Miraa May is one of UK music’s most compelling voices — a Franco-British artist who has spent years crafting a sound that refuses to be boxed in. Rooted in R&B, neo-soul, and Afrobeats, her music carries a raw emotional intelligence that hits differently depending on where you’re listening. Whether you’re discovering her catalogue for the first time or revisiting the tracks that made you a fan, this list of the best songs of Miraa May is your definitive guide to everything she does brilliantly. From bedroom-quiet confessions to banger-level anthems built for festival crowds, she has done it all — and done it with style.
Nobody
“Nobody” is the song that put Miraa May on the map, and listening back to it now, the quality feels almost unfair for a debut single. The production sits in that beautifully sparse zone — minimal percussion, warm bass tones, and space that lets her vocal breathe. She delivers each line with a controlled swagger that never tips into showing off, which is a rare skill. It’s the kind of song that sounds excellent on headphones at night, where every subtle detail in the mix rewards close attention. If you’ve never heard Miraa May before, start here without question.
Angles (feat. JME)
Few collaborations in UK music hit as cleanly as “Angles,” where Miraa May’s soulful melodicism crashes into JME’s razor-sharp grime delivery. The contrast is the whole point. Where she rounds every phrase with warmth, JME cuts through with precision, and the production bridges both worlds with a beat that could work in a grime rave or a late-night soul session. The lyricism on both sides is sharp — they’re not just sharing a track, they’re genuinely playing off each other. This is the kind of cross-genre experiment that UK music pulls off better than anywhere else in the world, and it remains one of Miraa May’s most exciting moments on record.
What I Smoke
“What I Smoke” is Miraa May at her most direct. The song is blunt, confident, and underpinned by a production style that feels influenced by her French background as much as her London upbringing. There’s a certain nonchalance to how she delivers the vocal — like she’s in no rush to prove anything to anyone. The rhythm section locks in tight, giving the track a slow-burning momentum that builds without ever boiling over. It’s the kind of song you put on in the car and suddenly find yourself nodding along more aggressively than you expected. That understated cool is a signature Miraa May move, and “What I Smoke” deploys it perfectly.
Wild Things
“Wild Things” opens with an irresistible groove and doesn’t let up. The production is sun-soaked but never saccharine, with layered synths and a rhythmic pulse that feels genuinely joyful rather than manufactured. What separates it from standard feel-good fare is the lyrical depth underneath — Miraa May is writing about freedom and identity in ways that reward actual listening rather than just background vibing. The vocal performance swings between playful and earnest, which keeps the track dynamic across its runtime. Pop in quality, soul in spirit — this is exactly the kind of song that earns a spot on a warm evening playlist and stays there permanently. Pair it with good headphones to catch the layered production work in full.
Internet Trolls
“Internet Trolls” does something interesting: it tackles a very contemporary subject — the toxicity of social media abuse — without sounding like a PSA. Miraa May wraps cultural commentary in a genuinely catchy package, using a bouncy production backdrop that makes the message land harder by contrast. The hook is immediately memorable, and the verses have a lyrical wit that keeps the track engaging beyond its topical hook. It’s a song that feels bracingly relevant in the current digital landscape, but the songwriting is strong enough that it would still hit in any era. Not many artists can write social commentary this sharply without losing the groove, but Miraa May makes it look effortless.
Go Girl (feat. RAYE)
“Go Girl” is a genuine meeting of equals. Both Miraa May and RAYE are among the most gifted vocalists the UK has produced in the past decade, and when you put them in the same song, the result is electric. The production is polished but not sterile — there’s warmth in every element of the mix, from the bass to the harmonies stacked in the chorus. The song has an anthemic quality without being stadium-sized; it’s intimate enough to feel personal but big enough to fill a room. The back-and-forth between the two artists feels natural rather than competitive, suggesting a genuine creative rapport that makes the performance all the more convincing.
Big Woman (feat. Stefflon Don)
If “Go Girl” is warmth, “Big Woman” is fire. Stefflon Don’s cameo adds an edge that perfectly complements Miraa May’s charisma, turning the track into a genuine two-hander celebration of self-confidence and feminine power. The production is harder here — more bass, more swagger, more direct impact. It’s built for turning up, and it delivers on that promise without sacrificing the songwriting quality Miraa May consistently brings. As a statement track, “Big Woman” is unmistakable: this is an artist who knows exactly who she is. The chemistry between the two MCs on this collaboration shows why UK female artists have consistently led the way in expressing authentic identity on record.
In My Feelings
The title nods to a certain emotional territory, and Miraa May doesn’t shy away from the feeling. “In My Feelings” is one of her more vulnerable tracks, built on a production that strips things back to focus attention on the lyrical honesty at the song’s core. The vocal performance here is among her most nuanced — she navigates the emotional landscape of the song with precision, knowing exactly when to hold back and when to push. It’s the kind of track that resonates deeply with anyone who’s ever been caught between what they know and what they feel. Listening on headphones, the intimacy of the recording is palpable in a way that does serious justice to the songwriting. For listeners who want to explore more emotionally driven tracks, checking out other songs in this vein is always worthwhile.
FWM
“FWM” (which stands for “Fool With Me”) is a mid-tempo gem that doesn’t announce itself loudly — it just gets better with every listen. The production is deliberately understated, allowing the vocal performance to carry the emotional weight. There’s a confidence to the restraint here; Miraa May doesn’t need a big drop or a maximalist production to make an impression. The song moves at its own pace and trusts the listener to stay with it, which is exactly the kind of artistic confidence that distinguishes craft from formula. It’s a staple in her catalogue that rewards return visits more than almost anything else in this list.
Make Room
“Make Room” carries an assertive energy from the opening bars that never lets up. It’s a declaration of presence — in an industry, a culture, a room — and the production backs up the sentiment with authority. The arrangement is dynamic without being chaotic, building from a restrained opening into a fully realized chorus that feels genuinely earned. Lyrically, Miraa May is at her most precise here, choosing every word with intention. It stands as one of her most fully formed artistic statements and a track that demonstrates why she’s attracted attention from critics and fans across genres. The message resonates beyond music — it’s about claiming space wherever you are.
Scandalous
“Scandalous” leans into a more playful side of Miraa May’s personality, but the songwriting underneath the fun surface is still sharp. The production is notably sleek — well-mastered with crisp high-end detail and a punchy low end — and it gives the track a sonic confidence that matches the lyrical bravado. She plays the character of the song with a wink that suggests she’s in on the joke, which makes the track feel more fun and less constructed than it might otherwise. It’s a crowd-pleaser in the best sense: it works in a club, at a pre-game, or on a playlist you’ve made for someone you want to impress.
Anxiety
“Anxiety” is one of the more emotionally serious entries in Miraa May’s catalogue, and it’s handled with real care. The topic is heavy, and the production reflects that — slower tempos, more textured instrumentation, space for the emotional weight to settle. But it never feels exploitative or performative. The vulnerability in the vocal delivery is unmistakably genuine, and the lyrics describe the experience of anxiety with a specificity that goes beyond generic mental health messaging. This is the kind of song that helps people feel less alone, and that social function matters as much as its artistic quality. It’s proof that Miraa May can go deep when the subject demands it.
No Bad Energy
“No Bad Energy” has the quality of a personal manifesto set to music. The ethos is clear from the title, but Miraa May fills in the details with production that feels energetically pure — warm, flowing, and free of the sonic clutter that plagues a lot of contemporary R&B. The track has a meditative quality despite its groove, which is a difficult balance to achieve. As a mood piece it’s almost unbeatable, and the vocal runs scattered throughout are some of the most technically impressive moments across her discography. This is the song you put on when you need to recalibrate and remember what actually matters.
Are You Ready?
“Are You Ready?” is precisely what the title suggests: a track built around tension and release, using production dynamics to mirror the lyrical theme. The build across the song’s structure is expertly managed, with each section adding a new layer that deepens the anticipation. Miraa May’s vocal performance here is notably commanding — she controls the pace of the song as much as any instrument in the arrangement. The eventual payoff when the production opens up fully is deeply satisfying, which makes the track a great lesson in how to use dynamics to serve a song’s emotional narrative. It’s a technical achievement wrapped in a genuinely enjoyable listening experience.
Tight Tight (feat. Mnelia)
The collaboration with Mnelia on “Tight Tight” pushes Miraa May’s sound in an Afrobeats direction that suits her voice beautifully. The rhythm patterns shift the centre of gravity compared to her more R&B-rooted work, and the result is infectious — a track that practically requires physical movement. Mnelia brings his own flavour to the collaboration without overshadowing the host, and the blend of their vocal styles creates a sound that feels genuinely multicultural in the best sense. The production shimmers with high-frequency percussion detail that’s best appreciated through quality audio equipment; if you’re choosing between earbuds for music like this, a side-by-side comparison with tools like this earbuds guide can make a real difference to the experience.
Good Times (feat. Mahalia)
If there’s a pure joy track in Miraa May’s catalogue, “Good Times” is it. Mahalia is one of the UK’s most gifted vocalists, and the pairing feels natural — two artists who prioritize genuine emotion over technical flash. The production is bright and warm, with a retro-soul influence that gives the song a timeless quality. The harmonies between the two artists in the chorus are genuinely gorgeous, stacked with a care and precision that speaks to serious musical craft. It’s the kind of track you share with people you love, which is exactly the function great feel-good music is supposed to serve.
Peckham Love
“Peckham Love” is one of the most personal tracks in Miraa May’s catalogue. As a love letter to the South London area that shaped her artistically and personally, the song carries a geographic and emotional specificity that gives it a weight beyond its runtime. The production reflects the neighbourhood’s energy — gritty and warm simultaneously, with a rhythm that feels lived-in rather than constructed. London place-name tracks have a long history in UK music, and “Peckham Love” earns its place in that lineage by treating the subject with genuine affection rather than using it as a branding exercise. This is the sound of authentic local pride rendered in music.
SugaMamaCita
“SugaMamaCita” is one of Miraa May’s most immediately enjoyable tracks, built on a production that takes Caribbean and Latin influences and filters them through her distinctly British-French perspective. The result is something genuinely unique — a song that could only have been made by her, drawing on a cultural vocabulary that spans continents. The vocal performance is playful and precise in equal measure, riding the rhythmic complexity of the beat with impressive ease. As a showcase of her range, it’s hard to beat, and as a pure listening experience it’s one of those tracks you find yourself returning to more often than you expect.
Hard For It (feat. Jorja Smith)
When Miraa May and Jorja Smith share a track, the combined talent is almost overwhelming. “Hard For It” pairs two of the most distinctive voices in UK soul/R&B, and the production wisely steps back to let the vocals carry the weight. Jorja’s breathy, technically stunning delivery contrasts beautifully with Miraa May’s more direct approach, and the interplay between them gives the song a conversational quality that makes it deeply engaging. This is the kind of collaboration that fans of both artists play on repeat, and for good reason — it represents both artists at a high creative peak, and it’s the sort of track that earns a permanent place in UK R&B history.
Splash
“Splash” closes this list with exactly the energy it deserves. Built on a vibrant, summer-ready production with bounce and personality to spare, it captures everything Miraa May does well in a single package: confident delivery, smart songwriting, infectious rhythm, and a genuine sense of joy in the music-making. It’s the kind of outro to a greatest hits run that makes you want to start over from the beginning immediately. The production shines with a clarity and warmth that rewards high-quality listening, and it’s an ideal track for appreciating how far Miraa May’s sonic identity has developed. If “Nobody” was the introduction, “Splash” is the declaration — she’s here, she’s herself, and she’s not going anywhere.
Frequently Asked Questions
Who is Miraa May?
Miraa May is a Franco-British singer, rapper, and songwriter based in London. Born in France and raised partly in the UK, she developed a sound rooted in R&B, neo-soul, grime, and Afrobeats, drawing on both her French cultural background and her deep connection to South London, particularly Peckham. She rose to prominence through a series of acclaimed singles and has collaborated with major UK artists including Jorja Smith, RAYE, JME, Stefflon Don, and Mahalia.
What is Miraa May’s most popular song?
“Nobody” is widely considered her breakthrough track and remains one of her most recognized songs. However, her collaboration “Hard For It” featuring Jorja Smith also brought significant attention, as did “Go Girl” featuring RAYE and “Big Woman” featuring Stefflon Don. Her popularity has grown steadily through consistent releases that have earned her a dedicated fanbase across the UK and internationally.
What genre does Miraa May make?
Miraa May’s music spans several interconnected genres, primarily R&B and neo-soul, but with strong influences from grime, Afrobeats, and contemporary pop. Her dual French-British background gives her sound a distinctive quality that doesn’t fit neatly into any single genre box, which is one of the reasons her music appeals to such a wide range of listeners.
Has Miraa May performed live?
Yes. Miraa May has performed at various UK venues and music festivals, bringing the energy of her recorded work to live audiences with notable impact. Her live performances are known for translating the intimate quality of her studio recordings into a more expansive, high-energy stage presence.
What is the significance of “Peckham Love” in her discography?
“Peckham Love” holds particular significance as a deeply personal tribute to the South London neighbourhood that played a central role in Miraa May’s artistic development. It connects her music to a specific cultural geography — something UK artists in the neo-soul and R&B tradition have long done with great power — and gives her catalogue a rootedness that makes her artistic identity feel authentic and specific rather than generic.
Who has Miraa May collaborated with?
Miraa May has an impressive list of collaborators across UK music. Key features include Jorja Smith on “Hard For It,” RAYE on “Go Girl,” Stefflon Don on “Big Woman,” JME on “Angles,” Mahalia on “Good Times,” and Mnelia on “Tight Tight.” These collaborations span grime, R&B, Afrobeats, and pop, reflecting the breadth of her musical relationships.
Where can I listen to more tracks like Miraa May’s?
Her catalogue is available across all major streaming platforms. For listeners who enjoy her blend of soul, R&B, and Afrobeats influences, exploring her full discography is highly recommended. You can also discover more music in similar veins through dedicated music blogs and playlists curated around the UK neo-soul and R&B scene.