Amaal Mallik is one of the most exciting voices in contemporary Bollywood music. As a composer, music director, and singer, he has carved out a distinct identity that blends lush orchestration with modern production sensibilities. Born into the legendary Mallik musical family, Amaal carries a rich heritage while consistently pushing the genre forward with fresh, emotionally resonant soundscapes. Whether through sweeping romantic ballads or high-energy dance numbers, his discography represents some of the finest songs to emerge from Hindi cinema in the past decade. This list gathers the 20 best Amaal Mallik songs of all time, covering his most celebrated works across Bollywood films and independent releases.
O Khuda — Hero (2015)
Few Bollywood debut statements land as powerfully as O Khuda did in 2015. Featured in the Salman Khan-produced film Hero and sung by Palak Muchhal, the song wraps a deeply spiritual melody around the emotional turmoil of a young love story. Amaal’s composition layers soft strings against a gentle acoustic guitar bed, allowing Palak’s crystalline voice to float through the arrangement without any competing clutter in the mix. Listening through headphones reveals the delicate detail in the reverb tails and the way the percussion breathes naturally around the vocal phrases — a level of mastering craft rarely achieved in mainstream Bollywood productions.
Kar Gayi Chull — Kapoor and Sons (2016)
Kar Gayi Chull is the kind of song that takes over every wedding playlist and refuses to leave. From the 2016 family drama Kapoor and Sons, Amaal co-produced this infectious dance number featuring Badshah, Neha Kakkar, Fazilpuria, and Sukriti Kakar. The production is deceptively smart — beneath the playful Punjabi energy lies a tightly controlled rhythm arrangement where every beat hits with surgical precision. The bass frequencies hit hard in a car stereo, and the brass punches during the chorus are mixed with just enough brightness to cut through without fatigue. It became one of the biggest party anthems of 2016 and demonstrated Amaal’s ability to craft mass-appeal tracks without sacrificing production quality.
Hua Hain Aaj Pehli Baar — Sanam Re (2016)
There is something genuinely tender about Hua Hain Aaj Pehli Baar, a romantic ballad from the 2016 film Sanam Re featuring Armaan Malik and Neeti Mohan. Amaal builds the track around a simple piano motif that never overstays its welcome, letting the emotional weight land entirely in the vocal interplay between the two singers. The bridge section introduces subtle orchestral swells that feel earned rather than gratuitous, creating a cinematic swell that mirrors the feeling of falling in love for the first time. It is one of those songs that works beautifully in a quiet room at night, where every nuance of Armaan’s breath control becomes part of the listening experience.
Chale Aana — De De Pyaar De (2019)
Amaal Mallik delivered one of his most affecting compositions with Chale Aana from De De Pyaar De, sung with quiet intensity by Armaan Malik. The song explores the emotional complexity of rekindled longing, and Amaal’s production mirrors that complexity through a sparse, restrained arrangement that slowly builds in emotional density. The acoustic guitar opening gives way to layered strings and a subtle electronic pulse in the second half, creating a sonic journey that feels organic rather than engineered. For anyone who has explored Amaal’s compositional range through a quality pair of headphones, Chale Aana is a masterclass in dynamic restraint — the song whispers where lesser composers would shout.
Main Rahoon Ya Na Rahoon — 2015
Main Rahoon Ya Na Rahoon is one of Amaal Mallik’s signature compositions and a song that announced his arrival as a serious force in Bollywood music. Released in 2015 and sung by Armaan Malik, the track is a profound meditation on impermanence and unconditional love. Amaal’s arrangement pairs a heartfelt piano progression with a full string orchestra that builds gradually into an emotionally overwhelming climax. The lyrical depth, combined with Armaan’s pitch-perfect delivery and Amaal’s commitment to melodic storytelling, made this song an enduring listener favorite across streaming platforms.
Besabriyaan — M.S. Dhoni: The Untold Story (2016)
The biopic of cricket legend M.S. Dhoni demanded music that could match the scale of an extraordinary life, and Besabriyaan delivered exactly that. Sung by Armaan Malik and composed by Amaal, the song captures youthful impatience and burning ambition through a soaring melodic arc that feels tailor-made for stadium-sized emotions. The production features swelling orchestral layers beneath a contemporary pop structure, striking a balance that makes the track feel simultaneously cinematic and radio-friendly. Besabriyaan became one of the most-streamed songs from the film and earned Amaal widespread recognition for his ability to serve a story musically without overshadowing it.
Zindagi Aa Raha Hoon Main — 2015
Zindagi Aa Raha Hoon Main is an exuberant celebration of resilience and forward momentum, featuring the vocal charisma of Atif Aslam in a composition by Amaal Mallik. The pairing of Pakistan’s most beloved voice with one of Bollywood’s sharpest young composers produced a track that crackles with genuine energy. The production leans into a folk-pop sensibility, with rhythmic percussion and strummed acoustic elements giving the song an earthy warmth that contrasts beautifully with Atif’s polished delivery. It remains a staple of feel-good playlists and proves that Amaal’s compositional instincts extend well beyond the romantic register.
Buddhu Sa Mann — Kapoor and Sons (2016)
Buddhu Sa Mann is a quietly devastating entry in the Kapoor and Sons soundtrack, sung by Armaan Malik with a fragile vulnerability that suits the film’s themes of fractured family bonds. Amaal crafts an intimate arrangement built on acoustic guitar, light percussion, and warm piano chords that feel like a conversation rather than a performance. The song’s genius lies in its understatement — there is no big orchestral moment, no dramatic key change, just a melody that sits in the chest and refuses to leave. It rewards close listening, and through a decent pair of earbuds, the textural detail in the acoustic guitar picking becomes its own quiet pleasure.
Jab Tak — M.S. Dhoni: The Untold Story (2016)
While Besabriyaan captured the fire of ambition, Jab Tak from the same film captures the ache of separation. Sung by Armaan Malik and composed by Amaal, it is one of the more emotionally mature tracks in his catalog — patient, aching, and beautifully controlled. The arrangement opens with a delicate piano introduction before expanding into a mid-tempo ballad with subtle orchestral backing, never allowing the instrumentation to crowd out the emotional core of the vocal performance. Its placement in the film during one of the most emotionally charged sequences made it a moment audiences remembered long after leaving the cinema.
Kaun Tujhe — M.S. Dhoni: The Untold Story (2016)
Kaun Tujhe is perhaps the most beloved song from the M.S. Dhoni soundtrack and one of the most complete compositions of Amaal Mallik’s career. Sung by Palak Muchhal with extraordinary emotional sensitivity, the track distills pure devotion into a melody that feels simultaneously simple and profound. Amaal’s production is restrained and purposeful — soft strings, gentle percussion, and a piano line that moves with the natural rhythm of the lyric rather than imposing its own tempo. The song became a cultural moment in 2016, accumulating massive streaming numbers and earning a permanent place in Bollywood’s modern classic canon.
Phir Kabhi — M.S. Dhoni: The Untold Story (2016)
Phir Kabhi rounds out Amaal’s extraordinary contribution to the Dhoni biopic with yet another emotionally resonant ballad, this time featuring Arijit Singh. The meeting of Arijit’s unmistakable vocal texture with Amaal’s compositional sensibility creates something genuinely affecting — a song about yearning and the passage of time that feels lived-in rather than manufactured. The production floats on a bed of light strings and piano, with Arijit navigating the melody’s contours with the ease of a singer who understands exactly what the song needs from him. It stands as proof that the Dhoni soundtrack was not just a film score but a cohesive artistic statement.
Salamat — Sarbjit (2016)
Salamat from the Aishwarya Rai-starrer Sarbjit is among the most quietly devastating songs Amaal Mallik has composed. The song features Arijit Singh and Tulsi Kumar in a duet about love across impossible distances, and the production reflects that emotional geography with a sparse, echo-heavy arrangement that feels both intimate and vast. Amaal’s restraint here is remarkable — the song never overreaches, trusting the melody and the vocal performances to carry the full emotional weight. It is exactly the kind of composition that deepens with repeated listening, revealing new emotional layers each time.
Soch Na Sake — Airlift (2016)
Soch Na Sake from Airlift was one of the most unexpected musical surprises of 2016 — a song so warmly melodic and instantly memorable that it outlasted the film in the public imagination. Featuring Arijit Singh and Tulsi Kumar, the composition draws on folk-pop elements and a gentle, waltzing rhythm that feels almost nostalgic. Amaal builds the song with careful attention to texture, using layered acoustic guitars and warm string arrangements to create a sound that feels hand-crafted rather than digitally assembled. The chorus is the kind of melody that arrives fully formed in the mind even after a single listen.
Kuch To Hai — Do Lafzon Ki Kahani (2016)
Kuch To Hai is a breezy, romantic track from Do Lafzon Ki Kahani, featuring Armaan Malik in one of his most effortlessly charming vocal performances. Amaal’s production leans into a light, pop-oriented sound with an easy rhythmic feel that makes the song an ideal companion for a sunny drive or a casual afternoon playlist. The arrangement features bright acoustic guitars, airy synth pads, and a melodic hook that embeds itself in memory after a single listen. It represents Amaal’s skill at the lighter end of his compositional range — proof that his talent is not limited to emotionally weighty material.
Ghar Se Nikalte Hi — 2018
Released in 2018, Ghar Se Nikalte Hi is one of Amaal Mallik’s most celebrated non-film compositions and a song that showcases his growth as both a composer and a melodist. The track taps into a feeling of restless longing that is deeply relatable, and the production wraps that emotion in a warm, mid-tempo pop arrangement featuring layered guitars and tasteful electronic elements. Amaal handles the emotional arc with impressive maturity, building the song toward a chorus that feels genuinely earned rather than formulaically constructed. It accumulated strong streaming numbers and reinforced his standing as a composer equally at home in film and independent music contexts.
Kya Yehi Pyaar Hai — 2022
Kya Yehi Pyaar Hai, released in 2022, features Armaan Malik and represents one of Amaal’s more recent standout compositions. The song blends contemporary pop production with traditional melodic sensibilities, creating a sound that feels both modern and timeless. Amaal uses clean, spacious production choices — crisp percussion, layered vocals, and a guitar line that carries the emotional weight of the lyric — to create a listening experience that rewards both casual play and focused attention. Its 2022 release demonstrated that Amaal’s compositional instincts continue to sharpen with experience.
Aashiq Surrender Hua — Badrinath Ki Dulhania (2017)
Aashiq Surrender Hua brought irresistible energy to the 2017 hit Badrinath Ki Dulhania, featuring the incomparable Shreya Ghoshal in a playful, flirtatious track that became one of the film’s most celebrated moments. Amaal builds the song on a punchy rhythmic foundation with brass accents and a melodic line that dances through the arrangement with infectious confidence. Shreya’s vocal performance is exuberant and perfectly matched to the production’s bright, celebratory energy. The song exemplifies Amaal’s versatility — here is a composer equally capable of a heart-wrenching ballad and a joyful dance number, and both arrive with the same level of craft.
Parinda — Saina (2021)
Parinda from the 2021 sports biopic Saina is a soaring motivational anthem that suits the film’s subject — the life of badminton champion Saina Nehwal — with remarkable precision. Amaal constructs the song around a sweeping melody that mirrors the arc of athletic ambition, using orchestral elements and a powerful rhythmic pulse to create a track that genuinely stirs something in the listener. The production is polished and cinematic without feeling overproduced, allowing the emotional core of the lyric to breathe freely within the arrangement. It is one of the more underrated tracks in Amaal’s catalog and deserves wider recognition.
Tu Mera Nahi — 2020
Tu Mera Nahi, released in 2020, is a melancholic breakup song that showcases Amaal’s ability to translate emotional pain into musical beauty. The track uses a minor-key melody with sparse instrumentation — a technique Amaal employs with increasing confidence in his non-film work — to create a sense of emotional exposure that feels authentic rather than performed. The production leaves deliberate space in the mix, allowing silence to function as an instrument in its own right. As a standalone single, it demonstrated that Amaal’s artistry extends well beyond the demands of film scoring into genuine personal expression.
Jaan Hai Meri — Radhe Shyam (2022)
Closing this collection is Jaan Hai Meri from the 2022 epic romance Radhe Shyam, featuring Armaan Malik in a performance of sweeping emotional grandeur. Amaal’s composition for this film reflects the scale of its production — the song uses a full orchestral palette with rich string arrangements and a melody that builds toward an almost operatic climax. The track captures the breathless devotion at the heart of the film’s story and demonstrates how far Amaal has developed as a composer since his earliest Bollywood work. It is a fitting conclusion to this survey of his greatest songs, pointing toward an artistic trajectory that shows no signs of slowing.
Frequently Asked Questions
What is Amaal Mallik’s most popular song?
Kaun Tujhe from M.S. Dhoni: The Untold Story (2016) is widely regarded as Amaal Mallik’s most popular and beloved composition. Sung by Palak Muchhal, it became a massive streaming hit and earned a permanent place in Bollywood’s modern classic catalog. Other strong contenders include Besabriyaan, Main Rahoon Ya Na Rahoon, and O Khuda.
Who are the singers Amaal Mallik has worked with most frequently?
Armaan Malik is the artist Amaal has collaborated with most frequently, featuring on songs like Besabriyaan, Hua Hain Aaj Pehli Baar, Jab Tak, Buddhu Sa Mann, and Chale Aana. Amaal has also worked extensively with Arijit Singh, Palak Muchhal, Shreya Ghoshal, and Atif Aslam, among many others.
Which Bollywood film has the most Amaal Mallik songs?
M.S. Dhoni: The Untold Story (2016) contains the highest concentration of celebrated Amaal Mallik compositions, including Besabriyaan, Jab Tak, Kaun Tujhe, Phir Kabhi, and Padhoge Likhoge. The soundtrack is widely considered one of the best Bollywood film scores of the mid-2010s.
Is Amaal Mallik related to other musicians?
Yes. Amaal Mallik comes from a distinguished musical family. His brother is singer Armaan Malik, and their father is music composer Daboo Mallik. Their grandfather was the legendary music director Sardar Mallik, making them part of one of Hindi film music’s most storied musical lineages.
Does Amaal Mallik sing his own compositions?
Yes, Amaal Mallik sings some of his own compositions in addition to composing for other artists. Songs like Ghar Se Nikalte Hi and Tu Mera Nahi feature his own vocals and were released as independent singles, showcasing his abilities as both a composer and a performing artist.
What genre best describes Amaal Mallik’s music?
Amaal Mallik’s music primarily falls within contemporary Bollywood pop and film music, but his range extends across romantic ballads, dance numbers, folk-pop, and cinematic orchestral compositions. His production style blends Western pop and orchestral influences with traditional Indian melodic sensibilities, creating a sound that is distinctly modern while remaining deeply rooted in the Bollywood tradition.