If you’re chasing the best HP Boyz songs, you’re tapping into one of the most distinct sounds to come out of Melbourne’s outer suburbs in the last several years. HP Boyz, the Samoan-Australian trio out of Hampton Park, built their catalog on deadpan drill flows, Pasifika melodic touches, and street storytelling that never feels manufactured. What started as a group of cousins freestyling after school turned into sold-out New Zealand shows, an ARIA-charting EP, and a Pacific Music Awards win, and their discography still rewards a proper close listen. I’ve spent a stupid amount of time with these tracks on headphones, in the car, and blasted through a mediocre Bluetooth speaker at a barbecue, and every context reveals something different about how these records were built. Below is my honest, song-by-song rundown of their greatest hits, mixed with a few tracks that deserve way more attention than they get.
Blueprint
This is where it all started back in 2019, and you can hear the rawness in every bar. The mix is intentionally stripped down, letting the group’s chemistry and cadence carry the track instead of hiding behind production polish. What strikes me most is how confident the vocal delivery already sounds for a debut single, like these guys knew exactly what lane they wanted to occupy before anyone outside Hampton Park had heard of them. It picked up serious local buzz within its first couple weeks online, and in hindsight it reads like a mission statement for everything that followed.
Engineers
Engineers is the group’s signature record, and honestly it should be. The beat sits in that mid-tempo drill pocket with a bassline that hits hard on car speakers but never muddies the low end, which is a mixing choice a lot of newer drill producers get wrong. Lyrically, the track leans into calling out posturing and street authenticity, delivered with that flat, unbothered cadence that became the group’s calling card. It’s their most streamed song by a wide margin, and if you’re new to the group, this is genuinely the correct entry point.
Bad N Bouj
There’s a warmth to Bad N Bouj that separates it from the rest of the catalog, largely thanks to a melodic, almost Latin-tinged instrumental bed underneath the trap-adjacent drums. It’s the kind of song that critics compared to the feel-good energy of pop records rather than straight drill, and once you hear it that comparison makes total sense. The hook is catchy without abandoning the group’s street lyricism, which is a tightrope walk plenty of artists fail at. On a good sound system, the low-end thump paired with those brighter melodic textures really opens up.
Moves
Moves leans harder into swagger-rap territory, with a beat that gives the vocalists more room to play with flow variation than some of the group’s denser drill cuts. The verses bounce between boastful one-liners and sharper storytelling moments, which keeps the track from feeling one-note across its runtime. It’s not the most streamed song in the catalog, but it’s a favorite among longtime fans who like hearing the group loosen up a little.
Loyalty
Loyalty is arguably the emotional center of the group’s early catalog, built around themes of brotherhood and staying true to where you came from. The instrumental pulls back the aggression slightly compared to Engineers, giving space for the lyrics about trust and betrayal to actually land. It’s one of the group’s most streamed tracks, and the reason is simple: the sincerity in the delivery is impossible to fake.
Eeny Meeny
Pulled from the 6 to the World EP, Eeny Meeny is a tighter, punchier cut that leans on repetitive hook structure to stay lodged in your head. The production keeps the drums crisp and forward in the mix, which works well for a track built around momentum rather than slow-building tension. It’s a great example of the group varying pace within a single project instead of repeating the same tempo for an entire tracklist.
Out Here (feat. Keziah Feterika)
The addition of Keziah Feterika brings a different vocal texture into HP Boyz’s world, softening some of the record’s edges without diluting the street content. Her feature works almost like a counter-melody against the group’s rapping, and the arrangement clearly gives her section room to breathe rather than burying it under a wall of drums. It’s one of the more interesting collaborative choices in the catalog, and it shows the group isn’t afraid to bring in outside voices when the song calls for it.
Enemies
Enemies is darker and more confrontational than a lot of the group’s other 6 to the World cuts, with a minor-key instrumental that leans into paranoia and conflict as central themes. The vocal performances here are more clipped and aggressive, matching the tension in the production instead of fighting against it. If you want to hear the grittier, less radio-friendly side of HP Boyz, this is the track to put on.
Get 2 The Bag
This one is squarely about hustle and ambition, with a beat that prioritizes rhythmic drum programming over melody. It’s a leaner, more functional record built for movement rather than deep lyrical analysis, and that’s fine, because not every song needs to be a statement piece. In the middle of a longer listening session, it works as a solid palate cleanser between the heavier, more narrative-driven tracks.
6 to the WORLD
The title track from their breakout EP, which actually landed at number seven on the Australian hip hop and R&B chart and charted in New Zealand as well, carries a bigger, more anthemic feel than most of the group’s singles. The production widens out, with layered vocal ad-libs stacked behind the main verses to give it a communal, crew-cut energy. It’s the sound of a group realizing they’d outgrown their bedroom-freestyle beginnings, and the confidence in the delivery reflects that.
Rumours
Rumours is one of the most sonically interesting records in the entire catalog thanks to its use of a Middle Eastern string sample woven into the drill instrumental. That choice alone tells you the group and their producers were thinking beyond the standard drill toolkit by 2020. Lyrically, it sticks to familiar streetwise territory, but the exotic melodic backdrop gives it a completely different listening experience compared to something like Engineers.
M1
M1 is a leaner, more understated track that rewards close attention to the lyricism rather than big hooks or dramatic production shifts. The mixing keeps the vocals sitting right on top of the beat, which lets every line land clearly, something that matters a lot when the writing is this detail-oriented. It’s not the flashiest song on this list, but it’s one I keep coming back to on headphones specifically because of how clean the vocal presence is.
Free Throws
Free Throws has a bouncier, more playful energy than a lot of the group’s catalog, with a beat that trades some of the drill menace for a more radio-leaning bounce. The basketball-adjacent title fits the loose, confident tone of the verses, and it’s clear the group wanted something a little lighter here. It became one of their more streamed cuts, proving the fanbase was happy to follow them outside the strict drill lane.
Hundred Club
Hundred Club leans into flex-rap territory, with braggadocious verses set against a beat that keeps the low end thick and the hi-hats rolling. It’s not reinventing anything structurally, but the chemistry between the vocalists carries it, especially in how they trade lines and finish each other’s thoughts across the verses. In the car with the bass turned up, this is one of the more satisfying plays on the whole list.
Watch the Wick
This track brings a slightly moodier, more atmospheric instrumental into the mix, with reverb-heavy production choices that create some real space around the vocals. The pacing is deliberately slower than a lot of the group’s other work, which lets the lyrical content feel more menacing than aggressive. It’s a good example of HP Boyz using restraint as a production tool rather than just cranking up the intensity.
Tell Me How (feat. Larissa Lambert)
Larissa Lambert’s feature brings a genuinely melodic hook into a record that otherwise sits in familiar HP Boyz territory, and the contrast works well. The 2023 single shows the group leaning slightly more toward crossover appeal without abandoning their core identity, likely a response to how the Australian hip hop scene had shifted by that point. It’s one of their newer releases and a good sign that the group is still evolving rather than repeating themselves.
Let It Go
Let It Go, also from 2023, is one of the more emotionally direct tracks in the catalog, dealing with release and moving past conflict rather than dwelling in it. The production has a slightly more polished, contemporary sheen compared to the group’s earlier work, which makes sense given how far Australian hip hop mixing standards had come by then. It’s a strong example of the group maturing their sound without losing the identity that built their fanbase in the first place.
In My Head
In My Head takes a more introspective lyrical approach, pulling back from the crew-boast energy of earlier singles to focus on internal conflict and pressure. The instrumental matches that mood with a moodier chord progression sitting underneath the drums, giving the track more emotional weight than a surface listen might suggest. It’s a deep cut worth revisiting if you only know the group from their biggest streaming numbers.
Reminder
Reminder functions almost like a victory-lap track, referencing how far the group has come since their Hampton Park beginnings. The production keeps things relatively stripped back, putting the emphasis on the writing rather than any big sonic swing. It’s a solid inclusion for longtime fans who want to hear the group reflect on their own come-up.
RTR
Closing out this list, RTR is a tighter, punchier record that leans on rhythmic repetition in both the beat and the vocal delivery. It doesn’t reinvent the group’s formula, but it’s an efficient, well-mixed example of what HP Boyz do best: confident, unbothered street rap over drums that hit exactly where they need to. It’s a fitting note to end a catalog rundown on, showing a group still comfortable in their own lane.
Listening back through this whole catalog really highlights how much the low end matters to HP Boyz’s sound, from the sliding 808s on Engineers to the string-sample flip on Rumours. If you’re serious about catching every production detail, it’s worth browsing our headphone comparison guide before your next deep listen, since a lot of these mixes reward gear that can handle sub-bass without smearing the vocals. For anyone who does most of their listening on the move, our earbuds comparison is also worth a look, especially if you want the vocal clarity on tracks like M1 to actually translate outside the car. And if this rundown has you wanting more artist deep-dives like this one, our songs category page is where we keep publishing them.
Frequently Asked Questions
Who are the members of HP Boyz?
HP Boyz formed in 2019 in Hampton Park, Melbourne, as a trio of Samoan-Australian cousins known by their stage names HP Onit, HP YJ, and HP Mways, with Mways departing the group in 2022.
What is HP Boyz’s most streamed song?
Engineers is by far the group’s most streamed track on Spotify, having accumulated tens of millions of streams and remaining their signature single since its 2019 release.
What genre is HP Boyz’s music?
HP Boyz make Australian hip hop with a heavy drill influence, blending UK drill-style delivery and production with Pasifika melodic elements and Australian slang and storytelling.
Did HP Boyz release an album or EP?
Their breakout project is the EP 6 to the World, released in May 2020, which charted on the Australian hip hop and R&B chart and also reached the New Zealand charts.
Has HP Boyz won any awards?
The group has been recognized at the Pacific Music Awards with a People’s Choice win and received a nomination for New Zealand International Artist of the Year, along with an APRA Music Awards nomination in 2022.
What’s the best HP Boyz song to start with?
For new listeners, Engineers is the essential starting point, though Loyalty and Bad N Bouj are strong follow-ups that show the more melodic and emotional sides of the group’s sound.