If you have spent any real time in the world of contemporary R&B, you already know that Jacquees — born Rodriquez Jacquees Broadnax on April 15, 1994, in Decatur, Georgia — is one of the genre’s most passionate and committed voices. The best Jacquees songs don’t just play in your ears; they crawl into your chest and stay there. Whether it’s the slow-burning sensuality of B.E.D. or the emotional weight of Tell Me It’s Over, Jacquees has spent over a decade proving that traditional R&B, modernized and amplified, still has everything it needs to dominate. He signed with Cash Money Records in 2014 and never looked back, delivering a catalog that constantly rewards listeners who give it the time it deserves — preferably on good headphones at midnight.
What makes Jacquees genuinely special is his reverence for the craft. He studied under legends — you can hear the influence of Usher, Jagged Edge, and even Donell Jones embedded in his phrasing and melodic choices — but he wraps it all in a contemporary Atlanta edge that keeps everything fresh. His debut studio album 4275 (2018), named after the address of his childhood home, debuted at number 35 on the Billboard 200 and was certified Gold. His follow-up, King of R&B (2019), peaked at an even more impressive number 20 on the Billboard 200. This list pulls from across that catalog and beyond, selecting 20 tracks that best represent what Jacquees is capable of at his highest level.
Curious about more essential R&B and pop tracks making waves right now? Browse through our full songs collection at GlobalMusicVibe for deep dives across every genre.
B.E.D.
Let’s start at the beginning — or at least, the beginning of Jacquees’ mainstream story. Released in 2016, B.E.D. became the song that turned heads everywhere. Produced by Nash B, the track rides a deceptively simple, mid-tempo groove that locks in immediately and refuses to let go. Jacquees’ vocal delivery here is precise and seductive without tipping into parody — he knows exactly how much to give and when to pull back, which is a skill far too few modern R&B singers possess. The song peaked at number 69 on the Billboard Hot 100 and eventually earned double platinum certification from the RIAA, a well-deserved recognition of just how sticky this record was in the culture. Heard in a car on a Friday night, B.E.D. is absolutely undefeated.
You
If B.E.D. introduced Jacquees to the mainstream, then You cemented his place in it. Also earning double platinum RIAA certification, this 2018 single is one of the most complete R&B recordings of its era — sonically rich, emotionally direct, and vocally stunning. The production feels like a warm blanket: gentle synths, a subtle kick pattern, and a melodic bassline that gives Jacquees the perfect stage to flex his upper-range falsetto. There is a breathless quality to the way he phrases the chorus that makes it feel genuinely urgent, like the words are spilling out of him faster than he can contain them. On a quality pair of headphones — and if you are shopping for the right pair, check out our headphones comparison guide — You is a full-body listening experience.
Inside feat. Trey Songz
Pairing Jacquees with Trey Songz sounds like a fantasy booking, but Inside from the 4275 album turned it into delicious reality. The production here is atmospheric and lush, built around slow-moving synth pads and a minimal drum pattern that lets both vocalists breathe. What is impressive is how neither artist overshadows the other — Trey’s rougher, earthier timbre acts as a beautiful contrast to Jacquees’ silkier delivery, and together they create a harmonic conversation that feels genuinely intimate. Songs like this remind you why R&B duets, when done right, are an entirely different art form from solo work. The mix on this track is particularly excellent; there is space and depth in every layer.
Your Peace feat. Lil Baby
One of the most compelling things about King of R&B as an album was Jacquees’ willingness to invite Atlanta’s hip-hop community into his R&B world and make it work seamlessly. Your Peace, featuring Lil Baby, is the finest example of this. The production — moody, minimal, and slightly unsettling in the best way — provides a backdrop where Jacquees delivers one of his most emotionally exposed vocal performances on record. Lil Baby’s verse doesn’t overwhelm the song’s soft, romantic core; instead, it adds a layer of raw street vulnerability that makes the emotional stakes feel even higher. The track peaked at number seven on the Bubbling Under R&B/Hip-Hop Singles chart, a number that genuinely undersells how broadly this song resonated.
House or Hotel
There is a beautiful directness to House or Hotel that sets it apart from standard R&B fare. Rather than hiding romantic intentions behind layers of metaphor, Jacquees asks a question here that feels almost refreshingly candid: what is this, exactly? The production leans into that ambiguity with a hazy, after-midnight aesthetic — slow tempo, watery guitars, and a drum pattern that feels like it is moving through fog. Vocally, Jacquees is restrained and thoughtful, which paradoxically makes the emotional impact land harder. It is the kind of song that plays entirely differently depending on where you are in a relationship when you first hear it.
Studio
Studio is one of those tracks that sneaks up on you. On first listen, it sounds simple — a minimal trap-soul beat, conversational lyrics, Jacquees in a relaxed, almost understated mode. But repeated listens reveal the craft underneath: the way the vocal harmonies stack and interlock in the hook, the subtle pitch-shifting on certain phrases, the deliberate restraint in the production that keeps all the focus on the lyrical intimacy. It is a song about creative energy and romantic energy overlapping, and the production mirrors that concept brilliantly. This is the kind of album deep cut that separates casual listeners from real fans of Jacquees’ work.
23
23 sits among the most introspective moments in Jacquees’ catalog, and it is exactly what makes 4275 so emotionally resonant as a debut album. Named after the album that literally bears the address of his childhood home, tracks like this one reveal the man behind the musician. The production is warm and slightly nostalgic — it has a hazy, golden-hour quality that recalls late ’90s R&B without feeling like direct imitation. Lyrically, Jacquees reflects on youth, ambition, and the pressure of living up to expectations, delivering the lines with a maturity that belies his age. It is the kind of record that makes you want to sit still and actually listen.
All My Life
If you want to understand Jacquees’ connection to classic R&B tradition, All My Life is the clearest window into that relationship. The melodic structure, the vocal runs, the slow-build dynamic of the arrangement — it all feels rooted in the golden era of ’90s R&B but processed through a modern, trap-influenced production lens that keeps it grounded in the current moment. Jacquees’ voice in the bridge section here is genuinely stunning — he climbs into his upper register with a controlled intensity that very few contemporary R&B singers can match. This is a song that absolutely demands quality audio equipment; the vocal layering alone is worth the upgrade.
No Validation
Not every great Jacquees song is about vulnerability and longing. No Validation is a declaration — a clean, confident assertion of self-worth that shows his ability to move between emotional registers with ease. The beat here has an almost swaggering quality, a mid-tempo groove with snapping hi-hats and a bass tone that sits low in the mix but drives everything forward. Lyrically, Jacquees dismisses critics and doubters with a casual certainty that never tips into aggression. It is a track that sounds particularly good at high volume, and it is the kind of song that shifts the energy of any playlist it is dropped into.
What They Gone Do With Me feat. Future
King of R&B opened with an introduction from T.I. and immediately signaled that Jacquees was positioning himself among Atlanta’s elite — and What They Gone Do With Me, featuring Future, backs that ambition up with action. Future’s presence here is less about his lyrical content and more about the energy he brings to the sonic atmosphere, and the production — dark, reverb-drenched, with a pulsing low-end — suits both artists perfectly. Jacquees holds the melodic center of the track with a confidence that never wavers, and the interplay between his smooth falsetto and Future’s gravelly mutter creates one of the most sonically interesting moments on the entire album.
Verify feat. Young Thug and Gunna
If What They Gone Do With Me is the moody, introspective collaboration on King of R&B, then Verify is the high-energy counterpart. Featuring Young Thug and Gunna — two of Atlanta’s most distinctive vocal stylists — this track pushes Jacquees into genuinely experimental territory without losing his identity. The production, handled by the album’s core team including Nash B, is slick and kinetic, with a melody that the three vocalists pass between each other like a relay baton. The result is a track that genuinely sounds like nothing else in Jacquees’ catalog — adventurous, unpredictable, and thrillingly cohesive.
Tell Me It’s Over feat. Summer Walker and 6LACK
There are collaborations, and then there are moments — and Tell Me It’s Over is firmly in the latter category. Pairing Jacquees with Summer Walker and 6LACK creates a trio of Atlanta-connected artists whose individual strengths somehow amplify each other rather than compete. Summer Walker’s raw, unpolished vocal edge provides a beautiful counterpoint to Jacquees’ more technically polished delivery, while 6LACK’s verse adds a cool, detached melancholy that pulls the emotional narrative of the song in a new direction. The production is sparse and aching — lots of empty space in the mix that makes every vocal phrase feel like it is hanging in mid-air. This is one of those tracks you will find yourself replaying at 2 a.m. without quite knowing why.
London
London is the kind of album track that reveals itself slowly. There is a sophistication to its production palette — the layered synths, the atmospheric reverb on the drums, the almost cinematic quality of the arrangement — that elevates it above the standard R&B deep cut. Jacquees’ vocal performance here is notably controlled; he resists the urge to oversing, instead letting the melody breathe and the production do some of the emotional heavy lifting. For listeners who want to understand the full range of what Jacquees can do beyond his biggest singles, London is an essential starting point. It is the kind of track that earns a permanent spot in a playlist you return to for mood rather than energy.
Infatuated
Pure, undiluted pop-R&B pleasure — that is the simplest way to describe Infatuated. The hook on this track is so precisely constructed that it lodges itself in your brain after a single listen, which is a rarer skill than people realize. The production is bright and breezy relative to Jacquees’ darker, moodier work, with a rhythmic bounce that feels like it is designed for summer car rides with the windows down. Lyrically, it is playful and light — Jacquees knows when a song needs emotional weight and when it needs to just be fun. Infatuated is the latter, executed flawlessly. If you are new to his music, this is an excellent entry point.
Beauty Doesn’t Cry
Jacquees has always been capable of tenderness, but Beauty Doesn’t Cry takes that capacity to a deeper, more vulnerable level. The arrangement is deliberately understated — a soft piano line, warm background harmonics, and a drum pattern so gentle it barely registers as percussion. In this setting, Jacquees’ voice becomes the sole emotional center of the track, and he rises to the occasion with a performance that feels genuinely unguarded. There is a quality in his lower register here — a slight roughness, almost — that suggests real emotional investment rather than technical display. For anyone who wants to hear what Jacquees sounds like when he is speaking from the heart rather than performing, this is the track.
Play the Field
Not every entry on a greatest hits list needs to be emotionally weighty, and Play the Field is a welcome reminder of that. This is Jacquees in full confidence mode — lyrically playful, vocally slick, riding a groove-driven beat with the casual ease of someone who knows exactly how good they are. The production has a funk-adjacent bounce that feels indebted to classic R&B radio fare without being derivative, and Jacquees’ ad-libs throughout — subtle, precisely placed, never overdone — are a masterclass in how to dress a vocal performance. It is the kind of track that improves any playlist it enters. For tips on getting the best audio out of tracks like this on the go, our earbuds comparison guide has everything you need.
Risk It All
In an era where emotional sincerity is sometimes coded as weakness, Risk It All wears its romantic ambition without a trace of self-consciousness, and that is precisely what makes it work. The production swells where it needs to, pulls back where it needs to, and Jacquees matches every dynamic shift with an equally committed vocal performance. The chorus here is sweeping and declarative — it is the kind of hook that sounds like it was written to be performed in front of a crowd, arms wide, eyes closed. It is also the kind of song that crystallizes why Jacquees takes the King of R&B title so seriously: this is music built to last, not just to trend.
Good Lovin
Good Lovin is one of the most purely joyful tracks in Jacquees’ catalog — and that is saying something for an artist whose reputation is largely built on slow-burning sensuality and introspection. There is an old-school soul warmth to this record that recalls the ’70s and ’80s R&B lineage he clearly studied, wrapped in a production style that is entirely current. The groove is infectious, the vocal delivery is loose and playful, and the overall atmosphere is unapologetically celebratory. It is a reminder that Jacquees’ musical foundation is incredibly broad — he is not just a trap-R&B singer; he is a student of Black American music in its fullest expression.
Special
Sometimes the best music is the quietest. Special operates on a minimal production platform — a gentle melodic loop, sparse percussion, just enough space to hear Jacquees think between phrases — and the effect is stunning. His vocal warmth is on full display here, and the harmonics he layers in the background add a depth that takes the track from bedroom ballad to genuine artistic statement. Lyrically, it is a dedication piece — the kind of song you send to someone specific, not to a concept of love in general. That specificity is part of what makes it resonate. Special is proof that Jacquees does not need elaborate production to make an impression; he can command a room with almost nothing.
Tipsy
Closing out this list with Tipsy feels right — it is a track that captures the looser, more playful side of Jacquees that sometimes gets overshadowed by his reputation as a serious vocal artist. The production is warm and groove-centered, with a rhythm section that practically compels movement, and Jacquees rides it with an effortless ease that reflects genuine comfort with the material. Lyrically, it is light and fun without being throwaway, and his vocal performance retains the technical finesse that marks all his best work even when the tone is relaxed. It is the musical equivalent of the last song at a great party — nobody wants it to end, but it leaves you with the best possible feeling.
Frequently Asked Questions
What is Jacquees most popular song?
B.E.D. and You are widely considered Jacquees’ most popular songs. Both singles earned double platinum certification from the RIAA and charted on the Billboard Hot 100. B.E.D., released in 2016, was the track that first brought him mainstream attention, while You from 2018 further solidified his crossover appeal.
What album is Jacquees B.E.D. from?
B.E.D. was released as a standalone single in 2016 before appearing on Jacquees’ debut studio album 4275, which was released on June 15, 2018 via Cash Money Records. The album debuted at number 35 on the Billboard 200 and was certified Gold by the RIAA.
What does 4275 mean in Jacquees album title?
4275 is the street address of Jacquees’ childhood home in Decatur, Georgia. It is a deeply personal title choice that reflects the album’s thematic core — autobiographical storytelling rooted in his upbringing, early experiences, and the neighborhood that shaped him as an artist and person.
Who are some notable collaborators on Jacquees songs?
Jacquees has collaborated with an impressive range of artists across his catalog. Notable features include Trey Songz on Inside, Future on What They Gone Do With Me, Lil Baby on Your Peace, Young Thug and Gunna on Verify, Summer Walker and 6LACK on Tell Me It’s Over, Chris Brown, Birdman, and DeJ Loaf, among many others.
What record label is Jacquees signed to?
Jacquees signed with Cash Money Records in October 2014, and the label has released all three of his studio albums: 4275 (2018), King of R&B (2019), and Sincerely For You (2022).
How did Jacquees earn the nickname King of R&B?
Jacquees famously declared himself the King of R&B in 2018 via social media, which sparked widespread debate in the music community. Rather than backing down from the title, he leaned fully into it by naming his 2019 second studio album King of R&B, which debuted at number 20 on the Billboard 200 and featured collaborations with some of hip-hop and R&B’s biggest names.
Is Jacquees from Atlanta?
Yes, Jacquees was born and raised in Decatur, Georgia, which is part of the greater Atlanta metropolitan area. His Atlanta roots are deeply embedded in his music — from the trap-influenced production choices on his albums to the roster of ATL-based collaborators he regularly works with, including Future, Lil Baby, Young Thug, and Gunna.