If you want to understand the best songs of OneFour, you have to start in Mount Druitt, the Western Sydney suburb that gave Australia its first real drill scene. I still remember the first time “The Message” hit my headphones — that icy UK-drill bassline paired with an unmistakably Aussie snarl felt like nothing else in local rap at the time. Since then, OneFour has built one of the most compelling catalogs in the genre, and I’ve spent countless hours revisiting these tracks on everything from cheap earbuds to studio monitors trying to figure out why they hit so hard. This list runs through the 20 essential cuts, old and new, that make the case for OneFour as genuine pioneers rather than just a viral moment.
Ready for War
This is where it all began. Released as the group’s debut single, “Ready for War” leans heavily on the Harlem Spartans’ UK drill blueprint, right down to its interpolation of “Call Me a Spartan.” What strikes me on replay is how raw the mix is compared to their later work — the drums are punchier than they are polished, and that rough-around-the-edges energy is exactly why it still holds up as an origin story. It’s not a technically flawless track, but it’s an honest one, and honesty is the currency drill trades in.
What You Know
“What You Know” arrived as OneFour started sharpening their gang-centric visuals and skittish flow patterns into something distinctly theirs. The delivery here is clipped and aggressive, sitting right in the pocket of the drill hi-hats without ever feeling rushed. Listening in the car with the bass turned up, you can really feel how the group was starting to find a group chemistry that went beyond simply copying the UK sound.
Shanks and Shivs
If you only know one OneFour lyric, it’s probably from this song. “Shanks and Shivs” gave the group one of their most quoted lines about retaliation being a certainty rather than a maybe, and that phrase alone became something of a rallying cry in Australian drill culture. Sonically, the track leans into frosty synths and hard-hitting 808s that borrow directly from the UK scene while the vocal delivery stays proudly local. It’s a masterclass in how a hook can outlive an entire song cycle.
The Message
“The Message” is the track that actually broke OneFour into the mainstream conversation, racking up more than ten million YouTube views and putting Australian drill on the map internationally. The production takes clear cues from Harlem Spartans-style UK drill, but the lyricism is rooted firmly in Mount Druitt’s specific street politics and rivalries. What I love about this one is the tension in the mix — the sliding 808s underneath those tightly wound bars create a genuine sense of unease that matches the subject matter. On a good pair of headphones, the low end here still rattles.
Spot the Difference
Released the same breakout year as “The Message,” “Spot the Difference” is the faster, more rapid-fire cousin in the catalog. The flows come in relentless bursts, and the quotable bars stack up almost line by line, which is part of why this one also crossed ten million YouTube views early on. If “The Message” is the moody statement piece, “Spot the Difference” is the adrenaline shot, and hearing them back to back shows off the group’s range even in their earliest era.
Ladz in the Hood
By the end of 2019, OneFour had shifted toward a heavier, more grounded trap sound, and “Ladz in the Hood” captures that shift well. The production sits lower and slower than the drill cuts around it, giving the vocals more room to breathe and land with weight. It’s a track that rewards patient listening rather than instant impact, which made it an interesting curveball in their otherwise breakneck 2019 run.
Ben 10
“Ben 10” swings its drill patterns with a looser, almost playful bounce compared to the icy menace of earlier singles. The hi-hats roll instead of stab, and the group’s chemistry on the mic feels more relaxed here, trading bars with a rhythm that’s genuinely fun to nod along to. It’s one of those songs that proves drill doesn’t always have to sound cold to be effective.
In the Beginning
This track is significant beyond just its sound — “In the Beginning” debuted inside the Top 40 of Australia’s ARIA Charts, a genuine milestone for a genre that had barely existed locally before OneFour showed up. The gothic, brag-rap tone gives it a cinematic weight, with dark chord progressions underscoring lyrics about status and struggle. It’s arguably the moment where casual listeners realized this wasn’t a passing internet trend.
Welcome to Prison
Recorded in the shadow of real hardship, “Welcome to Prison” landed after three members of the group were sentenced to lengthy stints behind bars following a 2019 court case. The track carries an unmistakable emotional charge because of that context — this isn’t performance, it’s documentation. The bars are heavier, the tone more resigned, and it’s one of the clearest examples of drill functioning as first-person reportage rather than fantasy.
Say It Again (feat. A$AP Ferg)
OneFour’s international ambitions started showing clearly here, with New York rap veteran A$AP Ferg joining for a cross-continental collaboration. Ferg’s melodic cadence contrasts nicely against the group’s clipped Australian delivery, and the production smooths out some of the rougher textures from their earliest work in favor of a more radio-friendly sheen. It’s a song that signaled OneFour wasn’t content staying a regional phenomenon.
My City (feat. The Kid LAROI)
This collaboration closed out the group’s debut EP, Against All Odds, and it remains one of the most beloved crossovers in their discography — so much so that OneFour and The Kid LAROI reunited on record again years later. Laroi’s melodic hooks glide over the drill percussion in a way that shouldn’t work as well as it does, bridging pop sensibility with street authenticity. Hearing this one live, with the crowd screaming every LAROI ad-lib back, tells you everything about its staying power.
Better (with Dutchavelli & Carnage)
Bringing in UK drill mainstay Dutchavelli alongside producer Carnage gave “Better” a genuinely transatlantic sound, blending London’s drill DNA with a more maximalist trap production style. The song trades verses rather than just features, giving both acts room to flex their distinct pockets and slang. It’s proof that OneFour’s collaborations were never just star power for star power’s sake — the chemistry has to actually be there.
Street Guide (Part 01)
“Street Guide” functions almost like a narrative primer on the group’s world, laying out the rules and realities of their neighborhood over stark, minimal production. The pacing is deliberate, giving each bar room to land as more of a statement than a flex. It set up a sequel that expanded the story even further.
Breaks & Caddy’s (Street Guide Part 02) (feat. CG)
The second chapter brings in CG for added texture, thickening out the storytelling with another voice and perspective on the same streets. The production keeps the drill bones from Part 01 but adds a bit more low-end weight, making it hit harder in the car than through tinny speakers. Sequencing a two-part street guide like this shows real intentionality in how OneFour builds their discography, not just single-drop chaos.
Cap
“Cap” marked the group’s first release of a new era, responding directly to critics and doubters with a title that says it all — none of the noise is real, according to the group. The production is lean and confrontational, built around a stripped-back drill loop that puts the vocal delivery front and center. It’s a shorter, punchier statement piece compared to some of their more layered earlier work.
Cruise Control
Following swiftly on from “Cap,” “Cruise Control” is one of the more candid tracks in OneFour’s catalog, directly addressing the ongoing restrictions authorities placed on the group performing live shows in Australia. There’s real frustration audible in the delivery, but it comes through as defiance rather than defeat, which gives the track its emotional charge. If you want to understand the real-world stakes behind OneFour’s music, this is one of the clearest windows into it.
COMMA’S (feat. CG)
Another collaboration with CG, “Comma’s” leans into flexing and financial success as its central theme, a natural lyrical progression as the group’s profile grew. The bassline sits heavy under bright, almost triumphant melodic elements, creating a mix that feels more celebratory than confrontational. It shows a group comfortable enough in their position to write about the rewards rather than only the struggle.
Freedom Of Speech
Dropping with an accompanying music video, “Freedom Of Speech” tackles the group’s long-running tension with authorities and media narratives head-on. The title itself reads as a direct response to years of scrutiny, and the delivery carries real conviction rather than performative outrage. It’s one of the more pointed political statements in their catalog, and it lands because the frustration feels earned rather than manufactured.
NATURAL HABITAT
Arriving as part of the rollout for their debut album, Look at Me Now, “NATURAL HABITAT” finds the group settling comfortably back into their core drill sound after a run of high-profile pop-leaning collaborations. The mixing here is noticeably crisper than their earliest work, a testament to how much their studio process has matured over the years. It’s a reminder that no matter how many mainstream features they rack up, the foundation remains unmistakably drill.
PROVE ‘EM WRONG
Closing out this list, “PROVE ‘EM WRONG” functions as something of a thesis statement for the whole Look at Me Now album, and for the group’s decade-long journey more broadly. The production balances weighty low end with a more melodic top line, showing the influence of collaborators like Chandler Jewels and Omer Fedi who worked across the record. Coming from a group that’s dealt with venue bans, court cases, and constant scrutiny, a title like this carries genuine weight rather than empty bravado.
Final Thoughts on OneFour’s Greatest Hits
Going back through this catalog, what stands out most is how much OneFour has grown without losing the rawness that made “The Message” and “Spot the Difference” hit so hard back in 2019. Their debut EP Against All Odds landed in the ARIA Top 10, and their 2025 debut album Look at Me Now pushed even further, debuting at number two and pulling in features from The Kid LAROI, Headie One, and Imogen Heap. Whether you’re discovering them for the first time or revisiting old favorites, these tracks deserve a proper listen on solid audio gear — you can browse our category of song breakdowns for more artist deep dives, or check our headphone comparison guide if you want to catch every layer in that low end. If you’re more of an on-the-go listener, our earbuds comparison can help you find a pair that actually does justice to drill’s signature bass weight.
Frequently Asked Questions
Who are the members of OneFour?
OneFour’s core lineup includes J Emz, Taxed, Spenny, Lekks, and Celly, all of Samoan descent and hailing from Mount Druitt in Western Sydney. YP was also a longtime member but left the group in 2024 to focus on religion.
What is OneFour’s biggest song?
“The Message” and “Spot the Difference” are widely considered OneFour’s breakout hits, each surpassing ten million YouTube views shortly after release in 2019 and effectively launching Australian drill into the mainstream conversation.
What genre is OneFour’s music?
OneFour is classified as Australian drill, a localized adaptation of UK and Chicago drill that blends aggressive trap-influenced production with Western Sydney slang and an unmistakably Australian accent.
Does OneFour have an album?
Yes. OneFour released their debut EP, Against All Odds, in November 2020, which peaked at number seven on the ARIA Charts. Their debut studio album, Look at Me Now, followed on 13 June 2025 and debuted at number two on the ARIA Charts.
Has OneFour collaborated with international artists?
Absolutely. The group has worked with The Kid LAROI, A$AP Ferg, Dutchavelli, Headie One, Abra Cadabra, and Imogen Heap, among others, reflecting their growing reach beyond the Australian drill scene.