence, resilience, and self-belief, with a more contemporary production style than her earlier records.
Where is Jasmine Rae from?
Jasmine Rae was born in Melbourne, Victoria, Australia, in 1987, and her career began there after she won the Telstra Road to Tamworth competition in 2008.