Finding the best microphones for podcasting transformed my content creation journey completely. After years of recording interviews, solo episodes, and remote conversations, I’ve learned that your microphone choice fundamentally shapes how your audience connects with your message. The right mic captures the warmth and nuance of your voice while rejecting room noise and handling variations in speaking distance gracefully.
The podcasting microphone landscape has evolved dramatically. Modern USB mics now rival traditional XLR setups in sound quality, while maintaining the plug-and-play simplicity that lets you focus on content rather than technical troubleshooting. I’ve tested dozens of microphones across different price points and connectivity options, and these five consistently deliver professional results that elevate podcast production quality. Whether you’re launching your first show or upgrading from starter gear, understanding how these microphones perform in real-world scenarios will help you make the investment that best serves your creative vision.
| Microphone | Type / Connectivity | Key Strengths | Drawbacks |
|---|---|---|---|
| Shure SM7B | Dynamic XLR | Iconic broadcast sound; exceptional noise rejection; rugged construction; minimal EQ needed; internal shock and pop filtering; bass/presence controls for tone shaping | Requires strong preamp or Cloudlifter; XLR-only; higher cost; needs consistent mic technique |
| Rode PodMic | Dynamic XLR | Designed specifically for podcast voices; internal pop filter; durable all-metal build; great clarity and control; forgiving for beginners; excellent value | Needs decent preamp gain; limited versatility outside voice work; slightly darker top-end; no USB |
| Audio-Technica AT2020USB+ | Condenser USB | Studio-grade sound via plug-and-play USB; zero-latency monitoring; detailed high-end response; dual USB/XLR options; professional-grade ADC quality | Sensitive to room noise; fragile compared to dynamics; minimal desk stand; requires acoustic control |
| Electro-Voice RE20 | Dynamic XLR | Legendary smooth broadcast tone; Variable-D minimizes proximity effect; superb pop and noise rejection; humbucking coil eliminates electrical interference; consistent across voices | Premium price; heavy and large; needs strong preamp; XLR-only; may block camera view in video setups |
| Samson Q2U | Dynamic USB + XLR | Best beginner value; dual connectivity future-proofs setup; rejects background noise well; comes with full accessory kit; zero-latency headphone monitoring | Sound slightly less refined than pro models; USB preamp modest; handheld form factor awkward on desk; less brand prestige |
Shure SM7B: The Broadcast Standard That Lives Up to the Hype
The Shure SM7B has achieved almost legendary status in the podcasting world, and after using mine for over two years across hundreds of episodes, I understand why it’s become the microphone everyone recognizes from their favorite shows. This dynamic cardioid mic delivers that coveted radio-quality voice that sounds polished and professional without excessive processing, though it requires more gain than many interfaces provide without a cloudlifter or quality preamp.
The SM7B excels at rejecting off-axis sound, which means background noise, room reflections, and even other people talking nearby stay remarkably quiet in your recordings. I’ve recorded successful episodes with construction happening outside my window something that would have been impossible with more sensitive condenser microphones. The tradeoff is that you need to maintain consistent microphone positioning and speaking distance, which takes some practice but becomes second nature after a few sessions.
Pros:
- Exceptional off-axis noise rejection ideal for untreated rooms
- Broadcast-quality sound that requires minimal EQ
- Rugged build quality that handles daily studio use
- Internal shock mounting eliminates most handling noise
- Presence and bass controls provide flexibility for different voices
Cons:
- Requires significant clean gain (often necessitating a Cloudlifter or quality preamp)
- Higher price point than many starter podcasting mics
- XLR connectivity requires audio interface investment
- Needs consistent positioning for optimal sound quality
Rode PodMic: Purpose-Built Dynamic for Podcast Voices
The Rode PodMic entered my studio as a lower-cost alternative to the SM7B, and it’s proven itself as much more than a budget option it’s a genuinely excellent microphone that I now recommend without hesitation for podcast-focused applications. Rode designed this dynamic cardioid specifically for spoken word recording, and that focused engineering shows in how naturally it captures vocal fundamentals while controlling sibilance and plosives that plague many recording sessions.
The build quality reflects Rode’s Australian manufacturing standards. The all-metal construction feels substantial and durable, with a tight internal suspension system and a solid mount that locks securely onto boom arms without the play or wobble I’ve experienced with cheaper microphones. Like other dynamic mics, the PodMic requires an audio interface with decent preamp gain, though it’s slightly more sensitive than the SM7B and works well with mid-tier interfaces without additional gain boosters. I’ve used this microphone for everything from intimate interview conversations to energetic solo commentary, and it handles vocal dynamics beautifully across different presentation styles. For podcasters who want professional sound without the learning curve or additional investment that comes with more demanding microphones, the PodMic represents exceptional value.
Pros:
- Excellent vocal clarity optimized specifically for speech
- Internal pop filter reduces plosive issues effectively
- Robust build quality with reliable shock mounting
- More affordable than competing broadcast-style dynamics
- Forgiving performance ideal for developing microphone technique
Cons:
- Requires audio interface with adequate preamp gain
- Limited versatility outside podcast/voiceover applications
- Slightly less refined top-end compared to premium dynamics
- XLR-only connectivity (no USB option available)
Audio-Technica AT2020USB+: The Gateway to Professional Sound
The Audio-Technica AT2020USB+ holds a special place in my gear collection because it was the microphone that first showed me what professional podcast audio could sound like. This large-diaphragm condenser with built-in USB connectivity bridges the gap between consumer gear and professional recording equipment, delivering surprisingly detailed vocal capture without requiring a separate audio interface investment. After I reviewed this mic for several projects spanning different genres and recording environments, I consistently reached for it when I needed quick setup without sacrificing sound quality.
What distinguishes the AT2020USB+ from countless generic USB condensers is Audio-Technica’s experience building studio microphones. The capsule itself derives from the original AT2020 XLR version, which has earned respect as a reliable studio workhorse for nearly two decades. The USB implementation includes a quality analog-to-digital converter that captures the microphone’s extended frequency response without introducing the digital harshness that plagues cheaper USB mics. The built-in headphone jack with volume control and mix adjustment lets you monitor yourself directly through the microphone with essentially zero latency a feature I now consider essential for any USB podcasting mic after experiencing how distracting even slight monitoring delays can be.
For podcasters working in decent acoustic environments who want USB convenience with legitimate studio-quality sound, the AT2020USB+ delivers remarkable value. It’s particularly well-suited for solo podcasters and remote recording scenarios where you can control your environment, though comparing different headphone options for monitoring becomes important when you’re relying on the built-in headphone output for extended sessions.
Pros:
- Studio-quality large-diaphragm condenser sound via simple USB connection
- Built-in headphone monitoring with zero-latency direct monitoring
- Extended frequency response captures vocal detail beautifully
- Includes both USB and XLR outputs for versatility
- Solid build quality from respected microphone manufacturer
Cons:
- Condenser sensitivity picks up room noise and reflections
- Requires better acoustic treatment than dynamic alternatives
- Included desk stand is minimal (boom arm recommended)
- More fragile than rugged dynamic microphones
- Proximity effect requires consistent positioning discipline
Electro-Voice RE20: The Classic That Never Goes Out of Style
The Electro-Voice RE20 represents old-school broadcast engineering done right, and it remains one of my favorite microphones for podcast recording despite being a design that hasn’t fundamentally changed in decades. This large-diaphragm dynamic has been the voice of American radio since the 1960s, and when I first tested one in my studio, I immediately understood why so many legendary broadcasters and podcasters choose this microphone for their signature sound. The RE20 delivers smooth, natural vocal reproduction with a presence that commands attention without sounding hyped or artificially enhanced.
What sets the RE20 apart from other dynamics is the Variable-D technology that EV engineered to minimize proximity effect the bass boost that occurs when you work close to most directional microphones. This means you can maintain consistent tone quality even when your distance from the microphone varies slightly during animated conversation or interview banter. In my experience, this forgiving characteristic makes the RE20 particularly valuable for multi-host podcasts where different speakers have varying microphone techniques. The internal pop filter also works exceptionally well, managing plosives and breath noise so effectively that I rarely bother with external pop filters anymore (though some particularly aggressive P and B sounds may still benefit from one).
The frequency response creates what I think of as the “authoritative broadcaster” voice present and clear with enough low-end warmth to sound intimate without becoming boomy. When I tested the RE20 against the SM7B for podcast applications, I found the RE20 slightly more flattering to a wider variety of voices without adjustment, while the SM7B offered more sonic flexibility through its built-in switches. The RE20 is also remarkably quiet in terms of self-noise and handling characteristics. The internal shock mounting isolates the capsule effectively, and the humbucking coil eliminates electromagnetic interference from nearby equipment, which proved invaluable when recording in electrically noisy environments with multiple computers and devices running nearby.
Pros:
- Variable-D technology minimizes proximity effect for consistent tone
- Smooth, natural broadcast-quality voice reproduction
- Exceptional internal pop filtering and shock mounting
- Humbucking coil eliminates electromagnetic interference
- Proven reliability with decades of professional use
Cons:
- Premium price point comparable to SM7B
- Substantial weight requires quality boom arm support
- Needs significant preamp gain for optimal performance
- Large physical profile may obstruct sightlines in video podcasting
- XLR connectivity requires audio interface investment
Samson Q2U: The Best Value for Beginners Who Plan to Grow
The Samson Q2U might be the smartest first microphone purchase for aspiring podcasters, and it’s remained in my studio as a backup and travel option long after I upgraded to more expensive gear. This handheld dynamic offers both XLR and USB connectivity in a single package, which means you can start podcasting immediately with just a computer connection, then graduate to an audio interface later without replacing the microphone itself. When I tested the Q2U against microphones costing several times more, I was genuinely impressed by how little sonic compromise this budget option requires.
The microphone’s dynamic capsule design rejects background noise effectively not quite at the level of the SM7B or RE20, but substantially better than condenser alternatives in this price range. I’ve recorded successful podcast episodes in moderately noisy environments where affordable condensers would have been unusable, which speaks to the practical value of dynamic design for real-world podcasting. The cardioid pattern is reasonably tight, and the frequency response emphasizes speech intelligibility without creating harsh sibilance or unnatural coloration. What impressed me during extended testing was how well the Q2U handles different voice types; whether you have a deep resonant voice or higher register delivery, the microphone maintains clarity and presence that translates well across different playback systems and streaming platforms featuring diverse musical content.
The included accessories represent exceptional value you get a desk stand, XLR cable, USB cable, and a basic foam windscreen in the package, which means you can literally start recording within minutes of opening the box. The USB implementation includes a headphone monitoring output with volume control, allowing zero-latency monitoring that’s essential for comfortable recording. While the audio interface and preamp inside the USB circuit isn’t as refined as the AT2020USB+, it’s completely adequate for podcast applications and will serve you well until you’re ready to invest in dedicated interface equipment.
Pros:
- Dual XLR and USB connectivity provides immediate use and future growth path
- Impressive sound quality for the budget-friendly price point
- Complete accessory package includes everything needed to start recording
- Rugged construction withstands beginner handling and travel
- Built-in headphone monitoring for zero-latency recording feedback
Cons:
- Slightly less refined sound compared to premium dynamics
- USB preamp quality adequate but not exceptional
- Handheld form factor requires proper boom arm for optimal positioning
- Not quite as effective at background noise rejection as broadcast-tier dynamics
- Limited brand recognition compared to industry standard options
Choosing Your Podcast Microphone: What Actually Matters
Dynamic microphones like the SM7B, PodMic, RE20, and Q2U excel in untreated rooms and noisy environments, making them ideal for home podcasters who can’t dedicate an entire room to acoustic treatment. Condenser microphones like the AT2020USB+ capture more detail and deliver that intimate studio sound, but they demand quieter, acoustically controlled spaces to shine.
Your connectivity preference also shapes the decision. USB microphones offer immediate simplicity plug into your computer and start recording within minutes. This matters enormously when you’re beginning your podcast journey and want to focus on content creation rather than audio engineering. XLR microphones require an audio interface investment but provide superior signal quality, greater upgrade flexibility, and the option to use professional audio processing that serious podcasters eventually need. When I’m evaluating different audio equipment options for my studio, I always consider the total system cost rather than just the microphone price, because the supporting gear significantly impacts your final sound quality.
Think honestly about your recording environment. If you’re in a carpeted room with soft furnishings, curtains, and acoustic absorption, condensers become viable options that reward you with beautiful vocal detail. If you’re in a hard-surfaced room with bare walls and reflective surfaces, dynamic microphones will deliver cleaner results regardless of their technical specifications. I’ve heard fantastic podcasts recorded on budget dynamics in treated spaces and terrible recordings made with expensive condensers in echo chambers the room matters more than most podcasters initially realize.
Frequently Asked Questions
Do I really need an expensive microphone to start a podcast?
No, you absolutely don’t need expensive gear to launch a podcast, and some of my favorite shows use surprisingly modest equipment. The Samson Q2U proves that affordable microphones can deliver professional results when you understand their strengths and record in reasonable environments. What matters more than microphone cost is your recording technique, room acoustics, and the value of your content itself. I’ve seen podcasters struggle with thousand-dollar setups in terrible rooms while others create compelling shows with hundred-dollar gear in treated spaces. Start with equipment that matches your current budget and commitment level, then upgrade strategically as your show grows and you understand your specific needs.
Should I choose a USB or XLR microphone for podcasting?
This decision hinges on your technical comfort level and future expansion plans. USB microphones like the AT2020USB+ or Q2U offer immediate simplicity you literally plug them into your computer and start recording without additional equipment purchases. They’re ideal for solo podcasters, remote recording scenarios, and beginners who want to focus on content rather than audio engineering. XLR microphones require an audio interface investment but provide superior sound quality, lower noise floor, and expandability when you want to add multiple microphones for co-hosts or guests. In my studio, I use XLR for primary recording because the flexibility and quality justify the complexity, but I keep USB options available for quick recording sessions and travel situations.
How important is acoustic treatment compared to microphone quality?
After recording in dozens of different environments, I’m convinced that room acoustics impact your sound quality more dramatically than microphone choice within the same category. A dynamic microphone like the PodMic will sound remarkably consistent across different rooms because it naturally rejects off-axis noise and reflections. A sensitive condenser will sound incredible in a treated space but capture every reflection, echo, and ambient noise in an untreated room. Before upgrading from a decent microphone to an expensive one, invest in basic acoustic treatment—even simple solutions like heavy curtains, area rugs, and strategically placed moving blankets create dramatic improvements. When I tested the same microphone in my untreated office versus my acoustically treated recording space, the difference was honestly more significant than switching between microphones in the same room.
Can I use these microphones for music recording or just podcasting?
While all these microphones excel at podcast applications, their versatility for various musical instruments varies considerably. The SM7B and RE20 are legitimate studio workhorses used on countless professional recordings the SM7B particularly shines on vocals, guitar cabinets, and even snare drums, while the RE20 has captured everything from kick drums to bass cabinets to broadcast voiceovers for decades. The AT2020USB+ works beautifully for acoustic instruments and vocals when you want USB convenience, though the XLR version offers more professional flexibility. The PodMic is specifically optimized for speech and less versatile for music applications, while the Q2U functions adequately for basic music recording but shows its budget limitations compared to dedicated studio microphones. If you’re building a multi-purpose recording setup, the SM7B and AT2020USB+ deliver the most versatility beyond podcasting applications.
How much difference does a Cloudlifter or preamp really make?
This question came up repeatedly when I first started testing hungry microphones like the SM7B, and the answer genuinely surprised me. A quality preamp or inline gain booster like the Cloudlifter CL-1 transforms low-sensitivity dynamics from usable to exceptional by providing clean gain without introducing noise or distortion. When I first connected my SM7B to a basic audio interface, I had to crank the gain nearly to maximum, which introduced audible noise floor and limited my dynamic range. Adding a Cloudlifter allowed me to run the interface gain around 50%, delivering cleaner signal with more headroom for processing. The difference isn’t subtle—it’s the distinction between adequate sound and broadcast-quality audio. If you’re investing in the SM7B or RE20, budget for proper gain staging equipment unless your interface has exceptionally clean, high-gain preamps (typically found in units costing $300 or more).
What accessories should I budget for beyond the microphone itself?
When I help podcasters plan their complete setup, I emphasize that the microphone represents just one component of the total system. For XLR microphones, you’ll need an audio interface (starting around $100-150 for decent quality), XLR cables (budget $15-25 for quality cables that won’t introduce noise), and ideally a boom arm ($30-100 depending on quality and weight capacity) to position the mic properly. I strongly recommend a pop filter ($10-30) even for microphones with internal screening, because harsh plosives can still overwhelm internal filtering. Closed-back headphones for monitoring are essential selecting the right monitoring headphones significantly impacts your recording comfort and editing accuracy. For room treatment, even basic acoustic panels or DIY absorption solutions dramatically improve your results.