There’s a reason Little Mix became one of the most decorated girl groups in British pop history — and if you’ve ever belted out “Shout Out to My Ex” at the top of your lungs or felt the chills during a perfectly harmonized bridge, you already know. This list of the best songs of Little Mix isn’t just a chart rundown. It’s a journey through nearly a decade of powerhouse pop, jaw-dropping vocal runs, and production that genuinely holds up on a proper pair of headphones. Whether you’re a longtime Mixer or just falling into their discography, buckle up — these tracks are the real deal.
Before we dive in, if you want to get the most out of these songs, it might be worth checking out our headphone comparison guide — because trust me, Little Mix’s layered harmonies deserve more than your laptop speakers.
Shout Out to My Ex
Released in October 2016 as the lead single from Glory Days, “Shout Out to My Ex” arrived like a declaration of independence wrapped in a glossy pop package. Produced by Iain James and TMS, the track opens with a stuttering drum pattern that immediately signals something bolder is coming. Perrie, Jesy, Leigh-Anne, and Jade trade verses with the kind of confident specificity — name-checking an ex’s bad habits with precision — that made the song feel like a group text from your most unbothered friend.
What really elevates this track is the pre-chorus build. The layered harmonies swell just enough before the chorus drops into that anthemic, radio-ready hook, and it’s genuinely one of the best-constructed pop moments of 2016. The song debuted at number one on the UK Singles Chart, becoming their first chart-topper on the UK Official Chart. Crank it in the car with the windows down — the mix is engineered for exactly that.
Black Magic
“Black Magic” was the song that introduced a whole generation to Little Mix’s playful side. Released in 2015 from Get Weird, this Camille Purcell and Ed Drewett production leans hard into a bubblegum-witch aesthetic — all candy-coated vocals over a groove that bounces with infectious momentum. The girls’ voices are bright and girlish on the verses, then snap into slick unison on the chorus, creating this satisfying contrast that radio programmers absolutely devoured.
Beyond the catchy hook, the real magic (pun intended) is in the song’s construction. The bridge where Jesy leads into a stripped-back moment before the group crashes back in is textbook pop craftsmanship. The track reached the top five in multiple markets and earned them their first Grammy nomination for Best Pop Duo/Group Performance — a milestone that cemented their global standing.
Wings
You can’t talk about the best songs of Little Mix without going back to the beginning. “Wings,” released in August 2012 as their debut single, remains a genuine piece of pop history. Written by Iain James, Steve Robson, and Wayne Hector, the song blends early-2010s electro-pop production with soaring vocal hooks in a way that still sounds surprisingly fresh. When it debuted at number one on the UK Singles Chart — making them the first group to go straight to number one with a debut single after winning The X Factor — the music world sat up and paid attention.
Listen closely on headphones and you’ll catch the layered vocal stacking in the chorus — four distinct tonal qualities woven together into something bigger than any individual part. It’s a perfect mission statement: these four women sound better together than anyone could have predicted.
Touch
From their 2016 album Glory Days, “Touch” showcases a sleeker, more sophisticated side of Little Mix. The production incorporates 80s synth textures alongside a modern trap-influenced low end, creating this irresistible hybrid that sounds equally at home in a nightclub and on a streaming playlist. Jade’s vocals in particular are phenomenal here; her lower register has a husky warmth that adds real texture to the song’s seductive tone.
The chorus on “Touch” is deceptively simple — fewer words, more melodic impact — and it’s the kind of hook that creeps up on you after the third listen and refuses to leave. Reaching the top 5 in the UK, this was another commercial and artistic win that proved Glory Days was more than just a one-hit album.
Secret Love Song (feat. Jason Derulo)
This one hits different on headphones at 2am. “Secret Love Song” from Get Weird (2015) is an aching, slow-burning ballad about hiding a relationship from the world — and the emotional weight in every vocal performance is palpable. Jason Derulo’s feature fits beautifully, his smooth tenor providing a counterbalance to the group’s celestial harmonies. The production is restrained: piano, subtle strings, and a steady pulse that never competes with the voices.
What makes the song genuinely special is how the harmonies build in the final chorus — all four voices stacking into something that feels genuinely overwhelming, like the emotion can’t be contained anymore. It reached number six in the UK and has remained one of their most-streamed tracks, with fans citing it as among their all-time emotional favourites.
Secret Love Song, Pt. II
Released as a companion piece, “Secret Love Song, Pt. II” strips back the Derulo feature and hands the spotlight more evenly to the group itself. The production is slightly more intimate, leaning into acoustic elements and softer percussion — almost like hearing the original thought before it was fully dressed up. It’s a fascinating contrast and rewards fans who love diving deep into an artist’s catalogue.
The girls’ individual voices are more exposed here, which makes it a goldmine for anyone who wants to study their vocal dynamics without distraction. A must-listen for any serious Little Mix fan.
Woman Like Me (feat. Nicki Minaj)
When Little Mix dropped “Woman Like Me” in 2018 as the lead single from LM5, it felt like a manifesto. Nicki Minaj’s feature adds unmistakable star power, but crucially, the girls don’t step back — they match her energy at every turn. Produced by Kamille and Rymez, the production has this gorgeous retro undertone: hand claps, a punchy brass stab, and a groove that feels timeless rather than chasing trends.
Lyrically, this is some of their most assertive writing — celebrating women who are too much for people who aren’t enough. The bridge, where the track strips back before Nicki’s verse, is one of the best sequenced moments in their discography. The song debuted at number eleven in the UK and earned widespread critical praise for its unapologetic tone.
Power
From Glory Days, “Power” is exactly what the title promises: a booming, bass-driven pop track that makes you feel invincible. Produced by Kamille, Steve Mac, and Wayne Hector, the song builds on a four-on-the-floor beat structure with these gorgeous synth stabs that give it a euphoric, almost arena-pop quality. All four vocalists clearly had fun with this one — there’s a looseness and swagger in the delivery that doesn’t always show up in their more polished ballads.
Put this one on during a workout or a commute when you need a confidence injection. The production is rich enough to reward good audio gear — check out a headphone comparison if you want to fully appreciate the low-end work happening underneath those vocal harmonies.
Salute
“Salute,” the title track from their 2013 album, is Little Mix operating in full military-pop mode — and it remains criminally underrated in mainstream conversations. The production is gritty and punchy, built around sharp brass hits, marching percussion, and a spoken-word intro that sets up the song’s feminist energy perfectly. This was Little Mix long before “empowerment pop” became a genre buzzword, and the conviction in their performances makes every listen feel urgent.
The production choices here are bold — the mix is denser and more textured than typical pop fare of that era, almost touching on hip-hop in the way the beats land. A genuine cult classic in their catalogue.
Move
Off the same Salute album, “Move” is pure kinetic energy. The production leans into a funk-influenced groove with a synth bass line that burrows into your brain within seconds. It was a UK top ten hit and for good reason — the song never wastes a moment, with each section flowing into the next with precision. The call-and-response structure in the chorus gives it a communal quality, like everyone in the room is supposed to join in.
For fans interested in exploring more top-tier pop tracks across genres, our songs category has plenty of rabbit holes to fall into after this one.
Hair (feat. Sean Paul)
A late-career Sean Paul collab might sound unlikely on paper, but “Hair” from Glory Days absolutely works. His distinctive flow and vocal texture create a fantastic contrast with the group’s clean harmonies, and the reggae-pop production gives the song a breezy, sun-soaked quality that’s impossible to resist. The instrumental feels almost effortless — laid-back percussion, a cheerful guitar lick, and production that leaves plenty of room for both vocalists to breathe.
It’s unapologetically fun and never pretends to be anything else — sometimes that’s exactly what great pop music needs to be.
DNA
From their debut album DNA (2012), this title track showed the world that Little Mix were serious about crafting contemporary R&B-influenced pop. The production — featuring a stuttering, chopped vocal sample woven into the instrumental — felt genuinely fresh for a UK girl group at the time. The harmonies are dense and intricate, referencing classic American R&B influences while staying firmly rooted in pop accessibility.
Listening back now, you can hear the seeds of everything they would eventually grow into: the vocal ambition, the production adventurousness, the confidence.
Love Me Like You
Released in 2015, “Love Me Like You” is a delightful piece of retro-pop craftsmanship, evoking the breezy vocal group sounds of the early 1960s with a thoroughly modern production sheen. The guitar tone is warm and clean, the percussion swings gently, and all four voices lock together in these gorgeous close-harmony arrangements that showcase their musicianship more openly than many of their bigger hits.
The song peaked at number four in the UK and remains a fan favourite — a reminder that Little Mix’s range extends far beyond pure pop spectacle into something more genuinely musical.
No More Sad Songs (feat. Machine Gun Kelly)
The MGK feature on “No More Sad Songs” (2017) was one of those collaborations that raised eyebrows before it landed — but the song works brilliantly. MGK’s rap verse brings grit and momentum to a track that could have been just another mid-tempo breakup song, and the contrast between his delivery and the group’s polished harmonies gives it genuine sonic tension. The chorus is enormous, radio-primed, and emotionally direct in the best possible way.
It’s the kind of track that sounds even better through a great pair of earbuds — if you haven’t found yours yet, our earbud comparison guide is worth bookmarking.
Sweet Melody
From 2020’s Confetti, “Sweet Melody” arrived during a difficult year for everyone and somehow managed to feel like a hug and a dance party simultaneously. The production is joyful and nostalgic — ABBA-esque in its brightness, with handclaps, layered harmonies, and a chorus that seems physically incapable of leaving your head. The songwriting is tightly constructed, moving from verse to pre-chorus to chorus with zero dead air.
“Sweet Melody” debuted at number one in the UK — their third chart-topper — and has since amassed hundreds of millions of streams worldwide. It’s the kind of song that reminds you why pop music, at its best, is genuinely an art form.
Break Up Song
Also from Confetti, “Break Up Song” arrived in 2020 with a shimmering disco-pop production that nodded firmly toward Dua Lipa’s Future Nostalgia era without feeling derivative. The bass line grooves with real purpose, the synths glitter, and the group’s vocals have never sounded more confident or polished. There’s a maturity to the production and performance that signals an act at the peak of their powers.
It’s a track that rewards volume — turn it up, because the low-end mix is genuinely satisfying.
Confetti (feat. Saweetie)
The title track from their final group album features Saweetie in a feature that elevates an already euphoric song into something genuinely celebratory. The production bursts with confetti-cannon energy — big synths, punchy percussion, and a chorus designed for maximum communal singalong. Saweetie’s verse drops with swagger and doesn’t outstay its welcome, threading perfectly into the song’s momentum. As a bookend to their group career, the joyful excess of “Confetti” feels entirely fitting.
Heartbreak Anthem (with Galantis & David Guetta)
The 2021 collaboration with Galantis and David Guetta pushed Little Mix squarely into EDM-pop territory, and the results were exhilarating. The production is huge — festival-stage huge — with a breakdown that practically demands a crowd and hands in the air. Guetta and Galantis bring their signature euphoric drop sensibility, while the girls anchor the emotion with genuine vocal performances that prevent it from feeling like pure dance-floor formula. A career highlight they perhaps don’t get enough credit for.
Only You (with Cheat Codes)
The collaboration with Cheat Codes gave us one of Little Mix’s more understated moments — a midtempo track built around a warm, organic production that doesn’t demand your attention so much as earn it gradually. The vocal performances are restrained and emotionally focused, and the production creates a sense of intimacy that their bigger pop moments sometimes don’t allow. A perfect late-night listen that shows real artistic range.
Little Me
Closing this list where it emotionally belongs: “Little Me,” released in 2013, is one of the most genuinely moving songs in their entire catalogue. Written as a letter of encouragement to their younger selves — and by extension, to every young person struggling with confidence — the song’s stripped-back piano-and-gospel production gives the harmonies maximum space to soar. The vocal performances are raw in the best possible way, full of the kind of earned emotion that can’t be manufactured.
It’s a song that has clearly resonated on a profound level with fans, and it remains one of the truest expressions of what Little Mix, at their best, were all about: real voices, real feelings, and music that genuinely means something.
Frequently Asked Questions
What is Little Mix’s most popular song of all time?
“Shout Out to My Ex” is widely considered their signature hit, having debuted at number one on the UK Singles Chart in 2016 and becoming one of their most-streamed tracks globally. However, “Sweet Melody” and “Black Magic” are also strong contenders depending on the era.
Did Little Mix write their own songs?
Yes, increasingly so as their career progressed. While early tracks were largely written by external songwriters, the group became actively involved in the writing process — particularly from Glory Days onward — and received co-writing credits on many of their later songs.
How many UK number one singles did Little Mix have?
Little Mix achieved multiple UK number one singles during their career, including “Wings,” “Shout Out to My Ex,” and “Sweet Melody” — cementing their place as one of the UK’s most successful pop acts of the 2010s.
Who are the members of Little Mix?
Little Mix consisted of four members: Perrie Edwards, Jesy Nelson, Leigh-Anne Pinnock, and Jade Thirlwall. Jesy Nelson departed the group in December 2020, after which the remaining three continued as a trio before announcing a hiatus in 2022.
What album should I start with if I’m new to Little Mix?
Glory Days (2016) is an excellent entry point — it contains some of their biggest hits (“Shout Out to My Ex,” “Touch,” “Power,” “Hair”) and represents the group at a confident, commercially polished peak. For their more experimental side, LM5 (2018) is equally rewarding.
Are Little Mix still active?
As of the time of writing, Little Mix announced a hiatus in 2022 to pursue solo projects. All three remaining members — Perrie, Leigh-Anne, and Jade — have released solo material, though no official disbandment has been declared.