If you grew up on Australian hip-hop, the best songs of 360 probably soundtracked at least one messy breakup, one big night out, and one long drive where you needed to hear something honest. Matthew Colwell, better known as 360, has spent close to two decades turning personal wreckage into hooks you can’t shake, and this list runs through the tracks that built his legacy, from the Falling & Flying era all the way to his 2025 comeback record, Out Of The Blue.
Boys Like You (feat. Gossling)
This is the one that made 360 a household name outside the hip-hop underground. Released in November 2011 off his second album Falling & Flying, “Boys Like You” was produced by Kaelyn Behr under his Styalz Fuego alias, and it climbed all the way to number three on the Australian charts before going quadruple platinum. Gossling’s hook does a lot of heavy lifting here, floating over a bruised, mid-tempo beat while 360 raps through the aftermath of a cheating ex with a rawness that still lands over a decade later. On headphones, the vocal layering in the chorus is the real standout, and it’s a masterclass in how a pop feature can elevate a rap record without softening its edges.
Child
“Child” digs into 360’s family history with alcoholism, and it’s one of the most emotionally direct verses he’s ever written. The production leans into a slow-building, almost cinematic arrangement that gives space for the storytelling to breathe rather than compete with the beat. It charted in the Australian top thirty off Falling & Flying, and live, it tends to quiet a room in a way most rap singles never manage. Lyrically, this is 360 at his most confessional, trading punchlines for plain, unguarded honesty.
Run Alone
Another Falling & Flying cut, “Run Alone” pairs a brooding low end with some of 360’s most technically tight flow work on the record. The mixing keeps his vocal dry and upfront, which suits the track’s theme of isolation and self-reliance. It’s a song that rewards a proper listen on good headphones, since the subtle synth textures under the second verse are easy to miss on a phone speaker. Streaming numbers show it’s held up as a fan favorite well over a decade after release, and it still gets a strong reaction live.
Price of Fame (feat. Gossling)
Reuniting with Gossling for Utopia in 2014, “Price of Fame” flips the emotional register of “Boys Like You” into something more reflective, about the toll fame actually takes rather than the drama that preceded it. The instrumentation is glossier here, with pop production values that match where 360’s sound was heading at the time. Gossling’s vocal again anchors the chorus, and the contrast between her melodic delivery and 360’s rap verses gives the song its dynamic push and pull.
Live It Up (feat. PEZ)
360 and PEZ go back to their Forthwrite days, and “Live It Up” captures that easy chemistry. Pulled from Utopia, the track is built around a bouncy, festival-ready beat that trades introspection for pure energy, which makes it a natural pick if you want something for the car rather than headphones at night. PEZ’s verse brings a different cadence that keeps the song from ever feeling one-note, and the two rappers clearly know how to play off each other after years of collaboration.
Impossible
Featuring Silverchair’s Daniel Johns, “Impossible” was originally released as a standalone single in January 2014 before landing on the Utopia deluxe edition. Johns brings a rock-leaning melodic sensibility to the hook that pushes 360 into more anthemic territory than usual, and the music video, which follows the two riding together in a car, mirrors that sense of two different worlds meeting in the middle. It’s one of the clearest examples of 360 using a feature to genuinely reshape his sound rather than just borrow a name for the cover art.
Sixavelli (feat. Lunar C)
This Utopia single brought UK rapper Lunar C into 360’s world, and the result is a harder, more lyrically dense track than most of the album around it. The Claudia Sangiorgi Dalimore-directed video leaned into a gritty visual style that matched the beat’s darker tone. Sonically, the mix favors punchy drums and a tighter low end, giving both rappers room to trade bars without the track ever feeling cluttered.
Tiny Angel
360 has called this one of the hardest songs he’s ever had to perform, and once you know the backstory, it’s easy to understand why. “Tiny Angel” tells the true story of a close friend who lost a baby to stillbirth, and it closed out his 2017 VI singles series before appearing on Vintage Modern. The arrangement is sparse and mournful, letting the lyrics carry almost the entire emotional weight of the track. This is not a song for a party playlist, but it might be the most powerful piece of songwriting in his entire catalog.
Yesterday (feat. Hein Cooper)
Released in September 2017 as a lead-up single to Vintage Modern, “Yesterday” is an acoustic-leaning, autobiographical track about a falling out with a close friend. Hein Cooper’s guest vocal softens the production considerably compared to 360’s usual output, giving the song a folk-adjacent warmth. It’s a good example of 360 stepping outside straightforward rap structure to let the melody and the message sit at the center.
Way Out (feat. Teischa)
Also pulled from Vintage Modern, “Way Out” deals directly with darker chapters of 360’s past, and Teischa’s hook gives it an atmospheric, almost haunted quality. The production balances brooding low-end textures with moments of melodic lift, so the song never collapses under its own weight. It fits into the album’s broader arc of confronting old demons head-on rather than glossing over them.
Drugs
Blunt by design, “Drugs” is one of Vintage Modern’s more direct statements, tackling substance struggles and their aftermath without much metaphor to hide behind. The beat is stripped back enough that every lyric lands clearly, which seems to be exactly the point. If you’re building a picture of 360’s most personal writing, this track belongs right alongside “Child” and “Tiny Angel.”
God Mode
“God Mode” kicked off 360’s 2017 VI series, six tracks released two weeks apart that eventually fed into Vintage Modern. On this one, he raps about a rough personal stretch finally turning a corner, and the beat matches that shift with a more confident, upbeat energy than a lot of the era around it. It’s a useful entry point if you want to understand the emotional arc of the whole Vintage Modern record before diving into heavier cuts like “Tiny Angel.”
My Favourite Downfall
Originally tucked into 360’s 2016 mixtape Please Be Seated 3, “My Favourite Downfall” later got a proper standalone release on streaming platforms. The mixtape origin shows in the rougher, more experimental production choices compared to his album cuts, and that looseness suits the track’s theme of chasing something that’s clearly bad for you. It’s a deep cut that longtime fans tend to bring up before casual listeners even know it exists.
Made Me Like This
360’s first release under his newer management and label deal, dropped in January 2023, “Made Me Like This” reintroduced him after a quieter stretch. The production sounds noticeably more current than his earlier work, with a cleaner low end and tighter mix that fits modern streaming playback. Thematically, it’s about ownership, taking responsibility for the person years of highs and lows have shaped him into.
Knowing My Place (with Joel Fletcher)
Teaming up with Australian DJ and producer Joel Fletcher, “Knowing My Place” pushes 360 toward dance-leaning territory, a notable stylistic left turn for an artist who built his name on boom-bap fundamentals. The track is short, hook-forward, and clearly built for festival sets rather than headphone introspection. It’s a good example of 360 adapting to where Australian dance and hip-hop crossover culture has moved in recent years.
The Truman Show
Released in March 2023, “The Truman Show” leans into a theme 360 has circled before, the feeling of performing a version of yourself for an audience that never sees the real picture. The music video, shot with a cinematic, almost surveillance-style visual language, reinforces the concept directly. Production-wise, it’s polished and radio-ready in a way that shows how much his sound has modernized since the Falling & Flying days.
Lose It
Part of 360’s steady 2023 single run, “Lose It” is built for momentum, with an energetic mix designed to translate well live. He’s talked about it as a marker of where his head was at while gearing up for a return to touring, and the track carries that restless, ready-to-perform energy in every bar. If you check our songs category page, you’ll find plenty of similar high-energy Australian hip-hop worth queuing up right after this one.
Hardly Talk
Also from 2023, “Hardly Talk” takes on a fading friendship or relationship with a more subdued, reflective tone than a lot of his other recent singles. The production sits back a little, letting the lyrics do the emotional work rather than leaning on a big chorus moment. It’s one of those tracks that hits differently depending on what you’re going through when you press play.
Back to You
The first single from 2025’s Out Of The Blue, “Back to You” marked 360’s return after a notable gap between full albums. Released in January 2025, it signaled a more mature, settled version of the artist, with production that’s cleaner and more contemporary than anything on Vintage Modern. It’s a strong entry point if you’re discovering 360 for the first time in 2026 and want to work backward through his catalog.
Chasing Ghosts (feat. D’Arcy Spiller)
Another 2025 single tied to Out Of The Blue, “Chasing Ghosts” pairs 360 with vocalist D’Arcy Spiller for a track that leans into atmosphere over aggression. The mix gives Spiller’s vocal plenty of room, while 360’s verses stay grounded and conversational rather than punchline-driven. It’s proof that even a decade and a half into his career, he’s still willing to reshape his sound around a collaborator instead of just stacking a feature on top of his usual formula.
Final Thoughts on 360’s Greatest Hits
Listening back through this run of tracks, what stands out most is how rarely 360 repeats himself. He’ll follow a stadium-sized pop-rap hook with a stripped-back confessional, then pivot into a dance collaboration a few years later without it ever feeling forced. Whether you’re revisiting the Falling & Flying era or catching up on Out Of The Blue, these songs hold up because the emotion underneath them was always real. And if you’re planning to really sit with tracks like “Tiny Angel” or “Child,” it’s worth comparing notes on gear first. Our headphones comparison guide breaks down which models handle vocal-forward mixes best, and our earbuds comparison guide is a solid starting point if you mostly listen on the move.
Frequently Asked Questions
Who is the rapper known as 360?
360 is the stage name of Matthew James Colwell, an Australian hip-hop artist from Melbourne, born in July 1986. He’s released five studio albums, starting with What You See Is What You Get in 2008 and most recently Out Of The Blue in 2025.
What is 360’s most successful song?
“Boys Like You,” featuring Gossling, is widely considered his biggest hit. It peaked at number three on the Australian singles chart and was certified quadruple platinum, making it his most commercially successful single to date.
What album is Tiny Angel from?
“Tiny Angel” appears on 360’s 2017 album Vintage Modern. It was originally released as a standalone single in August 2017 as part of a six-track series before being folded into the full album.
Does 360 still make music in 2026?
Yes. He released his fifth studio album, Out Of The Blue, in 2025, and has continued dropping new singles, including collaborations with newer artists, showing no signs of slowing down his output.
Who produced Boys Like You?
The track was produced by Kaelyn Behr under his production alias Styalz Fuego, who also won an ARIA Producer of the Year award for his work on the Falling & Flying album.