If you’ve spent any time in a festival crowd over the past decade, chances are you’ve heard that unmistakable brass riff cut through a bassline and send an entire field into chaos. Timmy Trumpet best songs aren’t just tracks, they’re festival rituals, and the Australian DJ and producer has built one of the most recognizable catalogs in dance music by fusing live trumpet playing with everything from big room house to hardstyle and psytrance. I’ve followed his output for years, and what strikes me every time I revisit his discography is how consistently he manages to make a brass instrument feel like the heaviest drop in the room. This list rounds up twenty of his most essential cuts, the ones that built his legacy and the ones still lighting up main stages today.
Freaks (feat. Savage)
There’s no starting this list anywhere else. Released back in 2014, “Freaks” is the track that put Timmy Trumpet on the global map, and honestly, it still holds up as one of the most infectious moombahton-meets-electro-house records ever made. The interplay between Savage’s chopped vocal hook and that gloriously brash trumpet stab creates a call-and-response energy that translates perfectly whether you’re hearing it through a car stereo or blasting it on a proper festival rig. It became a Beatport chart staple and remains a rite-of-passage anthem for anyone discovering big room dance music for the first time.
Nightmare
“Nightmare” leans harder into big room and hardstyle territory, and you can hear Timmy Trumpet flexing a darker, more aggressive production style here. The build-up is patient, almost cinematic, before it detonates into a stomping kick pattern that demands a live crowd to really appreciate. On headphones, the low-end mastering feels tight and controlled, but this is one of those songs that genuinely needs a subwoofer to hit the way it was designed to.
Hipsta (with Chardy)
Teaming up with fellow Australian producer Chardy, “Hipsta” brings a lighter, tropical-tinged festival trap groove into the mix. The vocal chops and syncopated percussion give it a summery, sun-drenched feel that contrasts nicely against some of his heavier hardstyle output. It’s a great example of how Timmy Trumpet can pivot genres without losing his signature energy, and the collaboration clearly benefits from Chardy’s melodic sensibility.
Party Till We Die (with MAKJ feat. Andrew W.K.)
This one is pure, unfiltered party rock energy. Bringing in Andrew W.K., the reigning king of party-anthem vocals, alongside MAKJ’s big room production instincts, makes for a track that feels engineered specifically for peak-time festival sets. The lyrical simplicity is intentional, this isn’t a song built for deep listening, it’s built for jumping, screaming, and losing your voice by the second chorus.
Oracle
“Oracle” showcases a more progressive, melodic side of Timmy Trumpet’s production. The arrangement builds through layered synth textures before the trumpet enters almost like a lead instrument rather than a novelty element, blending seamlessly into the mix instead of stealing the spotlight. It’s a track that rewards close listening on a good pair of headphones, where you can actually appreciate the mixing choices behind the atmospheric intro.
Punjabi (with Dimatik)
One of the more culturally distinctive entries in his catalog, “Punjabi” incorporates bhangra-inspired percussion and melodic phrasing into a festival trap framework. Working alongside Dimatik, Timmy Trumpet blends South Asian instrumentation with Western club production in a way that feels celebratory rather than gimmicky. It’s the kind of genre-fusion record that shows real curiosity about global music traditions, something you don’t always get from mainstream EDM.
Narco (with Blasterjaxx)
If you asked festival-goers to name the single biggest Timmy Trumpet moment of the mid-2010s, a huge number would say “Narco.” Co-produced with Dutch duo Blasterjaxx, the track fuses hardstyle intensity with big room structure, and it absolutely detonated at Tomorrowland and Ultra Music Festival sets around 2016. The tension in the buildup, followed by that relentless, driving drop, is a masterclass in festival production pacing.
Deja-Vu (feat. Savage)
A spiritual sequel to “Freaks,” “Deja-Vu” reunites Timmy Trumpet with Savage for another round of brass-forward electro house. It doesn’t quite reach the cultural saturation of its predecessor, but the production is arguably tighter, with a more polished low end and crisper vocal mixing. Fans of the original will appreciate how it revisits familiar territory while still finding room to surprise.
World At Our Feet
This track carries genuine cultural weight, having served as an official anthem tied to the 2018 FIFA World Cup in Russia through a Coca-Cola campaign. The production is anthemic and uplifting by design, built to soundtrack stadium moments rather than club floors. Lyrically and sonically, it’s one of his most accessible records, appealing to listeners well beyond the usual EDM crowd.
911 (with R3HAB)
Pairing with fellow big room veteran R3HAB, “911” is an urgent, siren-laced club weapon built for peak-time sets. The two producers clearly play off each other’s strengths, R3HAB’s clean melodic instincts balancing Timmy Trumpet’s more chaotic, brass-driven energy. It’s a great example of a collaboration where neither artist’s identity gets lost in the mix.
Diamonds
“Diamonds” leans into a brighter, more uplifting big room sound, with shimmering synth layers that give the track a celebratory, almost anthemic quality. The mastering here favors clarity over sheer aggression, making it one of the more radio-friendly entries on this list. It’s a solid choice for anyone easing into his catalog who wants something a little less abrasive than his hardstyle cuts.
Cardio
True to its name, “Cardio” is relentless. The tempo and percussion are engineered for pure physical energy, making it a favorite among listeners who use festival music as workout soundtracks as much as club anthems. The trumpet stabs here function almost like a rhythmic instrument rather than a melodic one, locking into the groove instead of soaring above it.
Mad World (with Gabry Ponte)
Collaborating with Gabry Ponte, the Italian dance music veteran behind Eiffel 65, brings a distinct old-school Eurodance flavor into this record. The chemistry between Ponte’s melodic dance roots and Timmy Trumpet’s modern festival production creates something that feels both nostalgic and current at once. It’s a fascinating example of generational crossover within the same genre.
Child of the Devil (with Sub Zero Project)
This is one of the heaviest hardstyle collaborations on the list, made alongside Sub Zero Project, a duo well respected within the hardstyle scene for their technical production chops. The kick design is punishing in the best way, and the arrangement structure follows hardstyle conventions more closely than Timmy Trumpet’s typical big room output. If you’re curious about his range outside brass-led anthems, this track is essential listening.
Another Level (feat. Lovespeake)
Vocalist Lovespeake brings genuine emotional weight to “Another Level,” giving the track a more song-oriented structure compared to some of the instrumental-forward entries here. The verses breathe before the drop arrives, and the vocal mixing sits beautifully in the arrangement without getting buried under the synth work. It’s proof that Timmy Trumpet can write a genuinely melodic pop-leaning dance record when he wants to.
Vivaldi (feat. Mariana BO)
Drawing obvious inspiration from Antonio Vivaldi’s classical compositions, this track reimagines baroque string melodies within a festival trap context. Brazilian vocalist Mariana BO adds a distinctive texture to the vocal performance, and the classical sampling gives the whole record an unexpected sense of grandeur. It’s one of the more ambitious genre experiments in his catalog, bridging centuries of music history in under four minutes.
The Race (with Vini Vici & Sub Zero Project)
Bringing together psytrance heavyweights Vini Vici and hardstyle specialists Sub Zero Project, “The Race” is a genre-blending experiment that shouldn’t work on paper but absolutely does on the dancefloor. The psytrance arpeggios collide with hardstyle’s punchy kick patterns in a way that keeps the energy relentlessly building across the track’s runtime. It’s a good reminder of how collaborative dance music can push producers outside their usual comfort zones.
Toca (with Carnage & KSHMR)
“Toca” is a heavyweight collaboration, bringing together Carnage and KSHMR, two of the most influential names in modern trap and festival EDM production. The result is a maximalist, bass-heavy anthem that became a genuine highlight of Ultra Music Festival sets, with each producer’s signature style audible throughout the arrangement. If you want to hear three distinct festival sensibilities merge into one record, this is the track to study.
The Buzz (with New World Sound)
New World Sound, known for viral hits like “Flute,” bring their buzzing, insect-like synth textures into this collaboration, and the pairing with Timmy Trumpet’s brass elements creates a genuinely unique sonic palette. The production leans hard into aggressive, almost abrasive synth design, which works brilliantly in a live festival setting where the sheer volume amplifies every texture. It’s not the most melodic entry on this list, but it’s one of the most sonically distinctive.
Al Pacino (with Krunk!)
Named cheekily after the legendary actor, “Al Pacino” is a hard-hitting bass record made alongside Krunk!, leaning into darker, more industrial sound design than much of Timmy Trumpet’s brighter big room catalog. The bass tone has real weight and grit to it, benefiting enormously from proper subwoofer playback rather than casual laptop speakers. It’s a track that rewards listeners who appreciate sound design as much as songwriting.
Where to Explore More
If this deep dive into Timmy Trumpet’s catalog has you wanting more festival anthems and genre breakdowns, our full archive of song features and artist spotlights covers everything from big room to hardstyle to trap. And since a lot of this music genuinely lives or dies on playback quality, it’s worth checking our breakdown of the best earbuds for bass-heavy listening if you’re often on the move, or our headphone comparison guide for a proper home listening setup where you can actually hear what these producers are doing in the mix.
Frequently Asked Questions
What is Timmy Trumpet’s most popular song?
“Freaks” featuring Savage remains Timmy Trumpet’s most widely recognized track, having become a defining festival anthem since its 2014 release and still appearing in DJ sets and festival throwback moments today.
What genre does Timmy Trumpet make music in?
Timmy Trumpet works across multiple electronic dance music subgenres, including big room house, hardstyle, electro house, and festival trap, often blending elements from several styles within a single track.
Why does Timmy Trumpet use a trumpet in his songs?
Timmy Trumpet trained as a jazz trumpeter before moving into dance music production, and he incorporates live trumpet playing into his tracks as a signature element that distinguishes his sound from typical EDM producers.
What is Timmy Trumpet’s biggest collaboration?
“Toca,” his collaboration with Carnage and KSHMR, stands out as one of his biggest team-ups, bringing together three major festival production styles into one high-energy record.
Is Timmy Trumpet still releasing new music?
Yes, Timmy Trumpet continues to release new singles and collaborations regularly, maintaining an active touring and production schedule across major festivals worldwide.