When it comes to the best Dom Dolla songs, there is no shortage of floor-fillers, late-night anthems, and bass-driven masterpieces to choose from. Dom Dolla — born Dominic Greek in Melbourne, Australia — has quietly become one of the most important figures in modern house and tech-house music. His career spans over a decade of tight productions, infectious grooves, and big-room moments that prove Australian electronic music is a genuine force on the global stage. Whether the tracks are heard through a proper pair of headphones or blasting across a festival main stage, every Dom Dolla release carries a signature weight that is immediately recognizable.
What makes Dom Dolla stand apart from the crowded DJ-producer landscape is his commitment to feel. The man does not chase trends — he sets them. From his early Melbourne underground days through his global breakthrough and onto recent collaborations with pop royalty, the catalogue is remarkably consistent. This list covers 20 real, verified Dom Dolla songs that represent the full range of his artistry, ranked in ascending order leading to his most essential work. For anyone building a house music playlist, this is the definitive starting point. And if you want to explore more great tracks across genres, check out the GlobalMusicVibe songs archive for endless listening inspiration.
Love Like This (2015) — The Early Blueprint
Released in 2015, “Love Like This” offers a fascinating window into where Dom Dolla began before the world caught on. The track sits firmly in the deep house corner, built around smooth chord progressions, a warm sub-bass, and a vocal hook that floats rather than demands. Listening back now, the production feels remarkably polished for an early release — the mixdown is clean, the dynamics are controlled, and the arrangement breathes naturally rather than feeling rushed toward a drop. It is the kind of track that earns repeat plays at lower volumes, rewarding patience with small details that reveal themselves over time.
Be Randy (Extended Mix) (2017) — Groove Architecture
The extended mix of “Be Randy” is a masterclass in building a house groove from the ground up. The 2017 release leans hard into a percussive, mechanical rhythm that borrows energy from classic Chicago house while keeping one foot planted in Dom Dolla’s distinctly modern approach. The extended format gives the production room to breathe — layers are introduced gradually, stripped away, and reintroduced with just enough variation to keep the ear engaged across its runtime. For DJs and dedicated headphone listeners alike, the patience built into “Be Randy” pays off every single time.
Body Funk — Dom Dolla Remix (2017) — Remix Excellence
Dom Dolla’s remix of “Body Funk” demonstrates exactly why remix culture remains so vital to electronic music. Rather than simply rearranging the original, Dom Dolla essentially rebuilds the track from the inside out, injecting a harder, more propulsive energy while preserving the essential soul of the source material. The low end hits with authority, the percussion is laser-precise, and the overall effect is something that sounds tailor-made for peak hour in a dark club. It is a reminder that a great remix can sometimes eclipse its original in terms of emotional impact.
Take It (2018) — The Sound Solidifies
By 2018, the Dom Dolla sound was taking clearer shape, and “Take It” captures that moment of crystallization beautifully. The track pulses with a locked-in groove that owes as much to classic house as it does to the tech-house wave that was rising at the time. The vocal sample at the center is chopped and filtered with real technique — not gimmicky processing, but the kind of thoughtful manipulation that turns a snippet into a full-blown hook. “Take It” became a set staple for good reason: it works at any point in a DJ set, warming a room or pushing it toward the edge.
Moving Blind (2020) — Emotional Weight in Electronic Music
The original “Moving Blind” and its 2020 remix package showed that Dom Dolla could operate with genuine emotional depth, not just dancefloor functionality. The track carries a melancholic undercurrent beneath its driving rhythm, achieved through careful harmonic choices and a vocal performance that feels genuinely wistful rather than cosmetically sad. It is the kind of electronic track that hits differently depending on mood — energizing in a crowd setting, introspective on headphones during a commute. The remix package extended the lifespan of the release significantly by offering multiple entry points into the same emotional space.
San Frandisco (2019) — The Breakthrough Moment
“San Frandisco” is the track that introduced Dom Dolla to the global house music conversation in a serious way, and it earns every bit of its reputation. Released in 2019, the track rides a hypnotic vocal chop that sits at the intersection of playful and seductive, supported by a bass line that has just enough weight to shake the room without overwhelming the arrangement. The production is deceptively simple — the genius is in what Dom Dolla leaves out, allowing the groove to breathe and the listener’s body to respond naturally. “San Frandisco” became an international club anthem and remains one of the most instantly recognizable drops in recent house music history.
Pump the Brakes (2021) — Peak Hour Authority
Released in 2021, “Pump the Brakes” cemented Dom Dolla’s position as a genuine main-stage force rather than simply a credible underground act. The track operates at a slightly harder energy level than his earlier material, with a more insistent kick drum and a bass line that pushes forward with real urgency. The vocal element is used sparingly, which makes it hit harder when it arrives — the restraint is calculated and effective. Played through a properly tuned sound system, the low frequency information in this track is genuinely physical, which is why it became such a consistent peak-hour selection for top-tier DJs worldwide.
Miracle Maker (2022) — Collaboration Done Right
“Miracle Maker,” released in 2022, showcases Dom Dolla’s ability to work with vocal-forward material without losing his production identity. The track balances an anthemic quality — something that reaches toward the emotional core of the listener — with the rhythmic discipline that defines his best work. The arrangement unfolds with real intention, building tension through layered elements before releasing into a chorus that feels genuinely earned rather than manufactured. For fans who came to Dom Dolla through his more club-focused material, “Miracle Maker” offers a compelling argument that his skill set extends far beyond functional dancefloor production.
Strangers (with Mansionair) (2022) — Atmospheric Depth
The collaboration with Australian indie-electronic duo Mansionair on “Strangers” produced one of the most emotionally complex tracks in Dom Dolla’s catalogue. The Mansionair influence is audible in the delicate, floating vocal performance — Mansionair are known for their atmospheric approach, and that sensibility blends surprisingly well with Dom Dolla’s rhythmic architecture. The Flight Facilities remix extended the track’s reach into different corners of the electronic landscape, but the original holds its own as a mood piece that rewards quiet, focused listening. “Strangers” works on headphones in a way that few tracks in the tech-house world manage.
Rhyme Dust (2023) — International Breakthrough Confirmed
The collaboration with MK on “Rhyme Dust” in 2023 marked a genuine turning point in Dom Dolla’s international profile. MK, a legendary Detroit-born producer whose influence on house music spans decades, brought his distinctive vocal chopping style to the table, and Dom Dolla matched that legacy with a production that felt simultaneously classic and completely modern. The track reached significant chart positions across multiple territories, crossed over into mainstream radio rotation, and demonstrated that underground credibility and commercial success are not mutually exclusive. “Rhyme Dust” sounds equally good on festival speaker towers and in personal headphone sessions — a genuinely versatile production achievement. Choosing the right listening equipment makes a real difference with tracks like this one, and exploring a detailed headphone comparison can help find the setup that brings out all the low-end texture Dom Dolla builds into his mixes.
Eat Your Man (with Nelly Furtado) (2023) — Pop Meets Underground
The collaboration with Nelly Furtado on “Eat Your Man” in 2023 was one of the most unexpected and genuinely exciting crossover moments in recent electronic music. Nelly Furtado brings an unmistakable vocal character — playful, confident, and instantly recognizable — and Dom Dolla builds a production around her that feels like a natural extension of his sound rather than a compromise. The bassline is thick, the groove is locked, and the overall energy sits perfectly at the intersection of pop accessibility and underground credibility. “Eat Your Man” introduced Dom Dolla to an entirely new audience while giving long-time fans something to celebrate at the same time.
Saving Up (2023) — Maturity in the Studio
Released in 2023, “Saving Up” demonstrates the kind of compositional maturity that comes from years of consistent studio work. The track avoids the obvious big-drop structure that dominates so much modern electronic music, instead opting for a sustained groove that builds and releases energy in more subtle, satisfying ways. The vocal is processed with a light touch — present enough to add melodic interest without overwhelming the rhythmic elements that anchor the track. “Saving Up” rewards patience, revealing additional layers of production detail with each listen, which is the hallmark of truly crafted electronic music rather than disposable club fodder.
New Gold (with Gorillaz and Tame Impala) — Three Worlds Colliding
“New Gold” brought together Dom Dolla, Gorillaz, and Kevin Parker of Tame Impala in one of the most creatively ambitious collaborations of recent years. The track finds Dom Dolla operating in genuinely unfamiliar sonic territory — the psychedelic pop influences of Tame Impala and the art-rock sensibility of Gorillaz pull in directions that Dom Dolla does not typically explore alone. The result is a production that sounds like none of the three collaborators individually, which is exactly what the best collaborations achieve. The mix is dense without being cluttered, and the track demonstrates that Dom Dolla can adapt his production instincts to almost any creative context.
I Know (2024) — The Sound Evolves
The 2024 release “I Know” shows Dom Dolla continuing to push his sound forward rather than repeating successful formulas. The production feels slightly leaner than some earlier work, with space used more deliberately and individual elements given room to register before the next layer arrives. The vocal hook is direct and memorable without being obvious, sitting high enough in the mix to serve as a focal point while the rhythmic foundation does its work underneath. “I Know” is the kind of track that earns long-term playlist placement because it sounds fresh across repeated listens — a quality that separates durable music from momentary trends.
Girl$ (2024) — Confident and Current
Released in 2024, “Girl$” represents Dom Dolla in peak commercial-underground crossover mode — the track is catchy enough for mainstream radio but produced with the precision and depth that satisfies dedicated house music listeners. The rhythm section is characteristically tight, the bass frequency is tuned to maximize impact on club systems, and the overall energy is unapologetically confident. The production choices feel bold rather than calculated, which gives the track a genuine immediacy that is difficult to manufacture. “Girl$” is the kind of release that confirms an artist is operating from a position of genuine creative strength rather than commercial anxiety.
Mirage — Hypnotic and Immersive
“Mirage” earns its title through a production approach that is genuinely hypnotic — the track creates an immersive listening environment through layered textures, subtle rhythmic displacement, and a deep-mix approach that rewards closed-eye listening. The bass moves in ways that are felt as much as heard, and the upper register elements shimmer with enough warmth to prevent the production from feeling cold or clinical. This is the kind of Dom Dolla track that showcases his deeper, more introspective side, away from the peak-hour energy that dominates his most commercially recognized work. For listeners who appreciate electronic music as a headphone experience, “Mirage” is essential listening — which is exactly why investing in quality audio equipment, whether through comparing earbuds or full-size cans, pays off for this kind of immersive electronic music.
Work It — Dancefloor Fundamentals
“Work It” strips the Dom Dolla formula back to its essentials — pure groove, minimal ornamentation, maximum impact on a dancefloor. The track functions as a masterclass in functional club music: every element serves the rhythm, nothing exists merely for decoration, and the mix is engineered to translate across different sound systems without losing its core energy. It is the kind of track that experienced DJs reach for when a room needs energy without disruption, the musical equivalent of a perfectly executed transition that keeps the momentum flowing. “Work It” may not be the flashiest track in the catalogue, but it demonstrates real understanding of what makes dancefloor music work at a fundamental level.
No Room For A Saint (F1 the Album, 2025) — Arena-Ready Evolution
Appearing on the official Formula 1 soundtrack album in 2025, “No Room For A Saint” finds Dom Dolla operating in genuinely cinematic territory. The track carries the kind of scale and forward momentum that fits the F1 context — it sounds like acceleration, like precision, like the feeling of something moving at high speed with total control. The production is larger than typical Dom Dolla club material without sacrificing the rhythmic discipline that defines his sound, and the result is a track that works equally well in arena contexts as it does on personal headphones at high volume. The F1 placement introduced the Dom Dolla sound to a new global audience through a culturally significant context.
Dreamin (2025) — Emotional Payoff
The 2025 release “Dreamin” arrives as one of the most emotionally resonant tracks Dom Dolla has put his name to. The production walks a careful line between driving electronic energy and genuine melodic warmth, achieving a balance that feels natural rather than engineered. The title suits the mood precisely — the track has a slightly suspended quality, as though the rhythm is the only anchor preventing the listener from floating entirely into the harmonic space above. “Dreamin” represents the fullest realization yet of Dom Dolla’s capacity for electronic music with genuine emotional reach, and it signals exciting possibilities for where the catalogue might head from here.
Don’t Worry Baby (2026) — Latest and Greatest
The most recent entry on this list, “Don’t Worry Baby” arrived in 2026 and immediately announced itself as one of Dom Dolla’s most complete productions. The track synthesizes everything the catalogue has built toward — the groove discipline of the early work, the emotional depth of the mid-career collaborations, and the production confidence of a artist who has spent years refining his voice. The title carries a reassuring, almost soulful quality that the music delivers on entirely, with a warmth in the harmonic movement that balances the rhythmic drive underneath. “Don’t Worry Baby” is the sound of an artist at the height of his powers, comfortable enough in his own skin to make music that is simultaneously accessible and genuinely deep.
Frequently Asked Questions
What genre is Dom Dolla?
Dom Dolla primarily works in tech-house and deep house, two subgenres of electronic dance music characterized by driving rhythmic patterns, heavy bass lines, and synthesized elements drawn from classic Chicago and Detroit house traditions. His more recent work has expanded into melodic house territory, particularly on tracks with prominent vocal collaborations, while remaining grounded in the groove-first sensibility that defines his approach.
Where is Dom Dolla from?
Dom Dolla, whose real name is Dominic Greek, was born and raised in Melbourne, Australia. Melbourne has a long and respected history as a hub for underground electronic music, and Dom Dolla emerged from that scene before achieving international recognition. He continues to be closely associated with the Australian electronic music community even as his career has taken on a fully global dimension.
What is Dom Dolla’s most popular song?
“San Frandisco” from 2019 remains the track most closely associated with Dom Dolla’s breakthrough, widely credited as the moment his sound connected with international audiences on a major scale. More recently, “Rhyme Dust” with MK in 2023 reached significant chart positions across multiple countries and has accumulated massive streaming numbers, making it a strong contender for the most broadly recognized track in his catalogue.
Who has Dom Dolla collaborated with?
Dom Dolla has collaborated with a notably diverse range of artists across his career. Notable collaborations include MK on “Rhyme Dust,” Nelly Furtado on “Eat Your Man,” Mansionair on “Strangers,” Gorillaz and Tame Impala (Kevin Parker) on “New Gold,” and various appearances on compilation projects across the Australian and international electronic music scenes. Each collaboration has introduced his production style to different audiences while maintaining his core sonic identity.
Is Dom Dolla good for headphone listening?
Absolutely. While Dom Dolla’s music is engineered for club sound systems, the production detail in his tracks rewards high-quality headphone listening enormously. The layered low-end textures, carefully placed percussion elements, and subtle harmonic movement in tracks like “Mirage,” “Saving Up,” and “Moving Blind” reveal themselves fully only through quality audio equipment. Tracks like “Rhyme Dust” and “San Frandisco” are equally satisfying on headphones as they are on large speaker systems, provided the playback quality is high enough to capture the full frequency range.
What year did Dom Dolla start making music?
Dom Dolla has been active in the Melbourne music scene since the early 2010s, with traceable releases and DJ activity from around 2013 onward. His earlier productions, including tracks like “Love Like This” from 2015 and “Be Randy” from 2017, document his development through the mid-2010s underground scene before “San Frandisco” in 2019 marked the beginning of his international breakthrough period.