ASAP Ferg has always been the wildcard in the ASAP Mob crew — the Harlem-born rapper whose unpredictable energy and thunderous production choices set him apart from nearly everyone in trap music. From the grimy, unfiltered street narratives of Trap Lord to the polished, genre-blending experiments on Floor Seats II, Ferg’s catalog rewards the listener who digs deep. Whether you’re catching these tracks on headphones during a late-night session or blasting them through your car speakers on the highway, there’s a rawness to ASAP Ferg’s best songs that few artists in his generation can replicate. This list of the 20 best ASAP Ferg songs covers his greatest hits and standout deep cuts — every track here is a real, essential piece of his legacy.
Plain Jane
If there’s one ASAP Ferg song that transcended his existing fanbase and introduced him to the mainstream, it’s “Plain Jane.” Released in 2017 as part of Still Striving, the track is built on a minimal, hypnotic beat produced by Ronny J — just a sparse bassline, eerie synth tones, and a hi-hat pattern so addictive it burrows into your brain after one listen. Ferg’s flow here is deceptively simple, riding the beat with confidence and swagger rather than technical complexity. The song peaked at number 40 on the Billboard Hot 100 and later became a certified platinum hit, proving that restraint and vibe can be just as powerful as virtuosity.
New Level
“New Level” is one of the defining rap anthems of 2016. Featuring Future and produced by Southside, the track smashes together Atlanta trap aesthetics with Ferg’s New York aggression in a way that feels completely seamless. The 808 pattern is punishing, the synth stabs are cinematic, and both artists sound like they’re competing to out-perform each other on record. Lyrically, it’s a celebration of ascension — making it past obstacles and landing in a place most people only dream about. On a good pair of headphones (and if you’re looking to invest in the right gear for hip-hop listening, check out this headphone comparison guide), the low-end on this track is absolutely massive.
Work
“Work” is where Ferg announced himself to the world. The debut single from Trap Lord is a relentless, almost industrial-sounding trap record that positioned Ferg as something other than just another ASAP Mob affiliate — he was a fully-formed artist with his own perspective. The production, handled by veteran beatmaker Harry Fraud, layers distorted horns over crunching drum patterns, creating a soundscape that feels simultaneously grimy and grand. Ferg’s vocal performance is ferocious throughout, channeling an urgency that made it impossible to ignore. “Work” remains one of the purest examples of early 2010s New York trap.
Shabba
Named after Jamaican dancehall legend Shabba Ranks, this Trap Lord cut is a showcase of Ferg’s personality and cultural awareness. The production carries a menacing energy — dark, bass-heavy, and deliberately paced — while Ferg adopts a swaggering delivery that references dancehall cadences without fully committing to them, creating something uniquely in-between. The track also features a memorable verse from ASAP Rocky, and the chemistry between the two Harlem natives is undeniable. “Shabba” became a fan favorite precisely because it felt untamed and genuinely fun, even amid its hard-edged presentation.
Yamborghini High
This ASAP Mob posse cut from Cozy Tapes Vol. 1 stands as a genuine tribute to the late ASAP Yams, the creative director and founder of ASAP Mob who passed away in January 2015. Produced by Hector Delgado, the track is draped in a melancholic, purple-hued atmosphere that captures both mourning and celebration simultaneously. Ferg’s verse is emotionally resonant, blending tribute with the kind of Harlem street poetry that Yams helped inspire. Hearing this one on headphones in a quiet room hits differently — it’s one of the most genuinely moving records in the entire Mob catalog.
Plain Jane REMIX
When Nicki Minaj jumped on the “Plain Jane” remix in 2017, it transformed an already successful record into a cultural event. Nicki’s verse is sharp, confident, and full of the kind of wordplay she was delivering at peak form during that era. What makes the remix particularly effective is how it doesn’t dilute the original’s minimalist production — instead, Nicki leans into the sparse Ronny J beat and makes it her own without overwhelming it. The interplay between her verse and Ferg’s original hook creates a dynamic that rewards repeat listening, and the contrast in styles actually highlights how much personality Ferg packs into a seemingly simple flow.
Hella Hoes
Released as a standalone single, “Hella Hoes” features the entire ASAP Mob and showcases the collective at peak creative energy. The production is aggressive and deliberately abrasive — an industrial-leaning trap record with layers of noise that reward close listening on quality audio equipment. For listeners who want to experience the full sonic texture, exploring earbud comparisons can make a real difference in how these layered, bass-heavy productions translate. Ferg anchors the track with a confident central performance, and the carousel of Mob members creates an atmosphere of controlled chaos that perfectly suits the subject matter.
Dreams, Fairytales, Fantasies
The Floor Seats EP marked a creative pivot for Ferg toward more melodic, introspective material, and “Dreams, Fairytales, Fantasies” is perhaps the finest expression of that evolution. The production is lush and cinematic, built around a soulful sample that gives the track a timeless, almost nostalgic warmth. Ferg’s lyricism here moves beyond pure bravado into something more vulnerable — reflecting on ambition, legacy, and the surreal experience of achieving the dreams you once thought impossible. It’s the kind of record that plays well at 2 AM with the lights low, when you’re in the mood for something that asks you to actually listen.
Runnin
Written for the Creed II soundtrack, “Runnin” finds ASAP Ferg tapping into an inspirational mode that suits him far better than critics predicted at the time of release. The production is anthemic, built for wide-open spaces and emotional peaks, and Ferg’s performance matches the cinematic ambition of the beat with genuine conviction. There’s something about the context — a song meant to soundtrack a championship fight — that brings out a more earnest, stripped-back version of Ferg’s artistry. The song also demonstrated his versatility as an artist capable of serving a creative brief without losing his identity.
Move Ya Hips
Featuring MadeinTYO and produced by Murda Beatz, “Move Ya Hips” is one of the most purely fun records Ferg has made in his career. The reggae-inflected production is bright, bouncy, and infectious — a complete departure from the dark trap textures of Trap Lord that proves Ferg has always had a lighter, more playful side worth celebrating. The track demonstrates his range as a performer; where “Work” demanded intensity, “Move Ya Hips” rewards looseness and joy. It peaked within the top 40 of multiple streaming charts upon release and became a fan-favorite live performance moment.
RAF
The ASAP Mob collaboration featuring Frank Ocean and Playboi Carti is one of the most unique records in all of their discographies. Frank’s melodic, dreamlike contributions to the track create a surreal contrast against the more aggressive trap energy of the Mob, and the tension between those two worlds is what makes “RAF” so compelling. Ferg’s verse is sharp and grounded, serving as connective tissue between the track’s divergent personalities. The production, atmospheric and sprawling, rewards every listen with new details — the kind of layered record that genuinely benefits from quality audio equipment.
Dennis Rodman
Named after the legendary NBA champion and cultural icon, “Dennis Rodman” is a celebration of outsider energy — of being the person in the room who doesn’t fit any conventional mold but somehow keeps winning. The production is skittering and unconventional, with a percussion arrangement that refuses to settle into comfortable patterns. Ferg leans into the metaphor with genuine wit, drawing parallels between Rodman’s defiant career and his own path through an industry that frequently underestimated him. It’s one of the more conceptually interesting records in his catalog and stands as evidence that Ferg thinks more carefully about his music than surface-level readings suggest.
In It
“In It” represents Ferg at his most melodically ambitious on Floor Seats II. The production blends trap percussion with lush, harmonically rich layers that give the track an almost R&B texture without fully abandoning hip-hop’s structural DNA. Ferg’s vocal performance stretches across registers here in a way he rarely commits to, and the result is one of the more emotionally nuanced records of his late career. For fans who discovered him through the harder-edged Trap Lord material, “In It” is a rewarding reminder of how much he’s grown as an artist since 2013.
Wam
One of the more underrated cuts from the Floor Seats EP, “Wam” showcases Ferg’s ability to build tension through minimalist production choices. The beat is sparse and menacing, leaving plenty of space for Ferg’s delivery to breathe and land with maximum impact. The track has a claustrophobic, close-quarters energy that plays particularly well on headphones — the kind of record where proximity to the sound matters. Among serious ASAP Ferg fans, “Wam” consistently ranks as a hidden gem, the kind of track that rewards those who go deeper than the singles.
Hood Pope
“Hood Pope” is a statement record — Ferg announcing his arrival not just as a rapper but as a cultural figure with something to say about community, identity, and loyalty. The production is ceremonial and deliberate, with a weight that suits the grandiosity of the title without tipping into self-parody. Lyrically, Ferg draws on his Harlem upbringing with specificity and pride, grounding the track’s ambition in concrete, lived experience. It stands as one of the more thoughtful moments on Trap Lord and helped establish Ferg as more than just a purveyor of energy — he was a storyteller, too.
What Happens
A standout moment from Cozy Tapes Vol. 2, “What Happens” features Tyler, the Creator and Joi in a track that blurs genre lines with remarkable ease. Tyler’s production here is characteristically eccentric — warm, slightly off-kilter, and emotionally textured in a way that contrasts beautifully with the harder-edged material on the same album. Ferg adapts his style intuitively to the production, delivering a performance that’s more melodic and relaxed than his usual output. For listeners exploring more of his discography, this is an excellent entry point into the wider world of hip-hop songs worth discovering alongside Ferg’s catalog.
SILVER TOOTH.
From his 2023 project Road to CASABLANCO., “SILVER TOOTH.” signals a mature, refined version of ASAP Ferg operating with renewed creative confidence. The production has an international texture — pulling from global influences in a way that reflects Ferg’s broadening artistic worldview. Lyrically, he sounds sharp and focused, with the kind of purposeful pen work that comes from an artist who no longer feels the need to prove anything and can simply create. For long-time fans, “SILVER TOOTH.” is a welcome return to form that suggests the best chapters of Ferg’s career may still be ahead.
Green Juice
Released as a standalone single in 2021, “Green Juice” is a playful, eccentric record that leans into the more experimental side of Ferg’s personality. The production is quirky and colorful, built around an unexpected sample flip that gives the track a retro-modern quality. Ferg’s delivery is loose and improvisational-feeling — like he’s rapping with a smirk — and that energy is infectious from first listen. It’s not the track most people cite when they talk about his greatest hits, but “Green Juice” is the kind of record that keeps a catalog feeling alive and unpredictable rather than formulaic.
Face Down
“Face Down,” released in 2023, demonstrates that Ferg still has the appetite for hard-edged, aggressive trap when the moment calls for it. The production is dark and percussively dense, recalling the atmosphere of his early work while incorporating the sonic refinements of a decade-plus career. His flow on “Face Down” is precise and locked in, matching the beat’s intensity without overwhelming it. For listeners who fell in love with the rawness of Trap Lord and worried that subsequent growth might sand away the edges, “Face Down” is reassuring evidence that the hunger never left.
Rock Out
“Rock Out” from the 2024 project Crowd Control closes this list on a note of genuine excitement. The track blends trap energy with rock-influenced production elements in a way that feels bold rather than gimmicky — Ferg leaning into sonic experimentation as an artist who’s earned the right to take risks. The energy is high, the production is dynamic, and Ferg’s performance suggests an artist energized by the challenge of keeping his sound fresh more than a decade into his career. It’s the kind of record that makes you curious about what comes next — which, for an artist at Ferg’s stage, might be the highest compliment possible.
Frequently Asked Questions
What is ASAP Ferg most popular song?
“Plain Jane” is widely considered ASAP Ferg’s most popular song, having reached number 40 on the Billboard Hot 100 and achieving platinum certification. Its minimalist Ronny J production and undeniable replay value made it a crossover moment that introduced Ferg to listeners far beyond his existing fanbase. The subsequent remix featuring Nicki Minaj extended the song’s cultural life even further.
What album is New Level by ASAP Ferg on?
“New Level” appears on ASAP Ferg’s second studio album Always Strive and Prosper, released in 2016. The track features Future and was produced by Southside, becoming one of the standout singles from that project and one of the most recognizable collaborations of that year in hip-hop.
Is ASAP Ferg part of ASAP Mob?
Yes, ASAP Ferg — born Darold Durard Brown in Harlem, New York — is a founding member of the ASAP Mob collective alongside ASAP Rocky, the late ASAP Yams, and others. He signed to ASAP Worldwide and Polo Grounds Music and released his debut album Trap Lord in 2013 under that affiliation.
What are ASAP Ferg best albums?
ASAP Ferg’s most celebrated projects include Trap Lord (2013), which established his raw, aggressive style; Always Strive and Prosper (2016), which showed significant sonic growth; and the Floor Seats (2019) and Floor Seats II (2020) EPs, which highlighted his melodic and experimental range. His 2023 project Road to CASABLANCO. is also regarded by fans as a strong creative statement.
Does ASAP Ferg write his own lyrics?
Yes, ASAP Ferg is credited as a songwriter on his tracks and has spoken extensively in interviews about the importance of personal authenticity in his lyricism. His records frequently draw on specific details from his Harlem upbringing, his relationship with his late father (fashion designer Dammit Ferg), and his experiences navigating fame — all of which reflect genuine autobiographical writing rather than purely collaborative ghostwriting.
What producers have worked with ASAP Ferg?
Ferg has collaborated with a wide range of producers across his career, including Ronny J on Plain Jane, Southside on New Level, Harry Fraud on Work, Murda Beatz on Move Ya Hips, and Tyler the Creator on What Happens. This diversity of production collaborators reflects Ferg’s refusal to be boxed into a single sonic lane throughout his caree