If you’re chasing the best songs of ChillinIt, you’re diving into one of the most distinctive catalogs to come out of Sydney’s hip-hop underground. Blake Turnell, the Hurstville-born MC known as ChillinIt, built his name on rapid-fire, breath-controlled flows lifted straight from the UK grime playbook and filtered through an unmistakably Australian lens. I’ve spent more hours than I’d like to admit revisiting his discography — from the scrappy YouTube freestyles that first got BodyBagMedia’s attention back around 2014-15, to the polished, radio-ready singles he’s dropping in 2025 and 2026 — and what strikes me every single time is how consistent his pen game has remained. This isn’t a guy who got lazy after his debut went gold. He kept sharpening the blade.
What follows is my personal rundown of the tracks that define his catalog, pulled from his independent label 420 Family and stretching across five studio albums. Some of these are certified classics that built the #420Fam. Others are recent cuts that prove he’s still evolving. Either way, this is a playlist worth building.
One Breath One Take
This is the one that started it all for a lot of us. Pulled from his 2018 debut Women Weed & Wordplay, “One Breath One Take” is exactly what it sounds like — a technical flex delivered in a single continuous breath, interpolating elements of Migos’ “Bad and Boujee” cadence alongside a nod to Dr. Dre’s “The Next Episode.” The mixing keeps his vocal dry and forward in the pocket, which was a smart call, because the whole point of the track is proving he can maintain rhythmic precision without gasping for air. On headphones, you can hear every syllable land with almost metronomic accuracy, and that’s the kind of technical showcase that made underground heads sit up and pay attention before he ever had mainstream radio support.
Wish You Well Pt. 2 (It’s A Vibe)
Where “One Breath One Take” is a technical exercise, “Wish You Well Pt. 2 (It’s A Vibe)” is pure mood. The production leans into a warmer, more melodic register, giving Turnell room to lean back into a laid-back cadence rather than his usual double-time attack. Lyrically it plays like a victory lap, reflecting on come-up struggles with a satisfied, weed-hazed grin rather than bitterness. I find this one lands best in the car with the windows down — the low end sits comfortably without overwhelming the vocal, which speaks to solid mastering choices on the deluxe edition. It remains one of his most streamed tracks to this day, and honestly, it deserves that longevity.
Freedom
“Freedom” matters historically as much as musically — released as a standalone single in August 2019, it became ChillinIt’s first-ever ARIA Singles Chart entry, cracking the top 100 in Australia. Sonically, it’s a statement of independence, both from label pressure and from the underground ceiling he’d been operating under. The bridge opens up into a more anthemic, sing-rap hook, a structural choice that signaled he was consciously building toward bigger stages. Compared to his earlier grime-indebted cuts, “Freedom” trades some of the frantic energy for space and clarity in the mix, and in retrospect, you can hear him rehearsing for the pop-adjacent hooks that would define The Octagon era.
Ready for the Pain
As the lead single from his sophomore album The Octagon, “Ready for the Pain” carries real weight in the story of his career pivot. The production is grittier and more percussive than “Freedom,” built around a stuttering hi-hat pattern that gives his verses somewhere to snap against. Thematically, it’s about resilience — bracing for whatever comes with fame, scrutiny, and the pressure of a follow-up album after a gold-certified debut. There’s a rawness to the vocal take here, almost like it wasn’t over-polished in post, and that unfiltered quality is exactly why longtime fans still cite it as an underrated deep cut in his catalog.
Laying Low
“Laying Low” peaked at number 72 on the ARIA Singles Chart in February 2020, and honestly, that chart position undersells how important the track is to The Octagon as an album statement. It’s moodier than most of his catalog, built on a slower tempo that lets his internal rhyme schemes breathe rather than rush. The hook is genuinely catchy without feeling like a compromise, which is a tightrope a lot of rappers transitioning toward radio appeal fail to walk. Live, this one hits differently — the crowd-chant potential of the chorus becomes obvious the second you hear an arena full of fans finish his lines for him.
Trampoline (Booty Bounce)
Released on 4/20 2020 as part of The Octagon (420 Deluxe) and produced by Premise On The Beat, “Trampoline (Booty Bounce)” is the most unapologetically fun entry on this list. The bounce in the title isn’t false advertising — the beat has a springy, elastic low end that practically demands movement, a clear departure from his more lyrically dense material. Some purists dismissed it as a lighter, dance-adjacent detour, but I’d argue it shows range. Not every song needs to be a technical showcase, and this one proves ChillinIt understands pacing across a tracklist as well as he understands bars.
Bad Santa
Produced by BADRAPPER, recorded by Izaac Wilson, and mixed by Cam Parkin, “Bad Santa” arrived in November 2021 as the third single from his third studio album Family Ties. It flips the jolly holiday archetype into something darker and more conflicted, using Santa as a metaphor for a character wrestling with inner demons beneath a cheerful public mask. The one-take music video that accompanied it became something of a moment in Australian hip-hop circles, showcasing his breath control and memorization in a single unbroken performance. It’s a genre exercise — a Christmas song that isn’t really about Christmas — and it works because the wordplay never feels gimmicky.
Big Swish
“Big Swish” is one of those tracks that rewards repeat listens because the flow patterns shift so frequently within a single verse. Turnell treats the beat almost like a drum kit, syncopating his delivery against the snare in ways that reward close listening on a decent pair of cans rather than tinny phone speakers. If you’re serious about catching every internal rhyme and flow switch on tracks like this, it’s worth comparing options on our headphones comparison guide before your next deep-catalog listening session. The energy here is confident and a little braggadocious, which suits the title perfectly.
Pac Energy
Dropped as a standalone single in 2023, “Pac Energy” wears its influence proudly in the title — there’s a reverence for classic West Coast storytelling filtered through Turnell’s own grime-honed cadence. The instrumental leans on a moody, bass-heavy loop that gives the track a cinematic weight rather than a party-ready bounce. What stands out to me is the restraint in the second verse, where he slows his usual rapid-fire delivery to let individual bars land with more gravity. It’s a mature piece of songwriting that shows an artist comfortable enough in his pocket to not rush every line.
Boys Light Up
“Boys Light Up,” also released in 2023, borrows its title from the classic Australian rock lexicon while delivering something entirely different sonically. The track leans into introspective territory, touching on growing up, mateship, and the pressures of masculinity within Australian youth culture. Meanwhile, the production keeps things relatively stripped back, prioritizing vocal clarity over dense layering, which lets the storytelling do the heavy lifting. It’s a good example of how ChillinIt has matured lyrically without abandoning the technical flair that built his fanbase.
Walk & Drive (with Nerve)
A 2023 collaboration with fellow Australian artist Nerve, “Walk & Drive” benefits from the chemistry of two distinct flows trading off across the beat. Nerve’s grimier, more aggressive delivery contrasts nicely against Turnell’s cleaner articulation, and the track’s structure gives both artists genuine space rather than cramming verses together as an afterthought. On the production side, the beat has a driving, motorik rhythm that justifies the title — this is a song built for the highway, not the club. It’s one of the better-executed features in his catalog precisely because neither artist tries to outshine the other.
Round & Round
Released in 2024, “Round & Round” finds ChillinIt experimenting with a more repetitive, hypnotic hook structure, mirroring the cyclical theme suggested by the title. The verses maintain his signature density, but the chorus pulls back to something almost meditative, creating a nice contrast in dynamics across the runtime. In terms of streaming performance, singles from this era of his career have consistently found strong traction on Spotify’s Australian hip-hop playlists, and it’s easy to hear why — the hook is engineered for repeat listens without becoming grating.
KATSU (feat. Moses)
Released November 28, 2024, and later folded into his 2025 album The Green Room, “KATSU” pairs ChillinIt with fellow Sydney artist Moses for one of the more melodically ambitious tracks in his recent output. The production incorporates a warmer, almost R&B-adjacent chord progression underneath the rap verses, and Moses’ hook adds a vocal texture that ChillinIt’s catalog doesn’t often reach for. On official streaming numbers it quickly became one of his most-played 2024 releases, and the accompanying music video helped push it further into the Australian hip-hop conversation. In contrast to his earlier, denser bars, this one prioritizes groove.
Ninety Seven Flows
Released as the companion track to “KATSU” on the same November 2024 single, “Ninety Seven Flows” swings the pendulum back toward pure technical rap. The title itself is a flex, and Turnell delivers on the promise, cycling through multiple flow patterns and rhyme schemes within a tight two-and-a-half-minute runtime. There’s very little wasted space in the arrangement, with the beat mostly clearing out to let the vocal performance carry the track. For listeners who gravitate toward lyricism over hooks, this is arguably the most rewarding cut from that release.
Walk The Line
A 2025 single, “Walk The Line” has quickly become one of his most-viewed recent music videos, and it’s easy to hear why on first listen. The track balances melodic sensibility with his rapid-fire verses, essentially splitting the difference between his radio ambitions and his underground roots. The mix here is notably crisp, with the vocal sitting slightly forward of the instrumental in a way that flatters his diction. It’s a strong example of an artist nearly a decade into his career still finding new pockets within a familiar sound.
Money Reserve
Released in 2025, “Money Reserve” leans into trap-adjacent production, built around a hard-hitting 808 pattern and sparse, percussive hi-hats. Thematically it’s straightforward — a celebration of financial independence built through his own label rather than a major deal — but the delivery keeps it from feeling generic. Turnell’s flow rides the pocket confidently, occasionally dropping into a half-time cadence that lets individual lines hit harder. It’s a good showcase of how his production choices have modernized to keep pace with current trap conventions without losing his grime-rooted identity.
Puff Puff Pass
True to its title and true to the 420 Family brand he built his career on, “Puff Puff Pass” is a laid-back, smoke-session anthem released in 2025. The instrumental is hazier and more atmospheric than a lot of his catalog, with reverb-drenched samples creating a loose, unhurried backdrop for his verses. It’s less about technical showcase and more about vibe — the kind of track that rewards a relaxed, low-key listening environment rather than close analytical attention. Given how central cannabis culture has been to his brand identity since day one, this feels like a natural, almost inevitable addition to his discography.
Lost For Words
“Lost For Words,” also from 2025, strips things back emotionally in a way that stands out against the more braggadocious entries on this list. The production is comparatively sparse, giving space for a more vulnerable lyrical approach that touches on doubt and reflection rather than triumph. It’s a reminder that beneath the technical flexing and weed anthems, Turnell is capable of genuine introspection when the moment calls for it. This is the kind of track that plays better late at night than blasting through a car stereo at full volume.
Take Me Away (with Jet Walker)
A 2025 collaboration with Jet Walker, “Take Me Away” brings a melodic, almost escapist energy to the tracklist. Jet Walker’s vocal contributions add texture that contrasts against ChillinIt’s rap-forward delivery, creating a genuine back-and-forth dynamic rather than a simple feature verse tacked onto the end. The arrangement builds gradually, layering instrumentation as the track progresses toward a fuller, more expansive final chorus. It’s one of the more collaborative, genre-blending moments in his recent catalog, and it suggests he’s interested in stretching beyond straight hip-hop as his career matures.
Problems
Closing out this list, “Problems” captures ChillinIt in reflective, unfiltered mode, addressing the weight of expectations that come with a decade-plus career and a devoted fanbase watching his every move. The instrumental is moodier, built around a minor-key loop that underscores the lyrical tension without ever tipping into melodrama. His flow here is more measured than his usual rapid-fire attack, prioritizing clarity of message over technical display. It’s a fitting way to end a catalog rundown, because it shows an artist still willing to be honest rather than coasting on formula this deep into his career.
Every one of these tracks tells you something different about who ChillinIt is as an artist — the technical showman, the vulnerable storyteller, the unapologetic weed-culture ambassador, and increasingly, the melodic collaborator. If you want to keep exploring tracks like these, our full songs archive is a good place to dig deeper into similar Australian hip-hop coverage. And if you’re planning a serious listening session with any of these, it’s genuinely worth comparing your gear first — our earbuds comparison breaks down which options handle bass-heavy trap production best versus which ones flatter a dense, lyric-forward mix like “Ninety Seven Flows.”
Frequently Asked Questions
Who is ChillinIt?
ChillinIt is the stage name of Blake Turnell, an Australian rapper from Hurstville, Sydney, who built an independent hip-hop career through his own label, 420 Family, starting with his 2018 debut album Women Weed & Wordplay.
What is ChillinIt’s most popular song?
“One Breath One Take” and “Wish You Well Pt. 2 (It’s A Vibe),” both from his 2018 debut album, remain among his most-streamed tracks and are widely considered fan favorites to this day.
What was ChillinIt’s first charting single?
“Freedom,” released in August 2019, became his first single to chart on the ARIA Singles Chart, peaking at number 87 in Australia.
What genre does ChillinIt make music in?
ChillinIt is generally classified as Australian hip-hop with heavy grime influences, a style he developed after drawing inspiration from UK grime rappers early in his career.
Does ChillinIt produce his own music?
ChillinIt has worked with a range of collaborators over the years, including producers like BADRAPPER and Premise On The Beat, alongside features from artists such as Moses, Nerve, and Jet Walker.
What is ChillinIt’s most recent album?
His most recent full-length project is The Green Room, released in 2025, following earlier albums including 420DNA (2023), Family Ties (2021), and Full Circle (2020).