20 Best Barry Manilow Songs of All Time (Greatest Hits)

Updated: February 1, 2026

20 Best Barry Manilow Songs of All Time (Greatest Hits)

Barry Manilow stands as one of the most successful adult contemporary artists in music history, with a career spanning over five decades of chart-topping hits and sold-out performances. His remarkable ability to craft emotionally resonant melodies combined with his distinctive vocal delivery has earned him a devoted global following. From soaring ballads to upbeat pop confections, Manilow’s catalog represents some of the finest songwriting and production work of the 1970s and beyond, cementing his status as a true musical icon whose influence continues to resonate with audiences today.

“Mandy” – The Breakthrough Ballad That Changed Everything

“Mandy” remains Barry Manilow’s signature breakthrough hit, reaching number one on the Billboard Hot 100 in 1975 and establishing him as a major force in popular music. Originally titled “Brandy” when written by Scott English and Richard Kerr, Manilow’s heartfelt interpretation transformed this yearning ballad into an unforgettable emotional experience. The song’s gradual build from tender piano introduction to powerful orchestral climax showcases Manilow’s exceptional dynamic control and his innate understanding of dramatic pacing. His vocal performance captures genuine vulnerability as he delivers lyrics about lost love and lingering regret, with each phrase carefully shaped to maximize emotional impact. The lush string arrangements and subtle percussion work create a sonic landscape that perfectly complements the melancholic narrative, making “Mandy” an enduring example of 1970s pop craftsmanship at its finest.

“Copacabana (At the Copa)” – A Theatrical Masterpiece

This 1978 disco-infused narrative song demonstrates Manilow’s versatility and storytelling prowess, earning him a Grammy Award and becoming one of his most recognizable compositions. Co-written with Jack Feldman and Bruce Sussman, “Copacabana” tells the tragic tale of Lola, a showgirl at New York’s legendary nightclub, through vivid imagery and theatrical musical arrangement. The production brilliantly incorporates Latin percussion, sweeping strings, and infectious disco rhythms that transport listeners directly to the glamorous yet dangerous world of the Copa. Manilow’s vocal delivery shifts masterfully between the song’s different sections, capturing both the excitement of the nightclub atmosphere and the pathos of the story’s tragic conclusion. The song’s cinematic quality and memorable chorus have made it a staple of Manilow’s live performances, often expanded into elaborate theatrical productions that highlight his showmanship abilities.

“I Write the Songs” – An Ironic Anthem of Musical Creation

Despite common misconception, Manilow didn’t write this 1975 chart-topper—Bruce Johnston of The Beach Boys composed it—but his interpretation became the definitive version that reached number one. The song celebrates music’s universal power and the creative force behind songwriting, with lyrics that resonate with both musicians and music lovers alike. Manilow’s vocal approach balances humility with conviction, avoiding the potential pomposity that could have undermined the song’s message about artistic inspiration. The arrangement features sophisticated chord progressions and a gradual dynamic arc that builds from intimate verses to a triumphant, gospel-tinged chorus supported by rich backing vocals. This track perfectly exemplifies how Manilow’s interpretive skills could elevate material beyond its original conception, transforming what might have been a niche songwriter’s meditation into a universally accessible celebration of music’s transformative power.

“Can’t Smile Without You” – Pure Romantic Optimism

This infectious 1978 hit showcases Manilow’s ability to deliver unabashedly romantic material with complete sincerity and emotional authenticity. Originally recorded by The Carpenters, Manilow’s version became the standard, reaching the top five and demonstrating his skill at selecting material that suited his vocal strengths. The song’s ascending melody during the chorus creates an uplifting sensation that perfectly matches the lyrics’ expression of romantic dependency and joy. Manilow’s vocal delivery exudes warmth and genuine affection, supported by lush orchestration featuring prominent horn sections and shimmering string arrangements. The production quality represents the peak of 1970s adult contemporary sound, with every instrumental element meticulously balanced to support without overwhelming the central vocal performance—a hallmark of Manilow’s best recordings.

“Looks Like We Made It” – Bittersweet Reflection on Lost Love

Released in 1977, this Richard Kerr and Will Jennings composition became one of Manilow’s most emotionally complex hits, reaching number one and showcasing his mature interpretive abilities. The song’s narrative explores the complicated emotions of encountering a former lover who has moved on, mixing relief, regret, and lingering affection in equal measure. Manilow’s vocal performance navigates these emotional nuances with remarkable subtlety, using dynamics and phrasing to convey layers of meaning beneath the surface lyrics. The production features a sophisticated arrangement that builds gradually from sparse piano and strings to a fuller sound incorporating subtle percussion and background vocals. This track demonstrates how Manilow could take potentially conventional adult contemporary material and infuse it with genuine emotional depth through his interpretive choices and vocal craftsmanship.

“Weekend in New England” – Geographical Longing Personified

This 1976 ballad, penned by Randy Edelman, represents one of Manilow’s most geographically specific love songs, using the New England setting as a metaphor for romantic longing and temporary escape. The song’s sweeping orchestral arrangement creates a cinematic quality that matches the lyrical imagery of coastal landscapes and romantic weekends. Manilow’s vocal delivery emphasizes the yearning quality of the lyrics, with particular attention to the sustained notes that convey emotional intensity without veering into melodrama. The production incorporates elements that evoke both intimacy and grandeur, from delicate piano passages to soaring string sections that underscore the song’s romantic themes. This track has become a concert favorite, allowing Manilow to showcase his ability to sustain long phrases and build emotional momentum throughout an extended ballad structure.

“Even Now” – Mature Reflection on Enduring Love

The title track from Manilow’s 1978 album demonstrates his evolution as both a vocalist and interpreter of sophisticated pop material. Co-written with Marty Panzer, this ballad explores how past relationships continue to affect us emotionally even after they’ve ended, a theme that resonates with adult audiences. The song’s structure allows for dramatic dynamic shifts, and Manilow exploits these opportunities to create a performance filled with emotional peaks and valleys. The orchestral arrangement features particularly effective use of strings and piano, creating a lush sonic backdrop that never overshadows the vocal line. Manilow’s phrasing throughout “Even Now” shows his growth as an artist, with careful attention to breath control and emotional coloring that transforms what could have been a standard ballad into a deeply affecting musical experience.

“Could It Be Magic” – Chopin Meets Pop Perfection

Based on Frédéric Chopin’s Prelude in C Minor, this ambitious 1973 track (later re-recorded in 1975) demonstrates Manilow’s classical training and his ability to bridge the gap between pop and classical music traditions. The song’s structure incorporates the famous Chopin melody while building a contemporary pop framework around it, creating something genuinely innovative for its time. Manilow’s vocal performance ranges from whisper-quiet intimacy to powerful sustained notes that showcase his impressive range and control. The production features layers of keyboards, including prominent piano work that references the Chopin original while maintaining modern sensibility. This track became a concert staple and has been covered by numerous artists, but Manilow’s original interpretation remains definitive, demonstrating how classical influences can enhance rather than constrain popular music when handled with skill and respect for both traditions.

“Daybreak” – Jazz-Influenced Optimism

This 1977 release showcases a different side of Manilow’s musical personality, incorporating jazz harmonies and rhythmic sophistication unusual for mainstream pop radio. Co-written with Adrienne Anderson, “Daybreak” features a more uptempo, optimistic musical approach compared to Manilow’s better-known ballads. The arrangement includes sophisticated horn sections and a walking bass line that give the track a distinctly jazzy feel while remaining accessible to pop audiences. Manilow’s vocal delivery adapts to the jazzier context, incorporating subtle rhythmic variations and a more conversational delivery style. The song’s production represents the versatility of Manilow’s musical vision, proving he could move beyond the ballad format that had defined much of his commercial success while still maintaining his distinctive artistic identity.

“This One’s for You” – Personal Dedication to Fans

Released in 1976, this track represents Manilow’s acknowledgment of his relationship with his audience, creating an intimate connection through its dedicatory lyrics and warm musical approach. The song’s relatively simple structure allows Manilow’s vocal personality to shine through without elaborate production tricks or overwhelming orchestration. His delivery balances professionalism with genuine warmth, creating the sense of a personal message rather than a commercial recording. The arrangement features tasteful use of strings and piano, supporting without dominating the vocal line. This track has become particularly meaningful in Manilow’s live performances, where the dedication takes on additional significance as he performs directly for the audiences who have supported his decades-long career—a genuine moment of connection between artist and listener.

“Ships” – Nautical Metaphor for Lost Connections

This 1979 Ian Hunter composition allowed Manilow to explore more melancholic territory, with lyrics using maritime imagery to discuss missed opportunities and relationships that drift apart. The song’s slower tempo and minor key tonality create a contemplative atmosphere different from Manilow’s more upbeat material. His vocal interpretation emphasizes the regretful quality of the lyrics, with careful attention to the emotional weight of individual phrases. The production features atmospheric keyboards and restrained orchestration that evoke the maritime setting without becoming overly literal or kitschy. “Ships” demonstrates Manilow’s ability to select and interpret material from diverse sources, bringing his distinctive vocal approach to songs that might not initially seem suited to his style yet ultimately becoming definitive recordings through his interpretive choices.

“I Made It Through the Rain” – Triumph Over Adversity

Released in 1980, this inspirational anthem co-written with Jack Feldman, Bruce Sussman, and Adrienne Anderson became an empowering message about perseverance and personal strength. The song’s structure builds from vulnerability to triumph, and Manilow’s vocal performance mirrors this emotional journey with increasing power and conviction. The production features dramatic orchestral swells and a gospel-influenced chorus arrangement that reinforces the song’s message of overcoming obstacles. Manilow delivers the lyrics with genuine conviction, avoiding the potential sentimentality that could undermine the song’s message. This track has resonated particularly with audiences facing personal challenges, becoming an unofficial anthem of resilience and demonstrating how Manilow’s music could serve purposes beyond mere entertainment.

“Somewhere in the Night” – Atmospheric Mystery and Romance

This 1978 Richard Kerr and Will Jennings collaboration showcases Manilow’s ability to create atmospheric mood through vocal interpretation and production choices. The song’s mysterious quality is enhanced by the arrangement’s use of synthesizers and strings to create an almost cinematic soundscape. Manilow’s vocal approach emphasizes the searching quality of the lyrics, with phrasing that conveys both hope and uncertainty. The production represents sophisticated studio craftsmanship, layering multiple elements without creating cluttered or overwhelming sonic texture. This track demonstrates how Manilow could work within the adult contemporary format while incorporating progressive production elements that kept his sound current and interesting throughout the late 1970s.

“Ready to Take a Chance Again” – Optimistic Opening to Love

Featured in the 1978 film “Foul Play” and nominated for an Academy Award, this Charles Fox and Norman Gimbel composition represents Manilow’s successful crossover into film music. The song’s message about remaining open to love despite past hurts resonated with audiences and became a top 10 hit. Manilow’s vocal delivery balances vulnerability with optimism, perfectly capturing the emotional nuance required by the lyrics. The production features a more contemporary 1970s pop sound, with prominent guitar work and lighter orchestration than some of his more elaborate ballads. This track’s success demonstrated Manilow’s versatility and his ability to adapt his style to different contexts while maintaining his distinctive vocal identity.

“The Old Songs” – Nostalgic Meditation on Music’s Power

This 1981 release explores how music triggers memories and emotions, creating a meta-textual commentary on Manilow’s own career and the role of popular music in people’s lives. The song’s lyrics reference the power of familiar melodies to transport listeners back to specific moments and emotions, a theme particularly relevant for an artist whose catalog had become part of the cultural soundtrack. Manilow’s interpretation emphasizes the bittersweet quality of musical nostalgia, delivering the lyrics with warmth and understanding. The production incorporates subtle references to different musical eras while maintaining a contemporary sound, creating layers of meaning that reward careful listening. This track represents mature artistry, with Manilow reflecting on his craft and its impact with genuine insight and emotional intelligence.

“Trying to Get the Feeling Again” – Emotional Archaeology

David Pomeranz wrote this deeply introspective ballad that became the title track of Manilow’s 1975 album, exploring the challenge of reconnecting with past emotions and experiences. The song’s complex emotional landscape requires subtle vocal interpretation, and Manilow rises to the challenge with a performance that balances yearning with resignation. The arrangement builds gradually from sparse accompaniment to fuller orchestration, mirroring the emotional journey described in the lyrics. Manilow’s phrasing throughout demonstrates his developing artistry, with attention to the emotional color of individual words and phrases. This track showcases his ability to inhabit material completely, creating believable emotional narratives through vocal performance and interpretive choices.

“New York City Rhythm” – Urban Energy Captured

This 1975 track celebrates the vibrant energy of New York City, where Manilow launched his career and developed his distinctive musical approach. The song’s rhythmic drive and upbeat tempo contrast with his better-known ballads, showcasing his versatility as a performer. Manilow’s vocal delivery captures the excitement and constant motion of urban life, with phrasing that emphasizes the rhythmic elements of the melody. The production incorporates percussion and horn sections that evoke the city’s diverse musical landscape, from jazz clubs to Broadway theaters. This track represents an important facet of Manilow’s artistic identity—his connection to New York’s musical traditions and his ability to translate urban energy into accessible pop music that celebrates rather than sentimentalizes city life.

“It’s a Miracle” – Spiritual Joy Through Love

Released in 1975, this uplifting track celebrates the transformative power of love with genuine joy and enthusiasm rather than cloying sentimentality. The song’s relatively uptempo arrangement and major key tonality create an immediately accessible and positive listening experience. Manilow’s vocal performance emphasizes the celebratory aspects of the lyrics while maintaining musical sophistication through his phrasing and dynamic choices. The production features bright, shimmering instrumentation including prominent piano and string arrangements that support the song’s optimistic message. This track demonstrates how Manilow could deliver unabashedly positive material with complete conviction, creating music that lifts listeners’ spirits without condescension or simplification of complex emotions.

“Some Kind of Friend” – Betrayal and Disappointment

This 1983 release explores the painful territory of friendship betrayal, with lyrics addressing the discovery that someone trusted has been disloyal. The song’s more contemporary production style reflects the early 1980s musical landscape while maintaining Manilow’s distinctive vocal approach. His interpretation emphasizes the hurt and anger inherent in the lyrics without veering into vindictiveness, maintaining emotional authenticity throughout. The arrangement incorporates then-current production techniques including synthesizers and drum machines while preserving the melodic sophistication that characterized Manilow’s best work. This track shows his ability to adapt to changing musical trends while maintaining artistic integrity and emotional honesty in his vocal performances.

“When October Goes” – Seasonal Melancholy Personified

This Johnny Mercer and Barry Manilow collaboration represents a unique artistic partnership, with Manilow setting Mercer’s posthumously discovered lyrics to music in 1984. The song’s autumnal imagery and melancholic tone create a sophisticated meditation on loss and the passage of time. Manilow’s vocal interpretation displays remarkable restraint and maturity, allowing the poetic lyrics to speak for themselves without excessive emotional embellishment. The production features tasteful orchestration that evokes the seasonal imagery without becoming overly literal, creating atmosphere through subtle instrumental choices. This track demonstrates Manilow’s respect for sophisticated lyric writing and his ability to serve the material rather than imposing a predetermined vocal approach, resulting in one of his most artistically successful recordings.

For those passionate about experiencing these classics with optimal sound quality, exploring options through comparison guides for premium headphones can significantly enhance your appreciation of Manilow’s nuanced vocal performances and elaborate orchestral arrangements. The production quality of these recordings deserves playback equipment that can reveal their full sonic richness.

Barry Manilow’s catalog represents more than just commercial success—it embodies a commitment to melodic sophistication, emotional honesty, and vocal craftsmanship that has influenced generations of adult contemporary artists. His ability to select material that showcased his strengths while challenging him artistically created a body of work that transcends the limitations sometimes associated with popular music. Whether delivering sweeping romantic ballads or uptempo celebrations of life’s joys, Manilow approached each song as an opportunity for genuine emotional connection with his audience.

The enduring appeal of these songs lies not just in nostalgia but in their fundamental musical quality—strong melodies, intelligent arrangements, and performances that balance technical skill with authentic emotional expression. For anyone looking to discover or rediscover these classics, modern streaming platforms make exploring extensive song catalogs more accessible than ever, allowing new generations to appreciate the craftsmanship that made Manilow a household name.

His influence extends beyond his recorded output to his live performances, which have consistently demonstrated his commitment to entertaining audiences with professionalism and genuine warmth. The theatrical elements he incorporated into concerts—elaborate staging, costume changes, and narrative frameworks—elevated popular music performance while maintaining focus on the songs themselves. For audiophiles seeking to experience concert recordings with clarity, investigating quality earbud options can provide portable access to his extensive live catalog.

Frequently Asked Questions

What is Barry Manilow’s biggest hit song?

“Mandy” stands as Barry Manilow’s biggest commercial hit, reaching number one on the Billboard Hot 100 in 1975 and becoming his signature song. This breakthrough ballad established him as a major recording artist and remains his most recognized composition globally. The song’s emotional depth and memorable melody have ensured its continued popularity across multiple generations of listeners, and it regularly features prominently in retrospectives of 1970s popular music.

Did Barry Manilow write his own songs?

Barry Manilow co-wrote many of his hits including “Copacabana,” “I Made It Through the Rain,” and “Could It Be Magic,” though he also achieved tremendous success interpreting songs written by others like “I Write the Songs” and “Mandy.” His talent extended beyond performance to include sophisticated arrangements and production work on his albums. Manilow’s ability to select material that suited his vocal strengths and artistic vision proved as important as his songwriting contributions to his overall career success.

What genre of music is Barry Manilow known for?

Barry Manilow is primarily associated with adult contemporary and pop music, though his work incorporates elements of jazz, Broadway theater, and classical music. His classical training is evident in compositions like “Could It Be Magic,” which incorporates themes from Chopin. This diverse musical foundation allowed him to create sophisticated arrangements and performances that transcended simple categorization, appealing to audiences who appreciated both accessibility and musical complexity.

How many number one hits did Barry Manilow have?

Barry Manilow achieved two number one hits on the Billboard Hot 100: “Mandy” in 1975 and “I Write the Songs” in 1976. However, his commercial impact extended far beyond chart-topping singles, with numerous top 10 hits and consistently strong album sales throughout the 1970s and early 1980s. His success on the Adult Contemporary charts was even more pronounced, where he dominated with multiple number one recordings.

Is Barry Manilow still performing and recording music?

Yes, Barry Manilow continues performing regularly, maintaining an active concert schedule including residencies in Las Vegas and touring internationally. His dedication to live performance has remained consistent throughout his career, with shows that combine his classic hits with more recent material. Manilow has also continued recording, releasing albums that showcase both new compositions and reinterpretations of standards, demonstrating his ongoing commitment to musical artistry.

What awards has Barry Manilow won throughout his career?

Barry Manilow has received numerous prestigious awards including Grammy Awards, Emmy Awards, and a Tony Award for his contributions to music and entertainment. His Grammy win for “Copacabana” recognized both his performance and the song’s exceptional composition. Beyond competitive awards, he has received honors acknowledging his overall contributions to American popular music, including induction into various halls of fame and recognition from songwriting organizations.

Author: Andy Atenas

- Senior Sound Specialist

Andy Atenas is the lead gear reviewer and a senior contributor for GlobalMusicVibe.com. With professional experience as a recording guitarist and audio technician, Andy specializes in the critical evaluation of earbuds, high-end headphones, and home speakers. He leverages his comprehensive knowledge of music production to write in-depth music guides and assess the fidelity of acoustic and electric guitar gear. When he’s not analyzing frequency response curves, Andy can be found tracking rhythm guitars for local artists in the Seattle area.

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