If you’ve been sleeping on Maisie Peters, consider this your wake-up call. The British singer-songwriter has built one of the most quietly formidable catalogs in contemporary pop — sharp-witted, emotionally devastating, and produced with an ear that rewards serious listening. Whether you’re discovering her through The Good Witch or tracing back to her earliest EPs, these are the Maisie Peters songs that define her artistry at its very best. For more essential pop discoveries, browse through our songs category for curated picks across every genre.
The Good Witch — The Album’s Triumphant Title Track
The title track from her 2023 album is nothing short of a thesis statement. Peters builds the song around a sweeping, cinematic production that feels like stepping into a fairy tale you’ve outgrown — the instrumentation lush and theatrical, the vocal performance commanding in a way that earlier Maisie simply hadn’t attempted yet. Lyrically, it’s about reclaiming identity after a period of emotional shrinking, and the bridge in particular lands with a ferocity that gave me genuine chills on first listen. It belongs in any room with great acoustics, though headphones reveal the exquisite layering of strings and synths underneath the surface.
History Of Man — Wry, Poetic, and Devastatingly Smart
“History of Man” might be the most intellectually rich thing Peters has ever written. Released on The Good Witch in 2023, the track puts a relationship through a grand historical lens — Peters casting herself and her subject as figures in an epic rather than a breakup song. The production is spacious and deliberate, letting each lyric breathe, and the dry wit in lines comparing romantic disappointment to civilizational collapse is genuinely funny without undermining the emotional core. This is the kind of songwriting that ages like wine.
There It Goes — Bittersweet Pop Perfection
There’s something about “There It Goes” that feels like watching a sunset you know is the last one of summer. The 2023 Good Witch cut rides a melody so effortlessly catchy it disguises just how precise the lyrics are — Peters maps the exact moment you realize something is ending before it officially does. The production sits in that sweet spot between organic and polished, with acoustic guitar textures giving it warmth while the chorus opens up into something almost euphoric. It’s an ideal car song — the kind that sounds different at 7am versus midnight.
Lost The Breakup — The Anthem You Didn’t Know You Needed
In a crowded field of breakup anthems, “Lost the Breakup” carves its own territory. Rather than wallowing, Peters approaches the aftermath of a split with a kind of rueful self-awareness — she’s not the hero, not entirely the victim, just someone figuring out the score. The rhythm section on this 2023 track is tighter and more groove-driven than much of her catalog, and the hook is relentless in the best possible way. It hit a particular nerve with listeners who appreciated the honest accounting of romantic outcomes.
Psycho — Sharp-Edged and Gloriously Petty
From her 2021 debut album You Signed Up for This, “Psycho” announced Peters as someone with genuine attitude to match her songcraft. The track channels early Taylor Swift-style narrative precision but pushes it into something funkier and more combative — Peters documenting the way gaslighting makes you question your own completely reasonable feelings. The guitar work is crisp and insistent, and her vocal delivery in the verses has a spoken-word quality that makes each line feel like receipts being read aloud in court. It remains one of her most streamed tracks for good reason.
Favourite Ex — The Song That First Turned Heads
Long before The Good Witch made her a critical darling, “Favourite Ex” (2019) was the song circulating in playlists and winning her early devotees. The production is stripped-back compared to her later work — acoustic-forward, intimate — but the songwriting is already fully formed. Peters writes about the strange, unresolved tenderness of a relationship that ended without anyone being a villain, and there’s a maturity to the observation that felt remarkable for a teenage songwriter. If you’re new to her catalog, this is where the story really starts.
John Hughes Movie — Nostalgia With a Knowing Wink
One of the standout tracks from You Signed Up for This, “John Hughes Movie” is Peters at her most playfully self-aware. The conceit — casting a relationship through the lens of ’80s teen film tropes — is handled with enough specificity that it transcends gimmick and becomes genuine emotional shorthand. Production-wise, the track has a breeziness that makes it immediately likeable on first listen, but subsequent plays reveal the careful construction of the melody and the way the bridge reframes the entire premise. It’s the song that gets stuck in your head at completely random moments.
Body Better — Intimate, Brave, and Beautifully Observed
“Body Better” is quietly one of the bravest songs in Peters’ catalog. Released on The Good Witch in 2023, it addresses body image and comparison with an unflinching specificity that many pop songs dance around rather than confront. The production is restrained — mostly voice and sparse instrumentation — which places the full weight on the lyrical delivery, and Peters doesn’t flinch. Listening to it on quality headphones (and if you’re looking for the right pair, check out our headphone comparison guide for recommendations that do justice to nuanced vocal performances) reveals the subtle harmonic choices that make the chorus so emotionally expansive.
Feels Like This — The Early Classic That Promised Everything
From her 2018 EP Dressed Too Nice for a Jacket, “Feels Like This” remains one of the purest expressions of early-era Peters. The song captures the giddy, terrifying early stages of romantic feelings with a melodic hook that feels genuinely joyful — rare in a catalog that tends toward the bittersweet. Production is clean and uncluttered, prioritizing her voice and the acoustic guitar interplay, and it works beautifully. Revisiting it after The Good Witch is a fascinating exercise in tracing artistic growth while recognizing that the core songwriting instinct was always this good.
Maybe Don’t — Collaborative Spark With Ed Sheeran
The 2020 duet with Ed Sheeran (released as a standalone single) gave Peters her most high-profile moment before her debut album. What makes “Maybe Don’t” work beyond the obvious co-sign is how naturally the two voices and songwriting styles integrate — Peters holds her own completely, and her verses arguably outshine the chorus in terms of lyrical complexity. The track is built around a regret-tinged pop-folk template both artists know well, and the production keeps things warm and approachable without sacrificing craft. It introduced her to a substantially wider audience and the expansion was fully deserved.
Not Another Rockstar — Spiky and Self-Possessed
From the 2022 Blonde EP, “Not Another Rockstar” is Peters in a more defiant register than usual. The track is a commentary on music industry dynamics and the tendency to flatten female artists into archetypes, delivered with a sharpness that stops just short of bitterness — it’s more knowing than angry. The guitar-forward production has an edge to it that feels genuinely rock-adjacent for a pop record, and the chorus is constructed to land like a statement rather than a singalong. It’s the kind of song that makes you want to know what she’s going to write when she’s thirty.
Cate’s Brother — Storytelling at Its Most Cinematic
Narrative songwriting is a specific skill, and “Cate’s Brother” from the Blonde EP demonstrates Peters has it in abundance. The track builds a complete short story — characters, tension, emotional stakes — across a runtime that most novelists would envy for economy. The production layers acoustic and electric textures in a way that mirrors the emotional complexity of the story being told, and the vocal phrasing in the verses has a conversational intimacy that pulls you directly into the scene. It’s a song that rewards repeat listens because the details keep revealing themselves.
Watch — Precise and Quietly Devastating
“Watch” is the kind of Good Witch deep cut that rewards patient listeners. The track’s subject matter — observing someone move on, trying to locate the right emotional response — is handled with a restraint that makes the payoff in the final chorus all the more powerful. Peters’ vocal performance here is particularly controlled, the dynamics working in service of the lyrical narrative rather than for pure melodic impact. In a catalog full of impressive songwriting, “Watch” stands out for the sophisticated way it manages emotional information.
You’re Just A Boy — The Definitive Statement of Perspective
There’s a reason “You’re Just a Boy” landed so hard with listeners when The Good Witch dropped. The track distills the experience of giving enormous emotional weight to someone who ultimately doesn’t merit it into a single, perfectly constructed pop song. The production escalates beautifully — intimate in the verses, fully realized by the outro — and Peters’ vocal commitment to the final sections is genuinely thrilling. It also works as a kind of thematic anchor for the whole album, the emotional clarification that the other tracks are circling around.
Blonde — The EP’s Warm, Reflective Heart
The title track from the 2022 EP is a more introspective entry in Peters’ catalog, focusing on identity and self-presentation with a warmth that contrasts the spikier tracks around it. The production has a golden, late-afternoon quality — acoustic textures, gentle percussion, and Peters’ voice in an almost confessional register. It doesn’t reach for big hooks or theatrical moments; instead, it builds a quiet emotional resonance that accumulates over repeated plays. For audiophiles wondering about the best way to experience its subtle production details, our earbud comparison guide covers options that handle intimate acoustic recordings exceptionally well.
Wendy — Mythic Scope, Personal Stakes
Named for the Peter Pan character, “Wendy” uses the fairy tale framework with total commitment and genuine insight. The 2023 Good Witch track reimagines the Wendy-Peter Pan dynamic as a metaphor for relationships where one person refuses to grow up, and Peters makes the allegory feel earned rather than clever-for-its-own-sake. The production is one of the album’s grandest — orchestral elements, sweeping dynamics — and her vocal performance in the final third is among the most emotionally committed recordings in her catalog to date.
Glowing Review — Wry and Warmly Human
Originally featured on the Trying Season 2 Apple TV+ soundtrack in 2021, “Glowing Review” is a fan-favorite that demonstrates Peters’ skill with a different emotional register: gentle, funny, and ruefully self-aware. The song’s conceit — rating a relationship as you might a product or service — is executed with enough specificity to be laugh-out-loud clever without sacrificing genuine feeling. Placement in a beloved TV series introduced it to audiences who might have otherwise missed it, and it’s since found a life of its own on streaming playlists.
Run — Propulsive and Emotionally Complex
“Run” from The Good Witch is the album at its most kinetic. Built around a production that actually moves — the rhythm section propulsive and the arrangement building urgency track by track — it captures that particular emotional state of wanting to flee a situation while knowing the feeling follows you anyway. The verse-to-chorus transition is one of Peters’ most effective on the album, and the lyrical specificity in the second verse rewards close listening. It’s a song that genuinely sounds different depending on whether you’re still or in motion when you hear it.
Yoko — Sharp Social Commentary Wrapped in a Great Hook
“Yoko” is one of The Good Witch‘s most discussed tracks, addressing the way women get blamed for disrupting male social dynamics in relationships — the Yoko Ono narrative applied to the personal scale. Peters handles the premise with a deft combination of righteous indignation and sardonic humor, and the production has a propulsive quality that keeps it from becoming a lecture. The hook is undeniably earwormy, which means the critique lands on people who might not be actively seeking it — a genuinely clever piece of pop strategy.
Guy On A Horse — Romantic Mythology and Modern Reality
Closing out our list is another Good Witch gem that showcases Peters’ gift for subverting romantic clichés. “Guy on a Horse” leans into the fantasy of swooping romantic rescue while simultaneously interrogating what that fantasy is actually asking of the people involved. The production is playful and slightly theatrical, matching the fairy-tale tone of the album’s broader aesthetic, and Peters’ vocal performance has a knowingness that keeps it from tipping into parody. It’s the perfect distillation of why The Good Witch works so well as a complete artistic statement.
Frequently Asked Questions
What is Maisie Peters’ most popular song?
Maisie Peters’ most widely recognized tracks include “Favourite Ex” from 2019, which first established her as a significant songwriting talent, and “Psycho” from her 2021 debut album You Signed Up for This. Following the release of The Good Witch in 2023, tracks like “Lost the Breakup” and “History of Man” gained significant streaming traction and critical attention, expanding her fanbase considerably.
What album is Maisie Peters best known for?
Her 2023 second studio album The Good Witch is widely considered her artistic breakthrough and the record that fully realized her songwriting potential. Produced with a richly theatrical pop sound, it received strong critical reviews and deepened her reputation as one of the more distinctive voices in contemporary British pop. Her 2021 debut You Signed Up for This, released on Ed Sheeran’s Gingerbread Man Records via Elektra, also holds an important place in her catalog.
Did Maisie Peters write all her own songs?
Yes, Maisie Peters is known for writing or co-writing all of her own material. Songwriting is central to her artistic identity — she has spoken extensively in interviews about the importance of lyricism and personal storytelling in her music. Her skill as a writer was recognized early, with “Favourite Ex” demonstrating a level of lyrical maturity that drew comparisons to Taylor Swift-style confessional pop craftsmanship.
What musical style does Maisie Peters belong to?
Peters occupies the space between indie pop, folk pop, and mainstream contemporary pop. Her earlier work leaned more acoustic and folk-influenced, while albums like The Good Witch incorporate fuller, more cinematic production without sacrificing the lyrical intimacy of her roots. She’s frequently compared to Taylor Swift and early Katy Perry in terms of narrative songwriting approach, though her British sensibility and literary wit give her work a distinctive character.
Is Maisie Peters signed to Ed Sheeran’s label?
Yes, Maisie Peters signed to Ed Sheeran’s Gingerbread Man Records, which operates through a deal with Elektra/Warner Music. Sheeran has been an outspoken supporter of her work, and their 2020 duet “Maybe Don’t” marked a notable early collaboration. The label relationship gave Peters significant industry infrastructure while maintaining the creative autonomy her songwriting demands.