If you’re searching for the best Flume songs of all time, you’ve landed in the right place. Flume, born Harley Edward Streten, is an Australian electronic music producer and DJ who rose to international fame after releasing his self-titled debut album in 2012 at just 20 years old. His signature blend of glitchy beats, lush soundscapes, and emotionally resonant melodies has earned him Grammy Awards, multiple ARIA Awards, and a devoted global fanbase. Whether you’re a longtime listener or just discovering his catalog, this list covers the tracks that define his legacy — plus some of his most exciting new releases. Make sure you’re listening on the best gear possible; check out our headphone comparisons to find the perfect pair for deep listening sessions.
Never Be Like You (feat. Kai)
“Never Be Like You” is arguably Flume’s most commercially successful song to date, reaching the top five on the Australian charts and earning widespread international airplay. Released in 2016 as part of his critically acclaimed album Skin, the track features the ethereal vocals of Kai layered over Flume’s signature minimalist production. The song’s aching emotional core — a plea for understanding and forgiveness — resonated with millions of listeners and cemented Flume’s ability to blend pop accessibility with forward-thinking electronic sound design.
Say It (feat. Tove Lo)
“Say It” pairs Flume’s intricate, bass-heavy production with Tove Lo’s raw and captivating vocal delivery, resulting in one of the standout tracks from the Skin album. The song pulses with restrained tension before opening into a spacious, emotionally charged drop that showcases Flume’s mastery of dynamic contrast. It earned widespread critical praise and demonstrated his ability to collaborate with pop artists while maintaining his distinctly experimental sonic identity.
Holdin On
“Holdin On” was one of the first tracks to introduce global audiences to Flume’s sound when it appeared on his 2012 self-titled debut album. The track blends chopped vocal samples with bubbling synths and a slow-burning groove that feels simultaneously futuristic and deeply soulful. It became a defining anthem of the early 2010s Australian electronic music scene and remains one of his most beloved fan favorites to this day.
You & Me (feat. Ellie Goulding — Flume Remix)
While technically a remix, Flume’s reinterpretation of Disclosure’s “You & Me” featuring Ellie Goulding is widely considered one of his signature pieces and a pivotal moment in his career. The remix strips back Disclosure’s house-influenced original and rebuilds it into something otherworldly, with warped vocal chops and a hypnotic, off-kilter groove. It gained massive traction online and is often cited as the track that first put Flume on the radar of international music listeners and industry professionals alike.
The Difference (feat. Toro y Moi)
Released in 2020, “The Difference” marked Flume’s long-awaited return to the spotlight after a period of relative quiet following the Skin Companion EP series. The track features indie artist Toro y Moi delivering breezy, sun-drenched vocals over a production that shifts effortlessly between organic warmth and glitchy electronic textures. It won Flume his second Grammy Award for Best Dance/Electronic Recording, confirming that his creative evolution had lost none of its brilliance.
Rushing Back (feat. Vera Blue)
“Rushing Back” is a deeply intimate track that showcases a more tender and melodic side of Flume’s artistry. Australian singer Vera Blue delivers a stunning vocal performance that glides over shimmering production filled with delicate piano motifs and subtle, swelling percussion. The song is often praised for its emotional transparency and its ability to feel both grand and quietly personal at the same time.
Insane (feat. Moon Holiday)
“Insane” is one of the most beloved tracks from Flume’s 2012 debut album, driven by an infectious vocal hook from Moon Holiday and a production style that perfectly encapsulates the fresh, forward-thinking sound Flume introduced to the world. The track builds around a chopped, pitched vocal sample that creates an almost hypnotic loop, pulling listeners deeper into its groove with each repetition. It remains a staple of Flume’s live sets and is frequently cited by fans as the track that first made them fall in love with his music.
Drop the Game (feat. Chet Faker)
“Drop the Game” is a collaboration between Flume and fellow Australian musician Chet Faker (now known as Nick Murphy), and it stands as one of the most iconic tracks to emerge from Australia’s electronic music scene in recent memory. Chet Faker’s velvety, soulful vocals glide effortlessly over Flume’s moody, atmospheric production, creating a track that feels deeply introspective and emotionally resonant. Released on Flume’s debut album in 2012, it has only grown in stature over the years, becoming a timeless piece of Australian musical heritage.
On Top (feat. T.Shirt)
“On Top” is a funkier, more rhythmically playful track from Flume’s debut that highlights his versatility as a producer. T.Shirt’s rapping adds an energetic, street-smart contrast to Flume’s glossy, synth-driven production, and the result is a song that is hard to listen to without moving. It remains a fan favorite and one of the more unique entries in Flume’s catalog, demonstrating that his sound isn’t confined to any single emotional register or stylistic lane.
Smoke & Retribution (feat. Vince Staples & Kucka)
“Smoke & Retribution” is one of the most striking and unconventional tracks on the Skin album, pairing the sharp, incisive lyricism of Vince Staples with Kucka’s hauntingly beautiful vocal contributions. The production is darker and more confrontational than much of Flume’s catalog, with jagged rhythms and eerie textures that perfectly complement Staples’ socially conscious verses. It stands as a powerful statement of artistic ambition and remains one of the most talked-about tracks in Flume’s discography among critics and fans alike.
Hyperreal (feat. Kucka)
“Hyperreal” is a shimmering, introspective gem from the Skin Companion EP 2, released in 2017, featuring the otherworldly voice of Kucka. The track is built around a slow, meditative groove with layers of glassy synths and subtle, carefully placed percussion that creates an almost dreamlike atmosphere. It’s one of the quieter entries in Flume’s catalog but arguably one of his most emotionally sophisticated, rewarding patient listeners with a depth that reveals itself more with every listen.
Go (feat. Vera Blue)
“Go” appears on the 2022 album Palaces and represents a significant milestone in Flume’s artistic evolution, showcasing a warmer and more organic sonic palette than much of his earlier work. Vera Blue’s voice floats above a lush bed of acoustic-influenced textures and Flume’s characteristically intricate sound design, resulting in a track that feels both grounding and euphoric at the same time. It was widely praised upon release as one of the standout moments on Palaces and a sign of Flume’s continued creative growth.
Say Nothing (feat. MAY-A)
“Say Nothing” from the Palaces album is one of Flume’s most emotionally direct songs, with Australian singer-songwriter MAY-A delivering an intimate and heartfelt vocal performance. The production wraps around her voice with a delicate touch, using soft synths and understated rhythmic elements that allow the emotional weight of the lyrics to take center stage. It’s a beautiful example of Flume’s ability to craft space and restraint in his music, proving that sometimes the quietest moments make the loudest impact.
Highest Building (feat. Cowgirl Clue)
“Highest Building” is a standout track from Palaces that leans into a slightly more experimental direction, featuring the striking and unconventional vocal delivery of Cowgirl Clue. The production is dense and maximalist in places, layered with unexpected timbres and rhythmic twists that reward close listening. It’s a bold and adventurous piece of work that demonstrates Flume’s willingness to push the boundaries of electronic music even as his profile has grown to a mainstream level.
Sirens (feat. Caroline Polachek)
“Sirens,” from the Palaces album, pairs Flume’s production with the unmistakable voice of Caroline Polachek, an artist known for her own avant-garde approach to pop music. The result is a track of extraordinary emotional and sonic tension, built on a foundation of shifting rhythms and cascading synths that seem to mirror the drama and vulnerability in Polachek’s vocal performance. It’s one of the most acclaimed collaborations from Palaces and a highlight of Flume’s career in terms of sheer sonic ambition and execution.
High You Are
“High You Are” was released on The Quacker EP in 2013 and is notable for being one of Flume’s most intimate and emotionally fragile early productions. Built around pitched vocal samples and a minimal, deeply textured beat, it creates an almost suspended-in-time feeling that sets it apart from many of his more energetic works. It’s a testament to Flume’s sensitivity as a producer and his ability to evoke complex emotions through purely sonic means, without relying on conventional song structure or melody.
Get U (feat. Oklou)
“Get U” is another highlight from Palaces, featuring French artist Oklou whose breathy, melodic vocal style meshes seamlessly with Flume’s intricate and immersive soundscapes. The track pulses with a quiet urgency, its production built on layered textures and subtle rhythmic shifts that create a sense of both motion and stillness simultaneously. It’s one of the more understated gems in Flume’s recent catalog and rewards careful, headphone-assisted listening — speaking of which, our guide to comparing earbuds can help you find the right pair for tracks like this one.
Sleepless (feat. Jezzabell Doran)
“Sleepless” is a deeply affecting track from Flume’s 2012 debut, featuring the haunting vocal performance of Jezzabell Doran against a backdrop of delicate, wistful production that feels almost weightless. The song’s minimalist approach — sparse beats, floating synths, and gentle melodic motifs — gives it a timeless, melancholy quality that has endeared it to fans long after the debut album’s initial wave of success. It’s a perfect example of the emotional depth Flume was already capable of at the very beginning of his career, and it remains a fan-favorite discovery for new listeners exploring his earlier work. If you enjoy deep cuts like this, our songs category features more curated music guides to explore.
Escape (feat. Noni)
“Escape” from Palaces is one of the album’s most cinematic moments, featuring Noni’s soaring vocal performance over production that builds with sweeping intensity and emotional grandeur. The track takes its time developing, allowing layers of sound to accumulate until it reaches an emotionally cathartic peak that feels genuinely moving. It’s a strong representation of the more ambitious, large-scale direction Flume pursued on Palaces and one of the most memorable listens on what is already a richly layered album.
Jasper’s Song
“Jasper’s Song” closes out our list as one of the most personal and reflective entries in Flume’s recent catalog, appearing on Palaces and reportedly inspired by a deeply meaningful relationship in his personal life. The track is gentle and unhurried, built around soft, shimmering production that carries an unmistakable sense of warmth and longing. It’s a beautifully crafted piece that speaks to the emotional maturity Flume has developed over his career, and it serves as a poignant reminder that at the heart of all his technical brilliance lies a genuine and deeply human creative voice.
Frequently Asked Questions
What is Flume’s most famous song?
Flume’s most famous song is widely considered to be “Never Be Like You” featuring Kai, released in 2016 as part of his album Skin. The track achieved major commercial success in Australia and internationally, reaching the top five on the ARIA Charts and earning significant radio airplay worldwide. It introduced Flume to a much broader mainstream audience while staying true to his innovative electronic production style.
What genre of music does Flume make?
Flume primarily makes electronic music, but his sound incorporates a wide range of subgenres and influences including future bass, glitch hop, ambient, and experimental electronic. His productions are known for their heavy use of vocal manipulation, intricate sound design, and unconventional rhythmic structures that blend organic and synthetic textures. Over the course of his career, he has continually pushed the boundaries of what electronic music can sound like, making him one of the genre’s most innovative figures.
Has Flume won any major awards?
Yes, Flume has won numerous major awards throughout his career. He won the Grammy Award for Best Dance/Electronic Album in 2017 for Skin, and again won the Grammy Award for Best Dance/Electronic Recording in 2022 for “The Difference” featuring Toro y Moi. He has also won multiple ARIA Awards, Australia’s premier music industry honor, across several categories including Best Dance Release and Engineer of the Year.
What is Flume’s latest album?
Flume’s most recent studio album is Palaces, released in 2022. The album received widespread critical acclaim for its lush, organic sound palette and its emotionally resonant collaborations with artists such as Caroline Polachek, Vera Blue, MAY-A, Oklou, and others. Palaces represents a significant artistic evolution for Flume, moving toward warmer and more naturalistic textures while maintaining the forward-thinking production sensibility that has always defined his work.
Is Flume Australian?
Yes, Flume is Australian. He was born Harley Edward Streten in Sydney, New South Wales, and first gained recognition through the Australian music scene after releasing his self-titled debut album in 2012. Despite his subsequent global success, he remains closely associated with Australia’s vibrant electronic music community and has played a significant role in raising the international profile of Australian electronic artists.