The EDSA People Power Revolution stands as one of the most powerful demonstrations of peaceful resistance in modern history, and music played a defining role in uniting millions of Filipinos during those historic four days in February 1986. These songs became the soundtrack of democracy, echoing through the streets and airwaves as ordinary citizens stood against authoritarianism with nothing but courage, faith, and unity. From the revolutionary anthems that defined the original movement to contemporary tracks that keep the spirit of EDSA alive for new generations, these twenty songs continue to inspire Filipinos to defend their hard-won freedoms and remain vigilant against the erosion of democratic values.
Bayan Ko by Freddie Aguilar
This patriotic kundiman became the de facto anthem of the EDSA Revolution, with protesters singing it spontaneously throughout the four-day uprising as an expression of their longing for freedom. Originally written during the Philippine-American War, Freddie Aguilar’s folk rendition transformed it into a powerful rallying cry that captured the collective yearning to break free from authoritarian rule. The song’s imagery of a caged bird dreaming of flight resonated deeply with Filipinos who had lived under martial law, making it an emotional centerpiece of the peaceful revolution that amazed the world.
Handog ng Pilipino sa Mundo by Various Artists
Composed by Jim Paredes of the Apo Hiking Society specifically to commemorate the People Power Revolution, this supergroup collaboration brought together fifteen of the Philippines’ biggest music stars to celebrate the triumph of democracy. Released just weeks after the Marcoses fled the country, the song’s uplifting melody and hopeful lyrics became an instant classic that expressed the nation’s joy and pride in what had been accomplished through peaceful means. The lyrics are permanently inscribed on a wall at the EDSA Shrine, ensuring that future generations remember the gift of democracy that Filipinos gave not just to themselves but to the world.
Magkaisa by Virna Lisa
Written by Tito Sotto immediately after the EDSA Revolution, this song became a powerful call for national unity and reconciliation following the divisive years of dictatorship. Virna Lisa’s emotive vocals delivered the message that Filipinos must come together despite their differences, avoid being swept away by conflict, and listen to each voice to prevent the darkness from returning. The song’s chorus became a unifying chant during post-EDSA gatherings and continues to be performed at anniversary commemorations as a reminder that true unity comes from acknowledging diverse voices rather than enforcing blind conformity.
Tie a Yellow Ribbon Round the Ole Oak Tree by Tony Orlando and Dawn
Originally an American pop song about a prisoner returning home, this track was adopted by the opposition as a symbol of hope for political detainees and became intimately associated with Senator Benigno “Ninoy” Aquino’s planned homecoming. After Ninoy’s assassination in 1983, yellow ribbons became the color of the opposition movement, appearing everywhere during the EDSA Revolution as symbols of resistance and hope. The song’s message about freedom and homecoming perfectly captured the aspirations of a nation waiting to welcome back democracy after years of authoritarian darkness.
Bayan Ko by Various Artists (Traditional Kundiman)
While Freddie Aguilar’s version became most famous during EDSA, this traditional kundiman has been performed by countless Filipino artists throughout history as an expression of patriotic longing and national pride. The song’s origins date back to the Philippine-American War, and its enduring relevance demonstrates how struggles for freedom and sovereignty connect across generations. During the EDSA Revolution, different groups sang their own versions throughout the crowd, creating a powerful chorus of voices that united people from all walks of life in common cause.
Tatsulok by Buklod
Originally composed by Rom Dongeto in 1989 and performed by the folk-rock trio Buklod in 1991, this protest song uses the metaphor of a triangle to critique the socioeconomic hierarchy that keeps the elite at the top while the masses struggle below. The song urges “Totoy” (representing ordinary Filipinos) to recognize that the real conflict isn’t between political colors but between justice and injustice, calling for the inversion of the social pyramid. Though written after EDSA, it became an anthem for subsequent movements defending democracy and continues to be performed at protests and commemorations, connecting the original People Power spirit to ongoing struggles for equality and accountability.
Tatsulok by Bamboo
Bamboo’s 2007 rock cover of Buklod’s protest classic introduced “Tatsulok” to a new generation of Filipinos with a heavier sound that amplified the song’s urgent message about systemic inequality. The aggressive guitars and powerful vocals resonated with millennials and Gen Z listeners who adopted it as their own protest anthem during various social movements. This version’s mainstream success proved that the critique of power structures and calls for justice that motivated the EDSA Revolution remain relevant to contemporary Philippine society, inspiring young activists to continue the work of defending democracy.
Kapangyarihan by Ben&Ben featuring SB19
Released in 2021 as part of Ben&Ben’s album “Pebble House, Vol. 1: Kuwaderno,” this socially conscious collaboration became an anthem for accountability and transparency in governance. The folk-pop track gained renewed prominence in 2025 when Ben&Ben performed it at the Trillion Peso March at the EDSA People Power Monument, demonstrating how the spirit of EDSA continues to inspire civic action. The song’s powerful chorus and harmonies call for ending corruption and holding leaders accountable, echoing the same demands for good governance that motivated the original People Power Revolution.
Mambo Magsaysay by Raul Manglapus
This campaign jingle from Ramon Magsaysay’s 1953 presidential run was revived during the EDSA Revolution as a reminder of democratic ideals and the importance of choosing honest leaders. The catchy mambo rhythm and lyrics warning that “our democracy will die” if proper leadership isn’t established resonated with revolutionaries fighting to restore democratic government. Its spontaneous reappearance during EDSA showed how Filipinos drew on their democratic traditions and remembered leaders who had genuinely served the people when challenging the authoritarian present.
Ave Maria (Traditional Hymn)
This sacred hymn became one of the most powerful symbols of the revolution’s peaceful, prayerful character as nuns, priests, and ordinary Catholics sang it while facing down tanks and armed soldiers. The largely Catholic crowd at EDSA erupted in renditions of “Ave Maria” at various points throughout the four days, creating moments of transcendent faith that contrasted sharply with the military hardware arrayed against them. The hymn’s presence at EDSA underscored the crucial role the Catholic Church played in mobilizing people and maintaining the revolution’s nonviolent character.
Onward Christian Soldiers (Hymn)
This Christian marching hymn was sung by protesters at EDSA as an expression of their faith-driven commitment to standing up for justice and democracy despite the dangers they faced. The song’s martial imagery took on new meaning as civilians used it to bolster their courage while confronting actual soldiers, transforming military language into a spiritual rallying cry. Radio Veritas broadcaster June Keithley used church hymns like this to identify her broadcasts after the station was taken off the air, helping listeners find her revolutionary radio programming.
Kaleidoscope World by Francis Magalona
Francis M’s celebration of diversity and unity in this hip-hop classic perfectly captures the EDSA Revolution’s demonstration that Filipinos from all backgrounds could unite for a common democratic cause. The song’s optimistic message about accepting differences while working toward shared goals reflects the unprecedented coalition of students, workers, religious leaders, soldiers, and business people who stood together at EDSA. Its upbeat energy and inclusive vision made it a favorite at post-EDSA celebrations and continues to remind Filipinos of what they can accomplish when they embrace their diversity as strength.
Noypi by Bamboo
While released years after the original EDSA Revolution, this rock anthem has become a modern expression of Filipino pride and defiance against injustice, making it relevant for contemporary EDSA commemorations. Bamboo’s aggressive vocals and driving rhythm channel the same rebellious energy that powered People Power, connecting today’s generation to the revolutionary tradition. The song has been adopted by various social movements and protests, proving that the spirit of standing up to power and demanding accountability continues to inspire Filipinos decades after the original revolution.
Ako ay Pilipino by Kuh Ledesma
This straightforward declaration of Filipino identity became an important affirmation during the revolution, reminding participants that they were fighting to reclaim their nation’s dignity and sovereignty. Kuh Ledesma’s powerful interpretation reinforced the idea that being Filipino meant standing up for justice, democracy, and human rights rather than accepting oppression. The song’s simple but profound message about national pride provided emotional fuel for the millions who participated in the peaceful uprising when exploring earbuds comparisons to enjoy these historic tracks.
Tayo’y Mga Pinoy by Heber Bartolome
This nationalistic anthem celebrates Filipino identity and the inherent strength found in unity, making it a perfect soundtrack for a revolution that showcased the power of collective peaceful action. Heber Bartolome’s composition emphasizes pride in being Filipino and the responsibilities that come with citizenship in a democratic nation. The song’s message about standing together regardless of social class or background perfectly encapsulated the diverse coalition that came together at EDSA to reclaim the country’s future from authoritarian rule.
Saranggola ni Pepe by Blackbuster
Though originally a folk-rock song about childhood and Filipino culture, this track became associated with the revolution’s spirit of freedom and the simple joys that democracy promises to protect and preserve. The metaphor of a kite flying freely in the wind resonated with the aspirations of a people breaking free from authoritarian constraints and envisioning a future without oppression. Blackbuster’s rendition captured the hopeful, liberating energy that characterized the EDSA Revolution and the bright future Filipinos imagined for their newly democratic nation.
Ako’y Isang Pinoy by Florante
This classic declaration of Filipino identity reinforced the nationalist sentiments fueling the EDSA Revolution and reminded participants why they were risking their safety for their country’s future and democratic principles. Florante’s folk-rock styling and earnest delivery made the song accessible across generations and social classes, embodying the inclusive spirit of the People Power movement. The song’s enduring popularity at patriotic gatherings demonstrates how EDSA strengthened Filipino national consciousness and pride in collective democratic action that changed their nation.
Umagang Kay Ganda by Circus Band
This optimistic song about a beautiful morning became symbolic of the new dawn the EDSA Revolution promised to bring to the Philippines after years of authoritarian darkness and repression. The cheerful melody and imagery of sunshine breaking through darkness resonated with revolutionaries who saw their actions as ushering in a brighter era for their nation and future generations. The song’s pure hopefulness captured the revolution’s positive, life-affirming energy despite the serious risks involved, reflecting the celebratory atmosphere that characterized much of the peaceful uprising.
Himig ng Pag-ibig by Asin
This love song transcended its romantic origins during EDSA to become associated with love of country and the compassionate, nonviolent spirit that defined the People Power Revolution’s approach. The gentle melody and hopeful lyrics provided a counterpoint to the tension and potential violence that threatened during those four days in February 1986. Its message of love conquering fear perfectly captured how ordinary Filipinos armed only with rosaries, flowers, and songs faced down tanks and soldiers to reclaim democracy.
Masdan Mo Ang Kapaligiran by Asin
This environmental anthem’s call for awareness and responsibility resonates with the EDSA Revolution’s broader message about civic duty and protecting the nation’s future for coming generations of Filipinos. Asin’s folk-rock approach and socially conscious lyrics helped establish a tradition of protest music in the Philippines that found its ultimate expression during the People Power movement. The song reminds listeners that the revolution wasn’t just about changing leaders but about creating a society where citizens actively participate in shaping their communities through quality headphones to appreciate its message.
Ang Bayan Ko (Modern Version) by Ben&Ben
Ben&Ben’s contemporary folk-pop interpretation of the revolutionary classic introduces the EDSA anthem to new generations through their signature harmonies and modern production values that appeal to younger listeners. Released as part of recent EDSA anniversary commemorations, this version maintains the song’s powerful message while making it accessible to millennials and Gen Z through contemporary musical styling. The band’s massive following among younger Filipinos ensures that the revolution’s most important anthem continues to resonate and remind new generations about their responsibility to protect democracy.
Frequently Asked Questions
What were the main songs actually sung during the EDSA Revolution?
The primary songs documented as being sung during the actual EDSA Revolution in February 1986 were “Bayan Ko” (which became the unofficial anthem), “Tie a Yellow Ribbon Round the Ole Oak Tree,” various Catholic hymns including “Ave Maria” and “Onward Christian Soldiers,” and the Ramon Magsaysay campaign jingle “Mambo Magsaysay.” These songs were performed spontaneously by the crowds gathered along EDSA and were also broadcast over Radio Veritas and later Radyo Bandido to help people identify the revolutionary broadcasts. The song “Handog ng Pilipino sa Mundo” was composed specifically to commemorate the revolution and was released in the weeks immediately following the peaceful uprising.
How did music contribute to the success of the EDSA Revolution?
Music served multiple crucial functions during the EDSA Revolution, providing a unifying force that helped diverse groups feel connected to a common cause, boosting morale during tense standoffs with military forces, and creating a peaceful, almost festive atmosphere that distinguished this revolution from violent uprisings. Songs like “Bayan Ko” gave participants a way to express their democratic aspirations and maintain courage when facing armed soldiers, while hymns reinforced the revolution’s spiritual foundation and nonviolent character. Radio broadcasters also used specific songs as identifiers to help listeners find revolutionary programming after official stations were shut down, making music an essential tool for communication and coordination.
Why are contemporary songs included in EDSA Revolution anniversary celebrations?
Contemporary songs are included in EDSA anniversary celebrations because they demonstrate that the revolution’s core values—democracy, accountability, social justice, and collective action—remain relevant to current Philippine society and continue inspiring new generations. Modern tracks like “Kapangyarihan” by Ben&Ben and SB19, and Bamboo’s version of “Tatsulok” connect today’s social movements to the EDSA tradition, showing that each generation must defend democratic gains against new threats. These newer songs introduce the spirit of People Power to younger Filipinos who didn’t experience the original revolution, ensuring that EDSA’s lessons about civic responsibility and peaceful resistance continue shaping Philippine political culture.
What makes “Bayan Ko” so significant to the EDSA Revolution?
“Bayan Ko” became EDSA’s anthem because its lyrics about a caged bird longing for freedom perfectly expressed Filipinos’ desire to break free from authoritarian rule and reclaim their democratic rights after years of martial law. The song already had an established place in Filipino protest culture, having been written during the Philippine-American War and revived during various struggles for freedom throughout Philippine history. When crowds spontaneously sang it during the revolution, it created powerful moments of collective expression that symbolized the unity and determination of the People Power movement, and its emotional resonance helped sustain people’s courage during the tense four-day standoff.
How can I find these songs to listen to?
All of the songs mentioned in this list are available on YouTube and major streaming platforms, making them easily accessible for anyone wanting to understand or commemorate the EDSA Revolution through music. Search for the specific artist and song title combinations mentioned, such as “Bayan Ko Freddie Aguilar,” “Handog ng Pilipino sa Mundo,” “Tatsulok Buklod,” or “Tatsulok Bamboo” to find original and cover versions. Many EDSA anniversary commemorations and historical documentaries also feature these songs, providing context about how they were used during the revolution and why they remain meaningful to Filipinos defending democracy today.