If you’ve been searching for the best songs of Priscilla Block, you’ve landed in exactly the right place. Priscilla Block didn’t follow a conventional path to country music stardom — she built her fanbase one brutally honest TikTok at a time, and the music world took notice fast. From her self-released debut that went viral to her major-label albums packed with emotional gut-punches and dancefloor anthems, Block has carved out a lane that’s unmistakably her own: country with attitude, vulnerability, and a whole lot of heart.
Born in Raleigh, North Carolina, Block grew up singing in church and performing in school productions before moving to Nashville to chase her dream. What sets her apart isn’t just the twang or the production — it’s the fearlessness. She sings about thick thighs and whiskey in the same breath as heartbreak and self-discovery, and somehow every single track lands with the weight of a confessional journal entry. Whether you’re a longtime fan or just discovering her catalog, this deep-dive into her greatest hits will have you hitting replay all night long.
PMS
Let’s start where Priscilla Block’s story truly ignited. “PMS” was released in 2020 as a self-funded single she promoted through TikTok, and the response was nothing short of seismic. The production is deliberately lean — acoustic guitar upfront, a driving kick drum, and Block’s voice doing the heavy lifting with zero vocal processing tricks. That stripped-back approach was a calculated choice, and it paid off: the song racked up millions of streams organically before any label came calling.
Lyrically, “PMS” is a masterclass in comedic catharsis. Block lists out the emotional whiplash of hormones with the kind of deadpan delivery that makes you laugh and nod furiously at the same time. The bridge lands like a punchline nobody saw coming, pivoting from frustration to a kind of resigned self-love that feels genuinely warm rather than performative. Listening on headphones, you catch the tiny breath before each verse drop that signals how much intentional phrasing she puts into every line. This is country storytelling at its most immediate and most real.
Thick Thighs
“Thick Thighs” arrived on her Mercury Nashville debut album Welcome to the Block Party and immediately became a rallying cry for anyone who’s ever felt less than in a society obsessed with a singular body type. The production here is fuller than her early indie work — you get a punchy electric guitar riff, layered background harmonies, and a low-end mix that hits satisfyingly in the car with the bass turned up. Producer Jeremy Stover understood that this song needed sonic confidence to match its lyrical boldness.
What’s remarkable is how Block delivers the chorus without a shred of irony or apology. She’s not reclaiming the phrase tentatively — she’s planting a flag. The pre-chorus builds tension beautifully, and when the hook finally drops, there’s genuine release in both the arrangement and her performance. It charted on Billboard’s Country Airplay chart and became one of her most-streamed tracks, proving that authenticity resonates far more than formula. If you’re building a playlist exploring country music’s evolving relationship with self-image, “Thick Thighs” belongs at the top.
Wish You Were The Whiskey
This is the kind of country song that makes you simultaneously want to pour a drink and call your ex — which is either brilliant or dangerous depending on your current emotional state. “Wish You Were The Whiskey” is one of the standout deep cuts from Welcome to the Block Party, featuring a melody that loops in your brain long after the final chord fades. The production leans into traditional country instrumentation with pedal steel woven through the verses, giving the track an ache that feels rooted in classic Nashville craftsmanship.
Block’s vocal performance here is particularly nuanced — she restrains herself in the verses, letting the lyrics breathe, then opens up completely in the chorus with a delivery that conveys genuine longing rather than theatrical sadness. The metaphor at the center of the song is deceptively simple but emotionally precise: wishing a person could numb you the way whiskey does is a specific kind of heartbreak only someone who’s actually been there could articulate. This track rewards repeated listens through quality headphones where you can appreciate the subtle harmonic layering in the mix.
Just About Over You
There’s an honesty in “Just About Over You” that cuts through instantly. Rather than the triumphant post-breakup anthem trope, Block explores the messy middle ground — that phase where you’re almost fine but not quite, and even small triggers send you spiraling back. The arrangement reflects this emotional ambiguity brilliantly: the production starts restrained and contemplative, then expands during the chorus with additional instrumentation that mirrors how feelings can suddenly overwhelm you.
The songwriting here is precise in a way that demonstrates real craft. The lyrical detail in the second verse — the kind of specific memory that makes a breakup feel fresh again — is the work of a writer who understands that generality loses listeners while specificity wins them. Block co-wrote this track, and that personal investment is palpable in every syllable. It became one of the fan favorites on the album and remains a mainstay in her live sets, where the crowd often sings the chorus back with real emotional investment.
My Bar
“My Bar” is pure country-pop fun executed with genuine musical intelligence. The production is up-tempo and bright, with a guitar line that hooks you in the opening seconds and a rhythm section that practically demands you tap your foot. This is the kind of song that works across contexts — great through earbuds on a commute, but absolutely alive in a crowded bar at volume, which seems very much like the intended listening environment.
Block has a gift for writing songs that feel inclusive without being generic, and “My Bar” threads that needle perfectly. The lyrics paint a vivid scene of a specific kind of country bar experience — familiar enough to be relatable, detailed enough to feel authentic rather than manufactured. For more great tracks in this vein, explore our collection of the best country songs that blend storytelling with infectious energy.
Sad Girls Do Sad Things
From her self-titled debut album released on Mercury Nashville in 2021, “Sad Girls Do Sad Things” showcases the rawer, more introspective side of Block’s artistry. The production is deliberately understated — acoustic guitar, subtle percussion, and her voice front and center with minimal processing. This sonic choice forces the listener to sit with the lyrics, which is exactly what the song demands. It’s about the coping mechanisms we reach for when grief or loneliness gets too heavy, and Block treats the subject with compassion rather than judgment.
The melody has a melancholic beauty that’s reminiscent of classic country confessional songwriting from artists like Patsy Cline and Loretta Lynn, updated with contemporary lyrical directness. Block doesn’t dress up the emotional truth in metaphor here — she states it plainly, and that plainness becomes its own kind of poetry. The vocal performance is among her most restrained and, paradoxically, among her most affecting. Listening late at night with headphones is the recommended experience; the intimacy of the production rewards that kind of focused attention.
Bad Guy
“Bad Guy” from her 2024 album PB2 shows a new creative dimension in Block’s songwriting — she’s willing to inhabit morally complex territory and explore the perspective of someone who isn’t entirely sympathetic. The production is appropriately darker than much of her catalog: minor-key guitar work, a bass line that sits low and menacing in the mix, and a drum pattern with a tension-building quality that keeps you slightly off-balance. Producer Jeremy Stover continues to match production choices to emotional intent with precision.
Lyrically, “Bad Guy” is clever in its structural ambiguity — you’re never entirely sure whether the narrator is acknowledging genuine fault or pushing back against an unfair label. That ambiguity is intentional and sophisticated, elevating the track beyond the binary of victim and villain that so many breakup songs settle for. Block’s vocal delivery carries a steeliness that’s new in her repertoire, suggesting artistic growth and a willingness to challenge her audience’s expectations.
Hell Out Of A Hometown
“Hell Out Of A Hometown” taps into one of country music’s most enduring emotional wells — the complicated relationship between where you come from and who you want to become. What Block does differently is inject the narrative with a specificity that feels personal rather than universal-by-default. The production has a driving, road-trip energy: tempo pushed forward, a guitar riff that propels rather than settles, and a mix that translates particularly well through car speakers at highway speed.
Block has spoken in interviews about her own journey from North Carolina to Nashville and the mixture of relief and guilt that came with leaving, and that biographical resonance gives the track an emotional weight that pure craft alone couldn’t manufacture. It’s one of the most immediately accessible tracks on PB2 and works as a perfect entry point for listeners new to her catalog. The chorus is a genuine hook — melodically strong, lyrically punchy, and performed with a conviction that makes it feel confessional.
You, Me, And Whiskey
“You, Me, And Whiskey” from the 2023 Stray Dog project is a storytelling showcase that demonstrates Block’s growth as a narrative songwriter. The song unfolds like a short film — establishing a scene, introducing characters, building tension, and arriving at an emotional payoff that earns the runtime. The production supports this cinematic quality with dynamic arrangement choices: quieter in the verses to focus attention on the story, expansive in the chorus to let the emotion breathe.
The whiskey motif appears throughout Block’s catalog, but here it serves as more than country music shorthand — it’s woven into the specific texture of the relationship being described, functioning as a timestamp and an emotional anchor simultaneously. Her vocal phrasing in the second verse demonstrates the kind of interpretive intelligence that separates good country singers from great ones: she finds the exact syllable to land hardest on and makes every choice feel inevitable in retrospect.
Off The Deep End
“Off The Deep End” is one of the most musically interesting tracks on Welcome to the Block Party, exploring the obsessive, irrational side of romantic attachment with both honesty and dark humor. The production has a slightly unhinged energy that perfectly mirrors the lyrical content: tempo a tick faster than comfortable, guitar work that coils rather than resolves, and vocal layering in the chorus that creates a slightly dizzying effect. This is deliberate sonic storytelling at its finest.
Block fully commits to the narrator’s unreliable perspective without winking at the audience, which is what makes the performance work. The cognitive dissonance between the lightness of the delivery and the darkness of the content creates a genuinely compelling tension. The song rewards careful listening — ideally through a good pair of headphones, and our headphone comparison guide can help you find gear that reveals every layered production detail.
Me Pt. 2
If there’s a thesis statement for Block’s entire artistic identity, “Me Pt. 2” might be the closest thing to it. The song is about reconstructing yourself after a relationship has dismantled your sense of who you are, and Block approaches the subject with both emotional honesty and something approaching defiance. The production starts stripped and vulnerable before building toward a finale that feels genuinely triumphant — the arrangement arc mirrors the emotional journey of the lyrics with impressive intentionality.
Co-written with Nashville hitmaker Jonathan Singleton, the song benefits from collaborative polish without losing Block’s distinctive voice. The bridge is the compositional highlight: a melodic departure that recontextualizes everything that came before and lands the emotional gut-punch the song has been building toward. Live performance footage of this track shows audiences singing along with unusual intensity, which speaks to how precisely the lyrics capture an experience many listeners have lived but few have found articulated so clearly.
Hey, Jack
“Hey, Jack” from the 2023 Shot Glass Fillers EP demonstrates Block’s facility with the second-person address — a technique that creates uncanny intimacy when done well. The “Jack” in question is Jack Daniel’s, and Block personifies the relationship with alcohol with a winking affection that’s simultaneously funny and a little melancholy. The production sits comfortably in the honky-tonk tradition: fiddle in the mix, shuffle rhythm in the drumming, and a guitar tone that evokes roadhouse bars rather than radio-ready country pop.
This track is a reminder that Block’s range isn’t limited to emotional confessionals — she can write a tight, fun country drinking song with the best of them, and she brings the same genuine engagement to lighter material that she does to her most vulnerable work. The chorus is memorable and singable in the way the best bar songs always are, and the fiddle solo in the bridge is a particular delight for fans of traditional country instrumentation.
Apartment
“Apartment” is one of the most affecting tracks on PB2, mining the specific grief of spaces that once held relationships. The song explores how a physical location can become haunted by memory — every corner storing emotional residue — and Block’s songwriting here is precise and evocative in a way that elevates the track into something genuinely literary. The production is appropriately intimate: the mix sounds close, the reverb is subtle, and Block’s voice is placed at the center of the stereo field in a way that maximizes the sense of personal address.
The melodic construction of “Apartment” is quietly sophisticated, with a verse melody that winds through unexpected intervals before resolving in the chorus with a satisfying arrival. The final chorus, stripped back and more exposed than the previous iterations, is particularly powerful — a production choice that amplifies vulnerability at exactly the right moment.
Like a Boy
“Like a Boy” takes on the double standard in romantic relationships with pointed precision and a production aesthetic that matches its assertive lyrical stance. The arrangement is confident and driving, with electric guitar work that leans toward rock energy while staying anchored in country production sensibilities. Block’s delivery is knowing and a little arch — she’s not performing anger so much as performing the clarity that comes after anger has burned itself out.
The thematic territory here connects Block to a longer tradition of country women pushing back against the genre’s occasionally limiting gender narratives — a lineage that runs from Loretta Lynn through The Chicks. That she can operate within that tradition while sounding entirely contemporary is a testament to her songwriting instincts. Browse our songs by category to find more music with this kind of purposeful edge.
Peaked In High School
“Peaked In High School” is one of the most satisfying revenge-fantasy songs in recent country memory, and Block deploys the concept with enough specificity that it transcends the trope entirely. The production has a slightly retro quality — something in the guitar tone and the drum sound that evokes early 2000s country pop without being derivative — that works perfectly with lyrics that are themselves about looking backward. The chorus is immediately memorable and tremendously singable.
What separates this from the countless high-school-reunion fantasy songs that came before it is Block’s willingness to include self-awareness alongside the triumphalism. The narrator isn’t simply gloating — there’s a complicated mixture of satisfaction and residual insecurity that makes her feel like a real person rather than a wish-fulfillment avatar. The bridge pays off this complexity with a lyrical turn that reframes the entire song on second listen.
Fake Names
“Fake Names” from the 2024 project Make That Boy Say Damn I Miss Her explores the ways we reconstruct our own stories after heartbreak — specifically, the temptation to rewrite our role in a failed relationship to make it more bearable. The production is sleek and contemporary, with a polished mix that demonstrates how Block’s sound has evolved since her grassroots debut. The drum programming sits under organic instrumentation in a way that feels modern without losing country soul.
Lyrically, “Fake Names” operates on multiple levels: the surface narrative of someone who used an alias is a metaphor for larger questions about authenticity and self-presentation in relationships. Block doesn’t spell this out — she lets the imagery carry the weight and trusts her listeners to meet her where she is. That trust is one of her defining characteristics as a songwriter, and it’s part of why her fanbase is so intensely loyal.
Ever Since You Left
“Ever Since You Left” is Block operating most squarely in the classic country tradition — a post-breakup lament with a melody that owes something to the great Nashville ballads of the 1990s without sounding derivative. The production leans into this traditionalism with tasteful steel guitar, a piano arrangement that provides harmonic richness without crowding the vocal, and a drum performance that breathes rather than drives. It’s a song that knows when to get out of the way of the performance.
Block’s vocal on this track is among her most controlled and most classically country — she’s clearly absorbing influences from artists like Trisha Yearwood and Reba McEntire while filtering them through her own contemporary perspective. This is the kind of track that demonstrates Block’s range beyond her image as primarily a TikTok-era viral artist.
Couple Spring Breaks Back
“Couple Spring Breaks Back” from the 2024 Memory Killers project is a master class in seasonal nostalgia — the kind of memory-driven songwriting that uses a specific time of year as emotional shorthand for an entire relationship. The production is appropriately sun-drenched: guitar tones that ring rather than drive, a rhythm section with a loose vacation-appropriate feel, and a mix with just enough reverb to evoke the hazy quality of memory itself.
The lyrical specificity is what elevates this above standard nostalgia fare. Block isn’t writing about generic beach-town romance — she’s writing about particular sensory memories and specific conversational moments that give the relationship a texture and history. The chorus has an earworm quality that makes it ideal for playlists and particularly effective through earbuds on a warm afternoon, which is perhaps the ideal listening environment for everything it’s trying to do.
I Bet You Wanna Know
“I Bet You Wanna Know” showcases Block’s ability to write from a position of power without sounding performative or forced. The song addresses someone who lost the relationship and is now curious about what they’re missing, and Block’s delivery carries the exact right mixture of satisfaction and residual emotion — she’s moved on, but she hasn’t entirely forgotten, and that ambiguity makes the performance feel genuine. The production has an uptempo confidence that matches the lyrical stance perfectly.
The call-and-response structure in the chorus is particularly effective — it creates a sense of conversation that makes the song feel interactive even in solo listening contexts. The guitar work is crisp and clean, the rhythm section sits in a pocket that makes the track feel effortless, and the production ends with a flourish that feels both unexpected and completely right. This is one of the strongest up-tempo tracks in her catalog and a consistent fan favorite at live shows.
Good On You
Closing this list with one of Priscilla Block’s most recent releases: “Good On You” from the 2025 album Things You Didn’t See shows an artist who continues to grow without losing what made her special in the first place. The production represents her most polished work to date — detailed, dynamic, and confident — while the lyrical voice remains unmistakably her own. There’s a generosity in “Good On You” that marks a new emotional dimension in her songwriting: she’s wishing someone well rather than lamenting or confronting, and that shift feels meaningful.
The melody is immediately lovely, built around an interval in the verse that creates a sense of openness and resolution that the song’s emotional content mirrors beautifully. The production team has given the track a spaciousness that lets every element breathe — the acoustic guitar, the subtle strings in the back of the mix, and Block’s vocal riding comfortably at the center. “Good On You” suggests that the next chapter of Priscilla Block’s catalog will be as compelling as everything that brought us all here. To make sure you hear every nuance in these recordings, our earbud comparison guide is a great place to start.
Final Thoughts on the Best Songs of Priscilla Block
What makes collecting the best songs of Priscilla Block such a rewarding exercise is how coherently her catalog tells a story — of an artist who found her voice in the unfiltered honesty of social media, refined it through the Nashville songwriting tradition, and continues to push her own creative boundaries with each release. From the raw viral energy of “PMS” to the mature, spacious production of “Good On You” in 2025, her discography documents genuine artistic evolution without ever losing the authentic voice that made people fall in love with her music in the first place. Whether you’re a longtime Block Party member or a brand-new listener, there’s always another layer to discover — and that’s the mark of an artist built to last.
Frequently Asked Questions
What is Priscilla Block’s most popular song?
“PMS” remains Priscilla Block’s breakthrough hit and most culturally significant release. It went viral on TikTok in 2020 before she had major label backing, accumulating millions of streams organically and leading to her signing with Mercury Nashville. “Thick Thighs” has also become a signature track and fan anthem.
What album is Priscilla Block most known for?
Welcome to the Block Party (2022) is her most acclaimed and commercially successful album to date. It features the majority of her best-known tracks including “Thick Thighs,” “My Bar,” “Wish You Were The Whiskey,” and “Just About Over You,” and established her as a major force in contemporary country music.
Has Priscilla Block won any awards?
Priscilla Block has received award nominations from the Academy of Country Music and the Country Music Association. Her viral success and authentic approach to country music have made her one of the genre’s most talked-about artists of her generation, and her award profile continues to grow with each release.
What genre is Priscilla Block?
Priscilla Block is primarily a country artist, but her music incorporates elements of country pop, Americana, and traditional country. She draws on classic Nashville songwriting traditions while incorporating contemporary production and lyrical directness that appeals to modern audiences across multiple genres.
Where is Priscilla Block from?
Priscilla Block was born and raised in Raleigh, North Carolina. She moved to Nashville, Tennessee to pursue her music career, and her small-town roots inform much of her songwriting — particularly tracks like “Hell Out Of A Hometown” from her 2024 album PB2.
What is the best way to listen to Priscilla Block’s music?
Her catalog is available on all major streaming platforms including Spotify and Apple Music. For the best audio experience — particularly to appreciate the production details in her more recent albums — listening through quality earbuds or headphones is highly recommended to catch every layered detail in her arrangements